Posts Tagged ‘wet plate collodion’
Regular readers of my topshit blog – also known as topshit readers – are familiar with my Great Depression documentary photography project. Few days ago I was in Vegrad, another industrial giant that got bankrupt and left thousands of desperate people behind. Their greedy and corrupt CEO Hilda Tovšak is in jail at the moment, but she have much better times that all those migrant workers from Bosnia and Serbia…
I had disgusting problems with fog. I didn’t know why until I didn’t calibrate my pH checker and realized that it was showing 0.3pH less than it should, so my silverbath was actually 4.7pH so it was fogging like it’s English morning! I didn’t panic I adjusted everything that I could, but since I didn’t had nitric acid with me and I was reluctant to acidify silverbath with glacial acid, I was still having fog. But that fog was wipeable so, -No winter for Eskimos- I continued to work. In three hours that I had at disposal I’ve managed to make three plates. On the end of the day it was a jolly good day!
PS: If you want to qualify as a topshit reader of topshit blog, you might see this short video about the Great Depression project.
Anton Podbevšek Teater will have tomorrow a premier of new theater show,
AMOR OMNIA VINCIT* and I’ve made digital documentation of the show, but I couldn’t resist not to take a snapshot in collodion technique of my friend Branko Jordan, one of the most prominent actor of his generation in this corner of the world. The plate has some fog, but concerning the timing and working condition I love it. In fact the fog, stains and everything else is just ideal for my taste!
For the promotion of theater shows I also developed a form of video teaser for Internet and social networks. It’s a mixture of video and photography, accompanied by a statement of the director followed with a scene from the show, to illustrate abstract words of the concept with an example from the show. This form of a teaser I perfected over two years and now I think it’s best that I could do. It also attract a lot of attention and popularize theater among iGeneration.
Blažka Müller Pograjc: AMOR OMNIA VINCIT*
Director: Matjaž Pograjc
Actors: Katarina Stegnar, Gorka Berden, Marijana Brecelj, Branko Jordan, Pavle Ravnohrib, Vito Weis in Enya Belak, Tamara Polanc, Kristina Rozman, Veronika Valdés
Produkcija: Anton Podbevšek Teater
Photography, video and editing: Borut Peterlin
Alenka Slavinec is my friend and colleague photographer, but she is also film producer. Lately she is fully engaged as an editor of Fashion Avenue Kuwait magazine. She is globe trotting all the time, but a week ago she called me and expressed that she would like to have a portrait in wet plate collodion, so she came to my house and on Sunday. All three portraits are ambrotypes format 8×10″. On the first plate I realized that although it was a bright day, green leaves were filtering all blue and UV light (that’s their job), so exposure was taking too long. Luckily in my past life I was an incarnation of a digital photographer and all expensive equipment is still in Da Houze, so I pulled out my Elektrona’s Flash Feeder and two studio flashes of joined power 2250Ws.
The second plate was perfect. Really perfect. Black dress is defined against black background and if you do ambrotype or tintype process, you know how contrasty this medium is. It has a dynamic range of a cat after a massive meal. Then we made another one and we went for a lunch at Kolesar restaurant. It was really cool Sunday.
Side note: I know how to do fashion photography, I’ve been assisting Oliviero Toscani (UC of Benetton) among other things, but the truth is I don’t have a talent for fashion – that’s fashion as how to dress and mostly (!) care how you are dressed, as is evident on behind the scene pics. Perhaps I’m making a mistake. Am I?
Shane Balkowitsch bought dozen gas masks and shipped them to artists around the world with only one task, to make a wet plate collodion image with the mask. In a year or so the masks circled the globe and few weeks ago came knocking at my door. Yesterday I’ve made the image I wanted. It’s inspired by Röyksopp’s video spot What Else Is There. I wanted to get a haunted kind of dreamy creature. I ask my daughters to dress as princesses and consequently they used all mother’s make up. I explained them that no make up is needed because of the mask, but that didn’t stop them :-)
On the video you can see Lučka is jumping. I wanted unnatural body posture and the best way I could think of is while being suspended in the air. I thought I will see that she’s flying, just as Marianne Schröder is flying in Royksopp’s video, but now I prefer it like it is. It does look very unearthly, which is what I wanted in the first place!
