Archive for the ‘fine art’ Category
Few weeks ago I participated at a group exhibition Flower Power in Kallio Kunsthalle in Helsinki. The director and founder of the gallery is Petri Saarikko with whom we were working together at Fabrica, the research center of communication of United Colors of Benetton. We were there in years 2000/01. I’ve made this short video about the documentation of the exhibition. I hope you will like it. The gallery is known for it’s non-mainstream exhibitions and it’s alternative representations of artwork. I’m saying they are post-postmodern gallery.
In fact I had two exhibition. Beside the one in the kunsthalle, the second was more candid. Petri printed my Great Depression pictures and we pin them on their pinboard and put them the window of Elokolo. Elokolo is an organisation that among other things also offers support to people who became unemployed. In the morning when they are offering free meal, they invited me to give a speech about my work, highlighting Great Depression project.
I had a lovely time in Helsinki. I met Tarmo, the main wet plate president from Estonia. In Helsinki we did a crash course on wet plate negative and salt printing. I tell you, wet plate negative is going to be the new topshit thing! Tintypes are so tenties…
The video and about the show photographs done by Markele Zid
Last few weeks too much stuff happened. But let me share them on my blog chronologically. On 13th of February I’ve opened a solo show in Slovenian Association Club in Pula, Croatia and it will be open for a month time. On the show I’m exhibiting 39 pieces of my series Family Album. With resources that I had, I was using different kinds of frames, so I conceived the show in a dynamic manner. Different walls, different frames, different emotions,…Yesterday I’ve made a great self-portrait with my daughters. Do you know the story of Janus? Wiki: In ancient Roman religion and myth, Janus (Latin: Ianus, pronounced [ˈiaː.nus]) is the god of beginnings and transitions, thence also of gates, doors, passages, endings and time.
Ciao ragazzi, I’ve listed a new print on EBAY, starting as an auction of US $0.99.
The story about this print is:
Beside 19th century photography processes I love contemporary art just as well. By Wikipedia the definition of contemporary art begins with a sentence: Contemporary art is art produced at the present period in time.
I am not an art historian, but I think that’s nonsense! If I create the same kind of images that were made 100 years ago, how can that be a contemporary art work? By my definition contemporary art has nothing to do with the current time that was created but with the attitude to create something that wasn’t done before. Contemporary art (by my personal understanding) is taking reference from art history but involving in the concept contemporary issues and by doing that the artist get across a certain personal view, a certain personal message. Because contemporary art is always a sort of an experiment, that is why contemporary art is so experimental, so unique and without one leading concept or aesthetic.
And this is my artistic credo in creating this photograph. Most of the story is told in the movie. In the movie I’m making a reference to the book Looking at Photographs by Szarkowski. I want to add that in 1995 I’ve seen an exhibition of Andreas Gursky in Georges Pompidou Center, Paris and one of the most impressive images was a huge picture of running shoes. I can’t find the image on Internet, but let me describe that visually the Gursky’s image was looking like a perfect product shot printed as a C-Type print size about 2×3 meters. I didn’t like the image at the time and to be honest I’m not fan of his work even now, but that does not mean I can’t learn something from his work.
The point of Gursky’s running shoes is basically the same as mine. I know, you’re seeing that kind of shoes every day, but look again! In the contrast to Gursky, my running shoes are really mine and I did run many hundred of kilometers with them and wore them out totally. My feet are imprinted in the shoes and so are thoughts… The first lesson I draw from Gursky’s work is that the trivial object can look extraordinary if presented in such a way.
The second visual reference is the book One Third by Klaus Pichler. I bought it at Anzenberger Gallery bookshop. The book is fantastisch! The little visual element that I needed for my image was the elevated object on black canvas.
The carbon print is made from wet plate collodion negative and it’s a part of a limited edition of 12 prints. I’ll donate one to George Eastman House, where I’ve learned this beautiful technique and I’ll donate one print with the running shoes to the SONS Museum for the collection of shoes by artists. But the copy number one goes to ebay as an auction starting from US 0.99$.
With the work I’m making an artistic statement about our consumer society, about how public relation image is cherished more then the real thing or a real person itself.
Because readers of my blog share with me a passion toward technical solutions of these antiquarian techniques I feel obligated to write about that as well. I was using Vageeswari 10×12″ camera with Voigtlander Heliar 300mm lens, closed down to f/32. I’ve illuminated the shoes with four flash heads of joined power 7000Ws and to achieve good density I had to flash 54 times. Wet plate collodion negative loves flash light, but as a lazy medium needs a lot of light! I was developing the negative for 3 minutes.
