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borut peterlin, slovenia, ambrotype, Portrait photography, Wet Plate Collodion, Analog Film photography

Archive for the ‘Wet Plate Collodion’ Category

Corn fields of my childhood (wet plate collodion, carbon print process)

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I grew up in this valley and every September I loved to photograph corn fields. It’s something elegant and tranquil in a field of corn. It was a sunny afternoon and I had three plates ready and subbed with albumen, so I give it a go. The negative was done in the first attempt and although the density was not as thick as it could be, due to loosing quite a lot of developer (containing silver), but that was easily compensated by the second development after fixing, the redevelopment. I just had to redevelop longer, increasing the layer of silver and busting the contrast.

Screenshot 2014-10-10 10.34.49Screenshot 2014-10-10 10.36.12Here are two beautiful prints, I hope you will like them and as it is a tradition on this blog, I’m putting these two prints on ebay auction, starting from 0,99 US$. The auction will end in three days, because I’ve learned that my customers are readers of this blog and it doesn’t matter if the auction is listed for a week or only for few days. As a professional artist (and a father of two daughters) I need to sell my work or get a “proper” job, so thus the aggressive promotion. Things are going good, great, much better than I’ve expected.

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This week Art Photo Budapest fair is happening and this fair is the only international fair in Eastern Europe dedicated to art photography. Gallery Photon is presenting me in a very generous way. I’ve been told that this event is a milestone in my career. Tomorrow at 3pm I was invited in the panel to discuss art market in East Europe. As one of my presented cases it will be also this blog and my experience with ebay auctions.

I have this feeling that I’m on the right track and although I know I will not do these ebay auctions forever, it’s a brilliant marketing tool!

733_01_borut_peterlinMartin Parr gave me the best advice ever! Do whatever you do and keep on doing it until people could not afford to ignore you any longer!
…COULD NOT IGNORE YOU ANY LONGER!

Isn’t that a brilliant advice? We artists have a very long history of being ignored and some of us even cut their ear off! Well I’m not cutting my ear or getting a “real job”. I enjoy what I do and thank you for all the attention. It truly helps to know that people have a harder and harder times to keep on ignoring me!

PS: My email box if stacked with questions about the processes I’m doing. I’ve answered some, but most of them I just can’t. SORRY! Please write the question here, as a comment and I will do much better job clarifying some details of the process. You can write a question anonymously, no problem.

A carbon print , format 10x12" (25x30cm) in a mat, size 40x50cm (16"x20"). Edition 1/12.

A carbon print , format 10×12″ (25x30cm) in a mat, size 40x50cm (16″x20″). Edition 1/12.

An albumen print toned with gold, format 10x12" (25x30cm) in a mat format 40x50cm (16"x20"). Edition 2/12.

An albumen print toned with gold, format 10×12″ (25x30cm) in a mat format 40x50cm (16″x20″). Edition 2/12.


Screenshot 2014-10-10 10.20.52

Screenshot 2014-10-10 10.20.39

A presentation of an ambrotype for an art fair

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An ambrotype packed in a box for Art Photo Budapest. The plates is from my project The Great Depression. The plates will be represented by Photon Gallery. Hopefully they will be sold.

An ambrotype packed in a box for Art Photo Budapest. The plates is from my project The Great Depression. The plates will be represented by Photon Gallery. Hopefully they will be sold.

Next week there will be an art fair in Budapest and my work will be presented by Gallery Photon. I was thinking how should I present my ambrotypes in a way that could be purchased. So here it is. The box is from Hahnemuhle acid free material. On 11th of October 2014 I will be a guest of a discussion panel how to survive as an artist. Guess what will I talk about? YOU! My topshit followers that is bidding on my ebay auctions. See you in Budapest on Saturday at 3pm!

New plates from The Great Depression series

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Screenshot 2014-09-30 13.52.30


Last week I was again working on my project The Great Depression. This time was a bit different motivation. I wasn’t looking for new motives, but I was repeating shots I’ve done before. At the moment all my plates are exhibited in Lithuania at Kaunas Photo Festival, but two galleries asked me if I can exhibit The Great Depression plates, The Gallery of Contemporary Art in Celje and almost at the same time, Photon Gallery wants to exhibit my plates at ArtMarket Budapest.

What to do, what to do… No problem, I went again to Novoles company where I started my project almost three years ago and repeat few frames that I took in the past. Surprise, surprise my wet plate knowledge advanced and I’ve made such a beautiful plates, I can not believe it! Well, here they are, you be the judge of them.

