TOPSHIT PHOTOGRAPHY blog

borut peterlin, slovenia, ambrotype, Portrait photography, Wet Plate Collodion, Analog Film photography

Archive for the ‘story behind theportrait’ Category

Collodion portrait of an actor Branko Jordan

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20140523-branko-jordan001 Anton Podbevšek Teater will have tomorrow a premier of new theater show,
AMOR OMNIA VINCIT* and I’ve made digital documentation of the show, but I couldn’t resist not to take a snapshot in collodion technique of my friend Branko Jordan, one of the most prominent actor of his generation in this corner of the world. The plate has some fog, but concerning the timing and working condition I love it. In fact the fog, stains and everything else is just ideal for my taste!

For the promotion of theater shows I also developed a form of video teaser for Internet and social networks. It’s a mixture of video and photography, accompanied by a statement of the director followed with a scene from the show, to illustrate abstract words of the concept with an example from the show. This form of a teaser I perfected over two years and now I think it’s best that I could do. It also attract a lot of attention and popularize theater among iGeneration.

Blažka Müller Pograjc: AMOR OMNIA VINCIT*
Director: Matjaž Pograjc
Actors: Katarina Stegnar, Gorka Berden, Marijana Brecelj, Branko Jordan, Pavle Ravnohrib, Vito Weis in Enya Belak, Tamara Polanc, Kristina Rozman, Veronika Valdés
Produkcija: Anton Podbevšek Teater
Photography, video and editing: Borut Peterlin

And Now For Something Completely Different – Topshit Fashion in Wet Plate Collodion

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Alenka Slavinec, portrayed by Borut Peterlin in wet plate collodion technique.

Alenka Slavinec is my friend and colleague photographer, but she is also film producer. Lately she is fully engaged as an editor of Fashion Avenue Kuwait magazine. She is globe trotting all the time, but a week ago she called me and expressed that she would like to have a portrait in wet plate collodion, so she came to my house and on Sunday. All three portraits are ambrotypes format 8×10″. On the first plate I realized that although it was a bright day, green leaves were filtering all blue and UV light (that’s their job), so exposure was taking too long. Luckily in my past life I was an incarnation of a digital photographer and all expensive equipment is still in Da Houze, so I pulled out my Elektrona’s Flash Feeder and two studio flashes of joined power 2250Ws.

The second plate was perfect. Really perfect. Black dress is defined against black background and if you do ambrotype or tintype process, you know how contrasty this medium is. It has a dynamic range of a cat after a massive meal. Then we made another one and we went for a lunch at Kolesar restaurant. It was really cool Sunday.

Side note: I know how to do fashion photography, I’ve been assisting Oliviero Toscani (UC of Benetton) among other things, but the truth is I don’t have a talent for fashion – that’s fashion as how to dress and mostly (!) care how you are dressed, as is evident on behind the scene pics. Perhaps I’m making a mistake. Am I?

Klemen Slakonja, wet plate portait

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Portrait taken on 4x5" camera with petzval lens, exposed on wet plate collodion plate. This is retouched version, I retouched his face from the film negative I've recorded.

Portrait taken on 4×5″ camera with petzval lens, exposed on wet plate collodion plate. This is retouched version, I retouched his face from the film negative I’ve recorded.

Klemen Slakonja is an actor and rising star of TV show business in Slovenia. Few weeks ago I had to make his portrait, but it was raining. I decided to do the portrait in wet plate collodion just the same. Under rain, no sweat! OK, it was just sprinkling rain, but on the end of the shoot I was all wet. I got used to that, actually. Wet wet plate photographer, why not! I arrived half an hour before the shoot, mix the developer and prepare first plate. We exposed it, but when I wanted to develop it I knock the glass beaker off the table and it crashed in front of us.

Klemen was kind enough to wait that I’ve mixed the developer again, but I didn’t filter it, i didn’t had time for that. Plate was fogged so his face wasn’t recognizable. I’ve repeat the portrait with the same camera, Linhof lens and I was exposing normal B&W film. At home I scanned the collodion plate, scanned the film negative and photoshoped that his face was recognizable. Lucky for me, I know all sorts of photography, so if I’m forced to, I use every possible tool to deliver a good portrait to a reader of Mladina weekly magazine. After all the stress, the picture looked fantastic in the printed magazine and it’s one of my favorites.

Perhaps you might wonder why have I portray Klemen as a cowboy. Let me quote Andy Warhol: “I don’t know.”

PS: In less then two hours an auction for my salt print is finishing on ebay. LINK.