For carbon print I was using Indian Ink as a pigment and for temporary support of carbon tissue I was using the back side of cibachrome paper. You can see brown emulsion of the paper in the video. For final support I’ve used fixed out gelatin paper.
On the end let me thank Marcos Núñez Cid, my assistant from Spain for making this wonderful video.
PS: By the way, that’s already second print from the project. You can see the post about the first salt print that was sold to China for something more than US $300 (with shipping).
Today I wanted to go early to bed. I had exhausting two weeks behind me, so I took my ipad and on youtube I searched for Paul Strand. I am a fan of his work, who isn’t, but I was not familiar with his life story. I was deeply moved with the part when he was almost blind and was asking his wife to focus enlarger and describe him what is she seeing. I remembered that when I was in secondary school I was dreaming that once I will have a darkroom and I will not have to negotiate with my mother when can I occupy our bathroom, I will get up and make a print for the fun of it! I remember the feeling how cool will that be!
It was 10pm and I did just that! I went to make a print. Here it is. It’s for my next exhibition of Family Album in Pula, Croatia, on 13th of February. I read somewhere that Ansel Adams was fixing his prints with plain hypo (sodium thiosulfate) fixer, because this plain fix is not hardening emulsion and also it does not contain acids on the contrary to rapid fixers. Selenium toner needs alcaic solution to work best.
I’m really pleased with the tone and the effect of selenium toner. It gives more cooler tone and intensify blacks. The contrast on the reference test print is 0.5 grade, but for the final print I’ve increased it to 1.0 grade. I was using Ilford multigrade paper.
Do you remember my project Great Depression? I’ve start working on it in December 2012 (LINK) and I had exhibition in October 2013 (link) Yesterday I continued to work on the project. I was in meat factory MIP D.D. (in bankruptcy process). I really wanted to document this factory, because it’ll bring a new dimension to my picture series. Images are showing a disassembly line of a living beings and it the context of my Great Depression photography project, it could be interpreted as a disassembly line not for cattle and pigs, but for humans. Say no more. Images are images and every possible interpretation is a valid one.
I think I’ll go one more time to the slaughterhouse and make few more images…
OK, let’s start with the new member of my family. Please read captions of my images, this post will be more in telegraphic style.
I bought a petzval lens! Gasc & Charconnet Paris Vintage lens is less known and less expensive than Dallmeyer or Hermagis but it’s in the same quality range. Made in years around 1860′s. So now I’m playing around, see what the baby have to offer. Please read the captions and you’ll see what images are done with the lens. Most of them.
I’m so much in love with carbon prints! it’s amazing! I love it.
Dry Preserved Collodion Negatives
As much as I love the idea of not carrying all the chemistry and a darkroom around, the dry collodion is not a shortcut. You spend ten times as much time to process one plate. Just developing of a single plate that I’ve shot today it took me literally an hour! That being said, it’s very useful tool to have in my assortiment of expression.
PS: That chopped down tree was cut by a beaver. It’s amazing, that this animals that are almost extinct are living literally in downtown of Dolenjske Toplice! Look carefully the last image, you’ll see that the beaver chewed whole trunk! So cool!
Astrid asked me if I could take a picture of fantastic vintage studio backgrounds that were using Josip Pelikan, so after I got a permission from the museum I’m publishing them on my blog. On Flickr you can download a hires file of the image, just click all sizes. Vintage backgrounds are dated about 1930′s. The skylight studio was built in 1898 and bought by Josip Pelikan in 1922. Nowadays Josip Pelikan Photographic Studio is a branch of the Celje Museum of Recent History. If you going to use the files to make your own vintage look studio background, just leave a note in the back that it was done on the basis of backgrounds from Josip Pelikan Studio, Celje, Slovenia, EU. A lot of people from MNZC museum worked hard to renovate the skylight studio and we owe them at least a credit. THX.
I’ve been thinking. My friend ordered a painted movie poster from India and if you know a painter’s service like that, share the info and good luck! Perhaps we can make a group order and get a discount. Just a thought…
Yesterday I was portraying in the studio and I’ve made this plate. Also a colleague photojournalist Andraž Purg came by and made a portrait of me.
The book I’m presenting is a fruit of collaboration at the workshop. I’ve learned hugely by just watching Klavdij going through images, picking one, the other, changing the order, putting it back on the pile and so on. We called it Sluban’s magic, because although sometimes images that were on the table were not impressive at all, but his selection of just say 8 images and juxtapositioning them in certain order, did made a huge difference. You can not understand if you don’t witness it. I’ve been at workshops with many many famous photographers, from Martin Parr, Duane Michals, Joel Peter Witkin and many others, but I haven’t seen anything like it. I knew from our first meeting that all I need to learn at the workshop is to tap on his frequency of thinking and the result is evident here in this book. Mark Osterman gave me a great comment. He loved that I used different camera formats (6×6, 4×5″, 8×10″) and also different processes (b&w film, wet plate collodion – ambrotype and wet plate negative) and I blended them all together in a book almost seamlessly. That’s Sluban’s magic, I tell you!
