Archive for the ‘striptiz’ Category
Klemen Slakonja is an actor and rising star of TV show business in Slovenia. Few weeks ago I had to make his portrait, but it was raining. I decided to do the portrait in wet plate collodion just the same. Under rain, no sweat! OK, it was just sprinkling rain, but on the end of the shoot I was all wet. I got used to that, actually. Wet wet plate photographer, why not! I arrived half an hour before the shoot, mix the developer and prepare first plate. We exposed it, but when I wanted to develop it I knock the glass beaker off the table and it crashed in front of us.
Klemen was kind enough to wait that I’ve mixed the developer again, but I didn’t filter it, i didn’t had time for that. Plate was fogged so his face wasn’t recognizable. I’ve repeat the portrait with the same camera, Linhof lens and I was exposing normal B&W film. At home I scanned the collodion plate, scanned the film negative and photoshoped that his face was recognizable. Lucky for me, I know all sorts of photography, so if I’m forced to, I use every possible tool to deliver a good portrait to a reader of Mladina weekly magazine. After all the stress, the picture looked fantastic in the printed magazine and it’s one of my favorites.
Perhaps you might wonder why have I portray Klemen as a cowboy. Let me quote Andy Warhol: “I don’t know.”
PS: In less then two hours an auction for my salt print is finishing on ebay. LINK.
Today is an important day in my career. After almost eight years I finished my regular collaboration with Mladina weekly. I mean I will still be doing a cover here and there and some special issue, but the collaboration on weekly basis has ended. The main reason is that my work for Mladina involves travel expenses from my home to Ljubljana and back and when I started the job as photoeditor in year 2006, fuel was half the price. I resigned the desk job in 2011 (if I remember correctly. Maybe was 2010?) to work and earn my living as an active photographer. At the time I was desperate to recalibrate my career to go back to photography. I mean have I study photography in Prague, Italy, UK and payed for it a fortune, just to sit behind computer and edit images that I knew I could have done better? It was fun to ride the camera, but the travel expenses grew whereas photojournalistic salary is much lower then editor’s, so at the peak of recession I’ve realized it’s just not worth the money anymore.
That’s one out of the three reasons.
Second one is that I got in love with photography again, processes that were practiced in 19th Century, Wet Plate Collodion and Salt printing process to highlight just two. Intimately I feel this is the path that I need to take, but with day job in Ljubljana I just couldn’t find enough time to pursue the path.
Third reason was fear. I feared that I will finish my career at Mladina in some car accident. In 7,5 years on the road I avoided many accidents and witnessed many many more. Although I’m safe driver in about 18 years as a driver I had only one accident and even that wasn’t my fault! But still I was afraid this was destined to me. Now I finished the job and I’m so happy that I was wrong about that.
What’s next? The bad news is that I’ve jumped out of the plane without a parachute. I have no safe employee in my sight, that’s for sure. The good news is that I think I know how to fly. Well at least I should know! If who, then I should be the one to know how to earn a living from photography! I have many business ideas! One is about to be tested in 6h 26m 27s (Jun 27, 2013 15:25:38 PDT)! On ebay I’m auctioning a print. When I put this print on auction I didn’t know that week later I will finish this chapter of my life and it’s very symbolic that it’s ending today!
And now to the image above. Zora Stančič is very successful Slovenian artist recognized widely and she’s expressing herself mostly trough graphic arts. When I look back to my first creative portrait in Mladina weekly, that was Melita Zajc in year 2006, I look back with a content on the path I’ve taken and the work I’ve done.
Tomorrow’s a new day! I so much look forward!
Month ago I’ve made this portrait, but haven’t published it on my blog. Kaja Avberšek is an illustrator, so I suggested her that I’ll make a wet plate and then she’ll draw on it. Unfortunately I was doing small 4×5″ plates, on the field, so she didn’t draw directly on the plate, but did it on her computer. This is the result. It was published in Mladina weekly and I love how it turned out. Sometimes the publication is an icing on a cake and many times it’s just the opposite, but this time it’s definitely presenting my picture in the best way. Is it a bird? Is it Superman? Or is it topshit?
OK, I’m introducing a new rubric on my blog. It’s a quizzzzzz!!! I’ll be publishing my mistakes I have done with a question what is the cause of the mistake and few days later I’ll publish the answer. Of course if you will not guess it first. Let’s start with an easy one. Here are two plates. Problematic plate has some lines in blacks and in the right bottom corner even collodion lifted off. The other plate has perfect blacks, no peeling problems. What was the cause of those lines on the crappy plate?
In Friday’s Mladina weekly there will be published my portrait of a band Napravi mi dete (make me a child). I’ve done their portrait on Mamiya C330, on film format 6×6. Then I develop the film and exposed a wet plate collodion plate, but with chemistry of Miša Keskenović (based on receipts of J. M. Eder) that was meant for contrasty wetplate negatives. We’ve made few tests with different developers and we got results that somewhat might be opalotypes. I’ve scanned the plate and it was alright but I’ve took a step forward and hold it over flame so it broke. Cracks are more controllable then you might think, but still very unpredictable. Plate literally exploded in my hand, since I hold the flame too much in the middle of the plate. You can see the hole where all cracks are coming from. Left bottom corner. I’m attaching how pieces of the plate looked like on my scanner and then I digitally sew them together. Is this a digital manipulation? I decided to sew the pieces together digitally, because I already scratched the surface of my scanner while scanning plates. It’s a though job, being a collodion bastard, but someone have to do it…
Today I’ve bought a table saw. Before devoting completely to photography, I’ve made a secondary school for carpentry and now I’m getting in touch with my inner carpenter. I’m planning to make my own frames, silver and fixer baths, copying frames,…
In Friday’s issue of Mladina weekly there will be an article about my portraits and I’ve made this self-portrait today with the help of my wife Alenka Peterlin. The inspiration for the portrait was a couple. First I’ve heard many times, that in wetplate technique I look like a native American, second inspiration was to include an element of exploration and third was that it should look raw.