The collection of wet plates of the mask is ON THIS LINK.
Two years ago, at the start of my wet plate collodion path, I set myself a project to document state of bankrupt companies. Imagine the moment when the last worker at the last shift, turned the lights out. The moment when it became dead silent.
Now when I’m looking back at my videos (LINK) even blind would see the progress I’ve made. Nevertheless I love imperfection on my plates, so my plates don’t compete with flawlessness of film. This plate that is published under is about as perfect as I want it to be.
Last Thursday I went back to photograph Novoles company and Marcos Núñez Cid was recording a video about my project. He made a true masterpiece. I’m sure you will enjoy it.
Let me highlight that this project is getting quite some attention. First I had a beautiful exhibition in Gallery Photon, Ljubljana, Slovenia, then it was published in DOC! Photomagazine, issue #21, from pages 140-169 and in May, it will be featured in one of the UK’s leading photography magazines. The project was chosen to be presented on a group touring show under organization of European Month of Photography, so if I understood it correctly it will travel across Europe. Last but not least, I also sended this images to Slovenian Photography of the Year competition and the project did not pass even the first round of selection of 30 artists! If that’s not an achievement, then I don’t know what is!
OK, let’s start with the new member of my family. Please read captions of my images, this post will be more in telegraphic style.
I bought a petzval lens! Gasc & Charconnet Paris Vintage lens is less known and less expensive than Dallmeyer or Hermagis but it’s in the same quality range. Made in years around 1860′s. So now I’m playing around, see what the baby have to offer. Please read the captions and you’ll see what images are done with the lens. Most of them.
I’m so much in love with carbon prints! it’s amazing! I love it.
Dry Preserved Collodion Negatives
As much as I love the idea of not carrying all the chemistry and a darkroom around, the dry collodion is not a shortcut. You spend ten times as much time to process one plate. Just developing of a single plate that I’ve shot today it took me literally an hour! That being said, it’s very useful tool to have in my assortiment of expression.
PS: That chopped down tree was cut by a beaver. It’s amazing, that this animals that are almost extinct are living literally in downtown of Dolenjske Toplice! Look carefully the last image, you’ll see that the beaver chewed whole trunk! So cool!
Astrid asked me if I could take a picture of fantastic vintage studio backgrounds that were using Josip Pelikan, so after I got a permission from the museum I’m publishing them on my blog. On Flickr you can download a hires file of the image, just click all sizes. Vintage backgrounds are dated about 1930′s. The skylight studio was built in 1898 and bought by Josip Pelikan in 1922. Nowadays Josip Pelikan Photographic Studio is a branch of the Celje Museum of Recent History. If you going to use the files to make your own vintage look studio background, just leave a note in the back that it was done on the basis of backgrounds from Josip Pelikan Studio, Celje, Slovenia, EU. A lot of people from MNZC museum worked hard to renovate the skylight studio and we owe them at least a credit. THX.
I’ve been thinking. My friend ordered a painted movie poster from India and if you know a painter’s service like that, share the info and good luck! Perhaps we can make a group order and get a discount. Just a thought…
Yesterday I was portraying in the studio and I’ve made this plate. Also a colleague photojournalist Andraž Purg came by and made a portrait of me.
Dear topshit readers,
Half a year ago I’ve done an experiment, I’ve sold a print on ebay, as an auction starting from $0.99 USD and after 5 days it was sold for $111 USD (LINK). Few weeks later an auction for the second print won $182 USD (LINK). These two sales were just a test to see how ebay works and what could be done and at what prices a print could be sold. I was very happy to see that it does work. Many people congratulated me for the courage to expose my work full monty to ebay auction, but I was also a target of a critic that the price my prints won, were ridiculous.
What I couldn’t explain to the critics is that it’s not so much about the money, it’s more an experiment how to sell art. I was invited to give a TEDx speech in Ljubljana where I’ll talk to 600 people live and few thousands on-line.
