TOPSHIT PHOTOGRAPHY blog

borut peterlin, slovenia, ambrotype, Portrait photography, Wet Plate Collodion, Analog Film photography

Posts Tagged ‘Art

A monster tree with a swing! Photographed in wet plate collodion and printed in carbon print and albumen print

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With my daughters at ArtMarket Budapest with my photographs in the back.

With my daughters at ArtMarket Budapest with my photographs in the back.

Here is a new video. It’s pretty long, 10 minutes, I went through few times and edited out as much as I could to make it shorter, but there is quite a lot of information included, so I hope you will find it worthy of your time.  The prints I’ve made I’m not putting them on ebay auction, since last two auctions didn’t went that well, to be honest. Plus last week my work was being presented at ArtMarket Budapest, an international art fair, by Photon Gallery. I am on the right path, my work received good attention, I’ve met some very important curators and collectors and I’ve realized that all I need at this time is just a little more patience and I reckon one more year to catch up with boys & girls from the first art league. I know I will get there, but I’m not there quite yet. I will stop with Ebay auctions for now. The prints are still on sale, of course just send me an email of inquiry CLICK.
Music by Robert Jukič

Corn fields of my childhood (wet plate collodion, carbon print process)

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I grew up in this valley and every September I loved to photograph corn fields. It’s something elegant and tranquil in a field of corn. It was a sunny afternoon and I had three plates ready and subbed with albumen, so I give it a go. The negative was done in the first attempt and although the density was not as thick as it could be, due to loosing quite a lot of developer (containing silver), but that was easily compensated by the second development after fixing, the redevelopment. I just had to redevelop longer, increasing the layer of silver and busting the contrast.

Screenshot 2014-10-10 10.34.49Screenshot 2014-10-10 10.36.12Here are two beautiful prints, I hope you will like them and as it is a tradition on this blog, I’m putting these two prints on ebay auction, starting from 0,99 US$. The auction will end in three days, because I’ve learned that my customers are readers of this blog and it doesn’t matter if the auction is listed for a week or only for few days. As a professional artist (and a father of two daughters) I need to sell my work or get a “proper” job, so thus the aggressive promotion. Things are going good, great, much better than I’ve expected.

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This week Art Photo Budapest fair is happening and this fair is the only international fair in Eastern Europe dedicated to art photography. Gallery Photon is presenting me in a very generous way. I’ve been told that this event is a milestone in my career. Tomorrow at 3pm I was invited in the panel to discuss art market in East Europe. As one of my presented cases it will be also this blog and my experience with ebay auctions.

I have this feeling that I’m on the right track and although I know I will not do these ebay auctions forever, it’s a brilliant marketing tool!

733_01_borut_peterlinMartin Parr gave me the best advice ever! Do whatever you do and keep on doing it until people could not afford to ignore you any longer!
…COULD NOT IGNORE YOU ANY LONGER!

Isn’t that a brilliant advice? We artists have a very long history of being ignored and some of us even cut their ear off! Well I’m not cutting my ear or getting a “real job”. I enjoy what I do and thank you for all the attention. It truly helps to know that people have a harder and harder times to keep on ignoring me!

PS: My email box if stacked with questions about the processes I’m doing. I’ve answered some, but most of them I just can’t. SORRY! Please write the question here, as a comment and I will do much better job clarifying some details of the process. You can write a question anonymously, no problem.

A carbon print , format 10x12" (25x30cm) in a mat, size 40x50cm (16"x20"). Edition 1/12.

A carbon print , format 10×12″ (25x30cm) in a mat, size 40x50cm (16″x20″). Edition 1/12.

An albumen print toned with gold, format 10x12" (25x30cm) in a mat format 40x50cm (16"x20"). Edition 2/12.

An albumen print toned with gold, format 10×12″ (25x30cm) in a mat format 40x50cm (16″x20″). Edition 2/12.


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A presentation of an ambrotype for an art fair

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An ambrotype packed in a box for Art Photo Budapest. The plates is from my project The Great Depression. The plates will be represented by Photon Gallery. Hopefully they will be sold.

An ambrotype packed in a box for Art Photo Budapest. The plates is from my project The Great Depression. The plates will be represented by Photon Gallery. Hopefully they will be sold.

Next week there will be an art fair in Budapest and my work will be presented by Gallery Photon. I was thinking how should I present my ambrotypes in a way that could be purchased. So here it is. The box is from Hahnemuhle acid free material. On 11th of October 2014 I will be a guest of a discussion panel how to survive as an artist. Guess what will I talk about? YOU! My topshit followers that is bidding on my ebay auctions. See you in Budapest on Saturday at 3pm!

