Photography Down The Rabbit Hole

Portrait photography, Wet Plate Collodion & Analog Film photography.

Posts Tagged ‘Slovenija

Two outdoor ambrotypes in 35 min

with 3 comments

Kodak Folding Brownie 3A, f/64, t= 8s. Check solarization effect on the sky. So cool!

Kodak Folding Brownie 3A, f/64, t= 8s. Check solarization effect on the sky. So cool!

Kodak Folding Brownie 3A, f/64, t= 8s

Kodak Folding Brownie 3A, f/64, t= 8s

Today I was driving from work through a forrest with beautiful light! True fairy tale scene. I got home, pick up my wetplate stuff that was still packed from yesterday and I head back. I’ve done two ambrotypes (or winter ambroice) plates in 35 minutes and the time start counting from stepping out of a car, setting everything up until sitting back and driving away with two plates. I’m experimenting how fast can I work, how much time and preparations do I need. I love it. Very relaxing, very spontaneous!

We have so much snow, it's hard to park a car, so this is today's workplace.

We have so much snow, it’s hard to park a car, so this was mine today’s workplace.

Unfortunately the sun lost it's power after my plate was ready.

Unfortunately the sun lost it’s power after my plate was ready.

90th birthday of Božena Pelikan, the youngest daughter of famous photographer Josip Pelikan

with 3 comments

This slideshow requires JavaScript.

Today, 16th of September 2012 is the 90th birthday of Božena Pelikan, the youngest daughter of famous photographer Josip Pelikan. As a homage to famous Pelikan family and a humble gratitude to the photographical heritage of Pelikan family, I’ve made portraits of Mrs. Pelikan. I used Vageeswari 10×12″ camera with sheet film of 8×10″ and a lens Voigtlander Heliar 300mm, f/4,5. For Wet Plate Collodion portraits I used a Plaubel 5×7″ camera and I’ve made some quick takes also with Mamiya C330, format 6×6.

With Museum of Recent History Celje, we’re discussing projects that we might do together and I’m all excited since potentials are enormous! The studio is without a doubt one of the best preserved luxurious glass photographic ateliers in Europe with original equipment used by the famous Slovene photographer Josip Pelikan (1885–1977). More about it on the links bellow.

Links:
Museum of Recent History Celje / Josip Pelikan Photographic Studio
Panoramic view of Josip Pelikan Photographic Studio, Slovenia Landmarks by Boštjan Burger
Josip Pelikan’s photographies in the digital archive, DLib.si – Digital Library of Slovenia

Borut Peterlin during photo-session with Mrs. Božena Pelikan. Assistent Tomaz Strmcnik. Photo Helena Vogelsang. Camera Plaubel 5×7″, Wet Plate Collodion, Flashes Balcar 1500Ws & ’50Ws.

Silence (great band) – Wet Plate Collodion portrait

with 2 comments

20120810 scilence band by www.borutpeterlin.com

In last issue of Mladina weekly it was published my portrait of Silence band. I had this idea for a while, but some people were not feeling comfortable with it, but on the contrary with the duo Silence we had a good laugh and the result overpassed my expectation. My collodion needed a two pops of 2250Ws to illuminate it correctly, that is why Primož on the right side is a bit blurred. Later I find out that it could be done in one pop if I would raise pH of AgNO3 from 2,2 to 4pH as I did later on and described in THIS post.

Techs: ShenHao 4×5″, lens Linhof 135mm f/3,5; Flashes of 2250Ws – two bursts, AgNO3 pH 2,2.

Behind the scene. Photo: Vanja Pirc

New level of my Wet Plate Collodion portraits

with 4 comments

Yesterday my family had a family lunch and a celebration of my father’s birthday, so I used this opportunity to make a new set of family portraits. Recently I reset and readjust my chemicals, so I was anxious to see how my pictures will turned out and here they are!

Technically I used Palubel 5×7″camera with Voigtlander Heliar 300mm f/4,5 lens at aperture 6,7 and illuminated by one flash burst of two flashes of joined power 2250Ws. Flashes were about 90cm away from the subject.