Dear topshit readers,
I’m awfully proud on the following book I’ve made. I’ve joined an excellent workshop with Klavdij Sluban. Klavdij Sluban is an extraordinary photographer and won so many prestigious photography awards. One of the most important award was certainly European Publishers Award 2009 and this year he was one of the juror for Leica Award 2013. It’s fortunate for us that his parents were Slovenians and although he was born in Paris, he spend his childhood in Slovenia, so he speaks fluently Slovenian (among other half a dozen languages). He made a generous offer to make a whole year lasting workshop and we would meet six weekends across the whole year. His only condition was not to advertise the workshop internationally, but invite only Slovenian photographers. Last week we had an opening of exhibition as the final stage of our workshop.
As I’m describing in the video I was aware that the story about the most beautiful children in the world is not enough. I shaped my concept around my fears and delights of being a parent. When I was a child, ten years old, I burned myself with a gasoline and almost died. When I became a parent I experienced fears for my children and one day I was strucked by a thought, what my parents had to go through at the time of my accident!
The book is on ebay (LINK) if you want a copy. If you want a print as well, I’ve just put two prints on ebay and link is listed below.
A link to the gallery of images on my website.
Dear topshit readers,
Half a year ago I’ve done an experiment, I’ve sold a print on ebay, as an auction starting from $0.99 USD and after 5 days it was sold for $111 USD (LINK). Few weeks later an auction for the second print won $182 USD (LINK). These two sales were just a test to see how ebay works and what could be done and at what prices a print could be sold. I was very happy to see that it does work. Many people congratulated me for the courage to expose my work full monty to ebay auction, but I was also a target of a critic that the price my prints won, were ridiculous.
What I couldn’t explain to the critics is that it’s not so much about the money, it’s more an experiment how to sell art. I was invited to give a TEDx speech in Ljubljana where I’ll talk to 600 people live and few thousands on-line.
Not to mention the theme how to sell art is the mission impossible here in this corner of the world! I live in Slovenia, that’s the only country in EU (beside Cyprus) that still have recession, (that’s -3% recession!!!) and an art market is totally and utterly DEAD. The most prominent artists are dependent on grants, but I’ve decided to try something different.
I’ve explained everything in the video, I just want to add that the key element of the project is to give all my aces out of my sleeve. The print I’ve done and the way it’s presented is the best way I can. I am not able to do it any better. I wasn’t sparing any money. When I was cutting the glass negative my hands shook. They really did. I couldn’t believe it!
Oh, one more thing. Even though I was satisfied with my first ebay sales I pulled a handle brake and stopped selling my prints. I hit a question that I couldn’t answer. Why would someone buy a print from me for 1000 EUR, if I’m actioning my prints on ebay, starting with $0.99 USD? It took me literally two months to find an answer to that. And it goes like this. I need to make the ebay adventure as an art project by itself. I need to find an unique motif and a concept that will be solely devoted to the ebay auction experiment and by doing that I will protect my other work to be affected by the inflation of the price. I would never sold a print from lets say my best project Flower Power for less than 700 EUR. (which I did to a Dutch collector, long, long time ago…)
HERE is the LINK to the ebay listing. It will end Nov 27, 2013 11:23:04 PST.
With the project I’m trying to document the state of bankrupt companies with emphasis on the things that workers left behind. I’m known as a portrait photographer and although this time there are no people on my images, the human presence is very evident. I hope you will enjoy the video and hope to see you at the opening!
Dearest readers, one more thing. This is the 1000th blog post on my blog! I’ve been blogging since September 2006 and here we are at the 1000th post! A lot of things changed in this time and I’m happy I was blogging about it. I was thinking hard how to mark this anniversary. Due to the occasion, let’s call this week an artist to artist week. If you send me something that you’ve done I’ll send you back something that I’ve done. It’ll probably be a gelatin print, but who knows… If you make a good marmalade, I’ll exchange a print for a jar of marmalade. Or for whatever, just please keep in mind that the offer stands only for a week, so if you are really up for “Creation 4 Creation” deal, please send me before 7th of October 2013 on the address Cviblje 40, 8350 Dolenjske Toplice, Slovenia, EU. And don’t forget to write your address