Video about split toning with sulfide and selenium toner

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Ciao tutti,
As I’ve announced last week, I’m going to publish more videos about my workflow and list more prints on ebay. It takes so much work to do a video, make a print, edit the video and everything that comes along. It took me the whole week to do this video and that’s why I’m listing three prints. Perhaps the price will not reach as high as it would if I would sell only one print, but I am a professional collodion artist and I will try to make a living out of this! Plus my storage room has about half a ton of prints in boxes. I know, because I was moving it recently and it was too heavy for a car transport. I’m printing since age 11, so in 29 years you can imagine how many boxes piled up.

Anyway, here are new prints. I’ve explained everything on video. I want to add that this split toning technique I’ve learned from Mark Osterman and he is the best address if you want to dive into alternative photography. And oh, you must check this out, George Eastman House published their program of workshops for year 2015! I’m going to take at least two of them!

One last, but very important note. I’ve you’ve seen this video after the auction is finished and you would want to buy a print from me, check my EBAY SHOP or if you want to buy that exact print, copy number 5, you certainly can, just send me an email. As a professional collodion artist I have a motto:

EVERYTHING IS FOR SALE, EXCEPT MY KIDNEY!
(officially)

Ebay listings:
Edition 2/12, a silver gelatin photograph, from a wet plate collodion

Edition 3/12, a silver gelatin photograph, from a wet plate collodion negative

Edition 4/12, a silver gelatin photograph, from a wet plate collodion negative
Ebay Shop / Borut Peterlin

Collodion portrait of an actor Branko Jordan

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20140523-branko-jordan001 Anton Podbevšek Teater will have tomorrow a premier of new theater show,
AMOR OMNIA VINCIT* and I’ve made digital documentation of the show, but I couldn’t resist not to take a snapshot in collodion technique of my friend Branko Jordan, one of the most prominent actor of his generation in this corner of the world. The plate has some fog, but concerning the timing and working condition I love it. In fact the fog, stains and everything else is just ideal for my taste!

For the promotion of theater shows I also developed a form of video teaser for Internet and social networks. It’s a mixture of video and photography, accompanied by a statement of the director followed with a scene from the show, to illustrate abstract words of the concept with an example from the show. This form of a teaser I perfected over two years and now I think it’s best that I could do. It also attract a lot of attention and popularize theater among iGeneration.

Blažka Müller Pograjc: AMOR OMNIA VINCIT*
Director: Matjaž Pograjc
Actors: Katarina Stegnar, Gorka Berden, Marijana Brecelj, Branko Jordan, Pavle Ravnohrib, Vito Weis in Enya Belak, Tamara Polanc, Kristina Rozman, Veronika Valdés
Produkcija: Anton Podbevšek Teater
Photography, video and editing: Borut Peterlin

Documentary project Great Depression

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Two years ago, at the start of my wet plate collodion path, I set myself a project to document state of bankrupt companies. Imagine the moment when the last worker at the last shift, turned the lights out. The moment when it became dead silent.

Now when I’m looking back at my videos (LINK) even blind would see the progress I’ve made. Nevertheless I love imperfection on my plates, so my plates don’t compete with flawlessness of film. This plate that is published under is about as perfect as I want it to be.

Last Thursday I went back to photograph Novoles company and Marcos Núñez Cid was recording a video about my project. He made a true masterpiece. I’m sure you will enjoy it.

Let me highlight that this project is getting quite some attention. First I had a beautiful exhibition in Gallery Photon, Ljubljana, Slovenia, then it was published in DOC! Photomagazine, issue #21, from pages 140-169 and in May, it will be featured in one of the UK’s leading photography magazines. The project was chosen to be presented on a group touring show under organization of European Month of Photography, so if I understood it correctly it will travel across Europe. Last but not least, I also sended this images to Slovenian Photography of the Year competition and the project did not pass even the first round of selection of 30 artists! If that’s not an achievement, then I don’t know what is!

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An update on my Great Depression project

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Do you remember my project Great Depression? I’ve start working on it in December 2012 (LINK) and I had exhibition in October 2013 (link) Yesterday I continued to work on the project. I was in meat factory MIP D.D. (in bankruptcy process). I really wanted to document this factory, because it’ll bring a new dimension to my picture series. Images are showing a disassembly line of a living beings and it the context of my Great Depression photography project, it could be interpreted as a disassembly line not for cattle and pigs, but for humans. Say no more. Images are images and every possible interpretation is a valid one.

I think I’ll go one more time to the slaughterhouse and make few more images…

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