That’s my aim in photography to explore, search and learn. I know I’m doing it in primitive, raw way, but that’s exactly me, having a hell of a good time. Photography is for me what for some people religion is. A mean to become a better man, to transcend boundaries that were set, to change the world. I hope this (blind) faith is captured in the image ;-)
Technical side: It was pretty cold, like -2C and to work at this temperature I’m using a normal developer, I’m just developing longer. Usually about 30-35seconds. I extend also sensibilisation of a plate from usual 3 minutes to 5 minutes. And that all there is. Sometimes I add two drops of nitric acid in 100ml of developer, but that’s not so important at working bellow 0C. It was a lot of light so the exposure was 3sec, f/11. This portrait was taken with Kodak Folding Brownie 3A from year about 1905.
I couldn’t have done the portrait without my lovely wife Alenka Peterlin, she is also a photographer. Thank you ;-)
You can see this and many other of my creative portraits on the exhibition in the gallery of Institut Jozef Stefan. Opening Monday 18.2.2013 at 18.00.
Last week I was commissioned to do a portrait of painters duo White Ice Cream. I’ve done a fantastic portrait of them two years ago and I was reluctant to do another portrait, but a commission is a commission and they are great blocks, so I was very excited to see what we will as their portrait. We were talking and we agreed that we will repeat the brick pattern from their cloths that were an art piece. We tried to make a snowman, but in Ljubljana there was no snow anymore so we went to Krvavec mountain, but snow there was too dry, too frozen, so we made this sort of characters. My idea was that they should go full monty and with one hand cover their “pride” and in the other hand they would hold an ice cream, but they were not up for it. We had a good laugh once again :-)
Last week I had super fever with body temperature up to 39,6C and I couldn’t go to Ljubljana and make a portrait for Mladina. I asked a student of mine Darko Sintič to take a portrait and I explained him what I need. I took his images and chop them into pieces and polaroids from them. I used poladroid software. After I finished with post-process I was in a state of high fever dreaming whole night this images. I realized I should use dropshadow on polaroids and probably I should use some sort of texture for background. I wasn’t really sure if it’s OK, but now, with time distance I’m satisfied with the result. Ladies and Gentleman, Lucija Stepančič, a painter and a writer.
PS: I’m healthy now. Today I’ve carefully jogged few kilometers and I’m great. Great feeling, great energy!
Here is yesterday’s portrait of Tanja Radež, a graphic designer. It will be published in Friday’s Mladina weekly. I portrayed her in park Tivoli in downtown of Ljubljana, Slovenia. It looks like she’s illuminated with some sort of soft lights, but she’s not. It’s just a diffuse light in a shade. I asked her to sit on the first stairs of the staircase, so there was a lot of light from the (northern) sky. I used a 4×5″ camera with a Linhof 135mm f/3,5 lens and exposure was 6 seconds. Look at the background at the top of the image. I love the bookeh of this lens. It’s just a poetry!
All my Wet Plate Collodion chemicals were in a cold box, to keep the temperature down and I add a small spoon of sugar to my developer, to prolong the developing time. Finally I’m getting good results during summer temperatures. I was photographing at -17C and it was no problem (aside that I was cold), but during summer it’s crazy to develop collodion plates. Well problem solved and my time machine will work on full power ;-)
Tukaj je včerajšnji portret Tanje Radež, oblikovalke. Objavljen bo v petkovi Mladini. Portretiral sem jo v parku Tivoli, v Ljubljani. Izgleda, kot bi bila osvetljena s kako mega mehko lučjo, a je nisem doosvetljeval. Samo prosil sem jo, da sede na prve stopnice, kjer je bila svetloba severnega neba najlepša, najbolj difuzna in dokaj močna. Uporabil sem svojo 4×5″ kamero z objekivom Linhof 135mm f/3,5 in ekspozicija je bila 6 sekund. Poglejte neostrino v zgornjem robu fotografije. Kako obožujem ta bookeh objektiva! Čista poezija.
Vse moje kemikalije so bile v hladilni torbi in v razvijalec sem dal žličico sladkorja, da bi s tem podaljšal čas razvijanja. Končno dobivam dobre rezultate v poletnem vremenu! Sem že fotografiral pri -17C in ni bilo problema, razen tega, da me je zeblo, a razvijat plošče pri poletnih temperaturah je norišnica. No, sedaj je problem rešen in moja časovna mašinca dela na polno! ;-)
Yesterday I bought a telescope bar so I can hang a backdrop outside. I never liked to photograph on a seamless background, but with this classic camera I fall in love in this clean aesthetic and so I bought this expensive bar, that allows me to set up a background just anywhere. Yesterday I photographed two artists. Hanna Preus is an artist dealing with sound art, I made this portrait for Mladina weekly and second one I made by pure coincidence. Žiga called for an information and since he asked me to make his portrait quite some time ago and I was on a highway, just passing his house, I stopped and made his portrait. I use this classical beauty Linhof Technika, format 9x12cm. For illumination I use northern light, photographing in the shade as old masters did and as Richard Avedon made his portraits In the American West. How do you like it? Is it better then Avedon’s? Ha, ha, I’m not pushing my luck, just joking, I had to ask :-)
Today’s first of November, a holiday of All Saints or as we in Slovenia call it, a day for all deceased. Yes, you are right, the inspiration for a hard-core punker’s portrait is just to good. Štef Grmek is a driving force of Punk Kura association that is organizing alternative culture events. Recently I published a post about a concert in Kewdr underground club and in friday’s Mladina weekly issue this portrait will be published.