This plates along with others will be exhibited in Kulturni dom, Gorica in Italy. The opening will happen on 29th of September 2012. You’re invited.


.

.

.

.

Wet Plate Collodion – silver-nitrate bath pH problem resolved!

with 5 comments

Recently I’ve noticed that I have a problem with silver-nitrate bath in my Wet Plate Collodion photography. I’ve done a successful portrait of Neža Peterca for Mladina weekly and then I’ve made another one of Damjan that was assisting me and this thing happened! I know this edge of fog is because of uneven dipping to the silver-nitrate solution, but if this happens only “boiling” bubbles occurs and not this fog! Than I noticed that the fog is also on the Neža’s portrait! And also on other portraits! Oops!

Those small lines are of course caused by AgNO3, but I didn’t thought it’s caused or at least related by a low pH issue!?!

I_knew it’s a pH issue in my silverbath, but I had two or even three litmus papers and each of them was showing different results. I had enough of this and I’ve bought an electronic Ph checker and also a buffer pH4. I calibrated my checker so it was exact on two decimal numbers! No pH will mess around with me, I tell you! The measurement was shocking. My silver-nitrate bath was 2,2pH and it should be pH4!

Who’s cooking today? Daddy is cooking today! What will be for lunch? Concentrated silvernitrate soup, evaporated to 20%. Hm… how come today aren’t any mosquitos flying around? I don’t know…

I’ve read Timmerman’s post on maintinace of AgNO3 bath, so I was going to cook! I evaporated 80% of solution and then I add fresh water, hoping that will fix the pH issue. It was better, but far from the wanted result. My AgNO3 solution was pH 2,8, but it was really clear (after I filter it) and real beauty on which I was resting my eyes! I know it sound weird, but wetplaters we find beauty everywhere.

The issue of pH was still there, although my plates were good for my standards and I never had them so clean :-) Check my first picture below. I’ve bought 10 ml of concentrated ammonium in a local drug store and I add only on small drop to 350ml of AgNO3 solution and the effect was immediate, from 2,8 pH to 3,8pH. Then I redid the test and results are published and commented bellow.

16 flash bursts
pH of AgNo3 solution 2,8

16 flash bursts
pH of AgNo3 solution 3,8

8 flash bursts
pH of AgNo3 solution 3,8

4 flash bursts
pH of AgNo3 solution 3,8

Conclusion: The boiling of AgNO3 did dramatically purified this solution. The raise of pH from 2,8pH to 3,8pH made my emulsion more sensitive to light and that’s for about 1,5 step. I’m not sure that those small lines on a plate are also caused by a low pH, but now they are gone! A small step for photography, a giant leap for me ;-) More about my work on www.borutpeterlin.com

Family summer time in 6×6 format

with 3 comments

Few days before with my family we left for summer vacation to a seaside I’ve bought a “new” camera Mamiya C330, so I was excited to try it out. I never liked the square format, as a student and as a young professional, but I guess it’s because square format was a trade mark of Hasselblad, that I couldn’t afford :-)

I looked at my bookshelf, thinking who is a master of square format photography. My first pick was Mary Ellen Mark and her book Indian Circus, then I checked The Hasselblad Masters awards. The Hasselblad awards didn’t inspire me (I can do better), but with Mary Ellen Mark I found some good clues how to deal with the square format.

I was thinking… Square is a stable, boring format and to make the image interesting I must brake this stableness with composition. My first rule was to fill the image with the subject all the way to the borders and even across the border. That was the idea for the picture published above and on the left side. OK, I admit, I didn’t discover America, but playing with concepts and aesthetics is inevitably leading us to new “discoveries” as I call personal micro revelations :-)

Second inspiration was the book On Photography by Susan Sontag. I’ve read it twice, but that was some time ago, so why not follow the Atheism 2.0 commandment to repeat the lessons over and over again. It’s the basis of every religion so it must make sense. While reading Sontag’s words on how photography is surreal, the most appropriate medium for modernistic art, I understood everything. World make sense if viewed through a lens of a camera.