Not to mention the theme how to sell art is the mission impossible here in this corner of the world! I live in Slovenia, that’s the only country in EU (beside Cyprus) that still have recession, (that’s -3% recession!!!) and an art market is totally and utterly DEAD. The most prominent artists are dependent on grants, but I’ve decided to try something different.
I’ve explained everything in the video, I just want to add that the key element of the project is to give all my aces out of my sleeve. The print I’ve done and the way it’s presented is the best way I can. I am not able to do it any better. I wasn’t sparing any money. When I was cutting the glass negative my hands shook. They really did. I couldn’t believe it!
Oh, one more thing. Even though I was satisfied with my first ebay sales I pulled a handle brake and stopped selling my prints. I hit a question that I couldn’t answer. Why would someone buy a print from me for 1000 EUR, if I’m actioning my prints on ebay, starting with $0.99 USD? It took me literally two months to find an answer to that. And it goes like this. I need to make the ebay adventure as an art project by itself. I need to find an unique motif and a concept that will be solely devoted to the ebay auction experiment and by doing that I will protect my other work to be affected by the inflation of the price. I would never sold a print from lets say my best project Flower Power for less than 700 EUR. (which I did to a Dutch collector, long, long time ago…)
HERE is the LINK to the ebay listing. It will end Nov 27, 2013 11:23:04 PST.
Tomorrow I’m flying for Rochester, USA, where I’ll join Mark Osterman‘s workshop of Carbon Printing Transfer. It’s literally a pilgrimage for me (as an atheist), to come to George Eastman House museum and take a workshop with Mark Osterman. I never did a carbon transfer print, I am also not aware to see one although I’ve must have seen a carbon print in various museums I’ve visited, but still it’s described as the king of printing process, so it’s time to meet the king! Mark asked us to bring our own negatives and so yesterday I’ve done negatives of different densities. It’s no secret how it’s done. The same as with ordinary film. As Mark Osterman have taught me, exposure gives you information, development gives you density, so according to this commandment, I overexpose and underdevelop for low contrast and just the opposite for high contrast. (read captions for more info). The highest contrast negative is redeveloped. I’ll not go into details since this is very specific collodion technique. Before I headed for the pilgrimage I’ve done also a salt print, to remind the master Osterman that the king carbon print must make a better print. Ha! I do martial arts and the peak of the training is when you test your skills against your teacher and you get beaten as a sack of beans. No doubt this will be the case also this time. I always aim beyond my reach and then see how will I do. Ha, I so much look forward!!!
But nevertheless the salt print is gorgeous and it will present the best challenge I can make with salt print process against carbon print process. Obnoxious in that kind of creative way I was always been :-)
PS: all reproductions have my dirty finger in the frame as a reference point that it is not digitally altered. Plus the print is dry! It’s not like super cooper wet and when you dry it all the blacks are gone…
Benjamin saw my videos on youtube and decided to learn wet plate collodion process so he drove from Switzerland for an individual workshop with me. It was great three days. We were doing basic wet plate collodion ambrotypes, wet plate collodion negatives, salt printing and then for fun we were doing also collodion transfer to paper and to his sketch book cover. Mark Osterman from George Eastman House museum explained that the name for this transfers is actually Pannotype. We were mixing and testing different collodions, silver baths with different pH, different developers, changing exposure with development times. The result of that kind of workshop torture is a surprising finding that a plate that was illuminated by 30% less could look brighter if developed with less developer in a perfect way.
My way of teaching is to use one motif and keep on photographing it focusing on one aspect of the process. Most demanding part of the workshop was wet plate negative. I’ve mixed new negative collodion, raised pH of silverbath to 4.9pH and with this I raised sensibility of collodion process, so I could make a portrait of Benjamin in wet plate collodion negative with f/11, t=4s. I portrayed him outdoor in shadow. Then we redeveloped the negative and we’ve made a salt print from it. Fun weekend!
If you want to know more about my workshops click on the LINK to my site. Let me just add that with my workshop you get also Mark Osterman’s Collodion manual. I was thinking to write my own instructions (just like everyone else who have 5 min of free time :-) ), but I’ve decided I’ll rather buy bunch of the best collodion manuals and include them in my workshop offer.