Today when I was varnishing them, I’ve received an email from a very important museum, that I can not name just yet, that they want to buy few plates from the project for their permanent collection. YES! After all the hard work and I’m finally beyond the tipping point! Mom, I’ve made it!!!

Great Depression 1912-13 Great Depression 1912-13 Great Depression 1912-13

Video about split toning with sulfide and selenium toner

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Ciao tutti,
As I’ve announced last week, I’m going to publish more videos about my workflow and list more prints on ebay. It takes so much work to do a video, make a print, edit the video and everything that comes along. It took me the whole week to do this video and that’s why I’m listing three prints. Perhaps the price will not reach as high as it would if I would sell only one print, but I am a professional collodion artist and I will try to make a living out of this! Plus my storage room has about half a ton of prints in boxes. I know, because I was moving it recently and it was too heavy for a car transport. I’m printing since age 11, so in 29 years you can imagine how many boxes piled up.

Anyway, here are new prints. I’ve explained everything on video. I want to add that this split toning technique I’ve learned from Mark Osterman and he is the best address if you want to dive into alternative photography. And oh, you must check this out, George Eastman House published their program of workshops for year 2015! I’m going to take at least two of them!

One last, but very important note. I’ve you’ve seen this video after the auction is finished and you would want to buy a print from me, check my EBAY SHOP or if you want to buy that exact print, copy number 5, you certainly can, just send me an email. As a professional collodion artist I have a motto:

EVERYTHING IS FOR SALE, EXCEPT MY KIDNEY!
(officially)

Ebay listings:
Edition 2/12, a silver gelatin photograph, from a wet plate collodion

Edition 3/12, a silver gelatin photograph, from a wet plate collodion negative

Edition 4/12, a silver gelatin photograph, from a wet plate collodion negative
Ebay Shop / Borut Peterlin

I’m listing new prints on Ebay

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Ciao ragazzi,
it’s been a long time since I’ve posted on my blog. I had wet plate friends visiting and of course we had family holiday times and I’m reluctant to publish when we are gone from our house. Anyhow expect more content in the following days.

I’m having two solo exhibition openings in next weeks. On 4th of September I’m exhibiting The Great Depression project at Kaunas Photo festival in Lithuania and on 10th of September I’m opening an exhibition of my landscapes in Cankarjev dom, Ljubljana, Slovenia.

I’m printing whole week for the exhibition in Ljubljana. I will present photographs printed in different techniques, from carbon print, albumen print, salt print, cyanotype, ambrotypes, tintypes, silver-gelatine prints and also inkjets. Anything goes, but all of the photographs will be printed from a wet plate collodion plates. More about that later. For now I’m presenting a video from work in progress.

I’m listing the two prints on ebay as an auction starting from 0.99 USD and the auction is on for only three days!

With other words, I need your support to make the exhibition happen as I want to be. Have fun bidding and I will miss those prints, I know that…

THE LINK to the Carbon Print listed on Ebay

THE LINK to the Albumen Print listed on Ebay

Personal aftermath – Arles photo festival

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My toppest topshit readers, I apologize for not topshiting on my blog for a while, but I’ve been working. Plus just now I realize that my blog is really well visited. How do I know that? Not with google analytics, but when few people stop you on streets of Arles, shaking hands telling that they follow my blog, you know that’s something. Lately whenever I go, people have stop mispronouncing my name. When I was studying in London, even after a year, friends were still calling me Borat. Which I don’t mind at all. Borat (the character) is a genius! You may call me Einstein or Borat, it’s OK with me. But I know that this blog changed that. People do call me Borut, which is a name only used in Slovenia, not even in Croatia or Bosnia…

What I want to say, is thank you! I appreciate you are following my blog, but that gives me a responsibility to take care of what I publish. I’ve started this blog in 2006 and posted 1037 posts, so believe me there are some doggy topics (like that post Fight for Man’s emarzipation).

Anyway, here is my newest videolog. It’s gathering my impressions after a visit to the festival Les Recontres d’Arles Photographie. I hope you will enjoy it.

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PS: LINK to my 5am project:

FOTOPUB festival http://fotopub.com/en/

Written by Borut Peterlin

31 July, 2014 at 10:46

My portfolio published in B+W Photography magazine

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Oh, I am so proud to announce that my portfolio was published by B+W Photography magazine. It was actually in June’s issue, but it took a while that I got a hard copy in my hands. It’s awesome and a perfect piece in my portfolio box. Next Monday a photography festival in Arles is starting and I have 20 portfolio review meetings. So exciting!!!

A big thanks to the journalist Mike Crawford and the editor Elisabeth Roberts for the attention to my work.

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