Last but not least, this adventure back to black and white analog photography is bringing good old memories from Prague’s Famu Academy where I earned my BA in photography. I know I’m repeating some lessons from history of photography, but I don’t do it because of the love towards the history, but I’m doing it for the love of photography and to the love to my family. More of my Family Album project you can see on my site www.borutpeterlin.com.This is not the end result it’s just warming up! I’m inspired as Apollo 11 rocket!

PS: Under comment leave a link to a site of a photographer who work in an inventive way with a square medium format camera. I want to grasp as much info as I can.

This slideshow requires JavaScript.

A creative portrait of Matic Zorman, a photojournalist

with 3 comments

matic-zorman-foto-borutpeterlin.com

Matic Zorman is a young photojournalist whose work was noted many times. In this issue of Mladina weekly, we are publishing his profile with my portrait of him. We had a such a laugh while working on this image. It’s done in Wet Plate Collodion technique, format 4×5″. We did it during Fotopub festival and Miša Keskenović and Matej Povš were helping me a lot. THX!

After Fotopub festival

with 4 comments

A group picture participants and mentors of Fotopub 2012 festival. Photo: Borut Peterlin & Miša Keskenović

Last week we had the 12th edition of Fotopub festival with many exhibitions, lectures and foremost workshops. All together we had 61 participants of different workshops. Miša Keskenović and myself we were running a workshop of Wet Plate Collodion photographic technique. Everything went well and smooth and here are few pictures that we’ve made on the workshop. We had 11 participants working with five cameras, from my Kodak Folding Brownie 3A, Plaubel 13x18cm, Shen Hao 4×5″, antique wooden camera 18 x 24cm to Miša’s mammoth camera 40x40cm. We had two sets of chemicals so the work was really intense and people created many, many plates that they took home. On the last day we decided that we’ll be making more weekend workshops on alternative printing process from gum-print, cyanotype, salt print, albumen print to digital print and camera obscura. fun, fun, fun…

This slideshow requires JavaScript.


Wet Plate Collodion portraits

with one comment

Tilen by the pool.

This portrait I’ve done yesterday. I’m still not satisfied with the quality of ambrotypes I’m getting, but this one is quite good. Actually I cheated a little and I add some blacks and some contrast – digitally :-( But I didn’t altered the image. It’s sort of “I smoked pot but I didn’t inhale” excuse, I know. Anyhow today I managed to gather my large format portraits and wet plate collodion portraits of my family, so if you’re interested please take a look on my site. LINK. This series A Family Album is a series about love. Towards photography and towards people. It doesn’t pretend it will change the world, although I wouldn’t be surprised if it will. Depends on a viewer. It’s exhibited in Frančiškanski samostan as a part of Fotopub festival. Fotopub starts this Monday, don’t miss lectures and exhibitions, if you’ll not participate at the workshop!


New creative portrait, Lucija Stepančič

leave a comment »

Lucija Stepančič, a painter and a writer
Photo: Darko Sintič,
Koncept and post-process: Borut Peterlin

Last week I had super fever with body temperature up to 39,6C and I couldn’t go to Ljubljana and make a portrait for Mladina. I asked a student of mine Darko Sintič to take a portrait and I explained him what I need. I took his images and chop them into pieces and polaroids from them. I used poladroid software. After I finished with post-process I was in a state of high fever dreaming whole night this images. I realized I should use dropshadow on polaroids and probably I should use some sort of texture for background. I wasn’t really sure if it’s OK, but now, with time distance I’m satisfied with the result. Ladies and Gentleman, Lucija Stepančič, a painter and a writer.

PS: I’m healthy now. Today I’ve carefully jogged few kilometers and I’m great. Great feeling, great energy!

Follow

Get every new post delivered to your Inbox.

Join 1,472 other followers