Self-portrait like a cave photographer

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borut peterlin 20130212-wpc-avtoportret

In Friday’s issue of Mladina weekly there will be an article about my portraits and I’ve made this self-portrait today with the help of my wife Alenka Peterlin. The inspiration for the portrait was a couple. First I’ve heard many times, that in wetplate technique I look like a native American, second inspiration was to include an element of exploration and third was that it should look raw.
That’s my aim in photography to explore, search and learn. I know I’m doing it in primitive, raw way, but that’s exactly me, having a hell of a good time. Photography is for me what for some people religion is. A mean to become a better man, to transcend boundaries that were set, to change the world. I hope this (blind) faith is captured in the image ;-)

Technical side: It was pretty cold, like -2C and to work at this temperature I’m using a normal developer, I’m just developing longer. Usually about 30-35seconds. I extend also sensibilisation of a plate from usual 3 minutes to 5 minutes. And that all there is. Sometimes I add two drops of nitric acid in 100ml of developer, but that’s not so important at working bellow 0C. It was a lot of light so the exposure was 3sec, f/11. This portrait was taken with Kodak Folding Brownie 3A from year about 1905.

I couldn’t have done the portrait without my lovely wife Alenka Peterlin, she is also a photographer. Thank you ;-)

You can see this and many other of my creative portraits on the exhibition in the gallery of Institut Jozef Stefan. Opening Monday 18.2.2013 at 18.00.

A portrait of painters White Ice Cream

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artist's collective White Icecream are often using brick pattern in their work, so the element is included in the photograph.

Artist’s collective White Icecream are often using brick pattern in their work, so the element is included in the photograph.

Last week I was commissioned to do a portrait of painters duo White Ice Cream. I’ve done a fantastic portrait of them two years ago and I was reluctant to do another portrait, but a commission is a commission and they are great blocks, so I was very excited to see what we will as their portrait. We were talking and we agreed that we will repeat the brick pattern from their cloths that were an art piece. We tried to make a snowman, but in Ljubljana there was no snow anymore so we went to Krvavec mountain, but snow there was too dry, too frozen, so we made this sort of characters. My idea was that they should go full monty and with one hand cover their “pride” and in the other hand they would hold an ice cream, but they were not up for it. We had a good laugh once again :-)

Beli sladoled by borutpeterlin.com 20110509_9098

A portrait of the collective White Ice Cream in year 2011

90th birthday of Božena Pelikan, the youngest daughter of famous photographer Josip Pelikan

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Today, 16th of September 2012 is the 90th birthday of Božena Pelikan, the youngest daughter of famous photographer Josip Pelikan. As a homage to famous Pelikan family and a humble gratitude to the photographical heritage of Pelikan family, I’ve made portraits of Mrs. Pelikan. I used Vageeswari 10×12″ camera with sheet film of 8×10″ and a lens Voigtlander Heliar 300mm, f/4,5. For Wet Plate Collodion portraits I used a Plaubel 5×7″ camera and I’ve made some quick takes also with Mamiya C330, format 6×6.

With Museum of Recent History Celje, we’re discussing projects that we might do together and I’m all excited since potentials are enormous! The studio is without a doubt one of the best preserved luxurious glass photographic ateliers in Europe with original equipment used by the famous Slovene photographer Josip Pelikan (1885–1977). More about it on the links bellow.

Links:
Museum of Recent History Celje / Josip Pelikan Photographic Studio
Panoramic view of Josip Pelikan Photographic Studio, Slovenia Landmarks by Boštjan Burger
Josip Pelikan’s photographies in the digital archive, DLib.si – Digital Library of Slovenia

Borut Peterlin during photo-session with Mrs. Božena Pelikan. Assistent Tomaz Strmcnik. Photo Helena Vogelsang. Camera Plaubel 5×7″, Wet Plate Collodion, Flashes Balcar 1500Ws & ’50Ws.

Silence (great band) – Wet Plate Collodion portrait

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20120810 scilence band by www.borutpeterlin.com

In last issue of Mladina weekly it was published my portrait of Silence band. I had this idea for a while, but some people were not feeling comfortable with it, but on the contrary with the duo Silence we had a good laugh and the result overpassed my expectation. My collodion needed a two pops of 2250Ws to illuminate it correctly, that is why Primož on the right side is a bit blurred. Later I find out that it could be done in one pop if I would raise pH of AgNO3 from 2,2 to 4pH as I did later on and described in THIS post.

Techs: ShenHao 4×5″, lens Linhof 135mm f/3,5; Flashes of 2250Ws – two bursts, AgNO3 pH 2,2.

Behind the scene. Photo: Vanja Pirc

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