TOPSHIT PHOTOGRAPHY blog

Photography, Fine Art, Wet Plate Collodion, Alternative photography

Exhibition in Bratislava during Month of Photography

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During Month of Photography in Bratislava I was invited by Gallery Photon, to exhibit in the gallery of Embassy of Republic Slovenia. I decided to try something different, to present my work in old windows. I’m presenting a very intimate story of fears and delights being a parent and the window frames are emphasising hand made craft of my photographs and the effect of looking through window inside. I was very satisfied with the effect although needless to say I was full of doubts if this will actually work or make sense. I hope you agree, it does work.

I really wanted to exhibit this project, because as a teenager I saw the exhibition of Sally Mann and her project Immediate Family and this was for me very important personal motivation. Not only her work inspired me to photograph my family, but also it was in Sally Mann’s work I first time saw a 19th Century hand made photography used in contemporary art. On top of that, I am in the middle of divorce and setting up this work was so painful. I was totally ambushed by emotions from the past, while working on the exhibition. You don’t see that in the video, of course, but photographs are full of it.

Thank you to Gallery Photon, Dejan Sluga, Miha Colner, Embassy of R. Slovenia in Bratislava, Month of Photography in Bratislava and of course my family, Lučka, Brina and Alenka Peterlin.

On THIS link you can see the gallery of the images.

Here is a video few years old, where I’m talking about A Father’s Tale project, early version of the project.

Father – Daughters – Bonding / Vlog 011

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In this episode of my vlog, I’ve started a collaboration with my daughters in my photography project A Father’s Tale. I’ve been talking before about my project, but now, when I am in the middle of divorce, I’m bonding with my kids in this kind of creative way.

The prints we’ve created are listed on Ebay, as an auction, so I thank you for bidding, liking and sharing my videos. I thank my patreons who are supporting me monthly via platform PATREON.com.
Music by: David Cutter Music – www.davidcuttermusic.co.uk

Let me invite you to the opening of my solo exhibition on 3rd of November 2016, at 17.00 at Ventúrska 5, 813 15 Bratislava, Slovakia.

And I can not part by not announcing a workshop in Florence, Italy, on 16th and 17th of November. The workshop will be on wet plate collodion negative and salt printing. More info on fotonomia.firenze@gmail.com

LINK TO THE EBAY LISING OF LUČKA’S PRINT lucka 

 

LINK TO THE EBAY LISTING OF BRINA’S PRINT brina

Vlog About Street Photography

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Dear followers,
Thank you for all the encouraging thoughts, gestures and actions. I am alive and kicking and after a very peculiar part of my life, I am getting back on track. I hope this video will inspire you and open new views on photography. No guidelines to follow, just inspiration to go out and do more photography!

If you appreciate my videos, this blog and my work on general and you might want to buy me a cup of tea or even a pizza every month, you can do this on my Patreon page.

Music by David Cutter Music  – http://www.davidcuttermusic.co.uk

Written by Borut Peterlin

13 October, 2016 at 15:56

From my latest exhibition in Castle Rajhenburg

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My dearest followers,
here is my newest video about the latest opening of the exhibition I had. It will be open for the whole year, until September 2017, which is cool, because the location is on my way to skylight Studio Pelikan, so next time that I will have a workshop I could bring the group to the exhibition.

Grad Rajhenburg, Brestanica, Slovenia

Curator: Nina Sotelšek

Organiser: Krško Cultural Centre

Exhibition closes: September 2017

On more personal note, I thank you all for the kind thoughts of support you have send it to me. I am getting back on track, better then ever. Expect more videos to be published this week, more photographs to be made and expect the world to be saved! Because Topshit does happen! 

My pity hole…

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In this video I am contemplating my separation with my wife with who we had 21 year long relationship. It is a sad, but I do my best to deal with it.

PS: oh, I’ve just realized that I left room for misunderstanding. This cottage is just a place to contemplate my projects and store some things in the woodland. I do not live there! I have my own flat in the civilization!

Written by Borut Peterlin

2 September, 2016 at 15:56

Posted in Uncategorized

Woodland Beyond Photography 2016

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Woodland Beyond Photography is an event where photographers, artists and enviornmentalists retreat in the middle of woodland and create their art. It is organised to spend a weekend in deep forest together with their families. Kočevski rog is ancient woodland in Slovenia, with largest area of virgin forests in whole Europe.

In the caves of Željne, near Kočevje, we prepared an exhbition on the theme Light Shining In, so I invited three artist that creates their art with camera obscura: Michalina Hendrys (PL), Miša Keskenović (SLO) and Gerald Figal (USA). The philosopher dr. Pavel Koltaj gave a speach on the theme Plato’s Cave and how does that relates to our everyday life.

Peter Rauch and Tomaž Pipan both artists based in Slovenia have created a sculpture suspended in the air. Sara Figal (USA) made a sculpture with knitting among trees. Marcus Gabriel (IT) and Christian Klant (D) were making wet plate collodion plates. Photographs and videos used in this video were made by Adrijan Pregelj, Gregor Koščak, Boštjan Pucelj, Miša Keskenović, Anže Grabeljšek and myself.

Disclaimer voice: Pierre Van de Vliert
Music by David Cutter Music www.davidcuttermusic.co.uk

On the very end I would like to appologise to those who could not join us. The event was organised by myself, without any budget or as I’ve called it, budget-free event, so the only way I could pull this event off is to invite people who are either my friends or friends of my friends. We did not had a support from outside so we all had to contribute to make this event happen. And it did happen!

Last but not least, as a proud father of two daughters I encourage them to get in contact with nature, but a father alone can not do it, so I organise these kind of events were there are tons of kids and we all have a blast.

See you next year and mark the 28th, 29th and 30th of July 2017! And let us not forget… Topshit does happen!
Borut
PS: I am a patreon of great artist David Cutter, without whose music my videos would not be the same. My work is also supported by patreons, so I thank you for that. If you appreciate what I do and you might want to donate me a cup of tea or a pizza every month, you can do it ON THIS LINK.

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Contrast control in Wet Plate Colodion process

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Plate on the left was normaly exposed (5 seconds) and normaly developed (18 seconds), plate on the right was exyposed for 10 seconds and developed for only 8 seconds.

Plate on the left was normaly exposed (5 seconds) and normaly developed (18 seconds), plate on the right was exposed for 10 seconds and developed for only 8 seconds.

Few days ago I’ve finished a bacis collodion workshop and part of my workshop is a demonstration of contrast control in wet plate collodion process. I thought this might be intersting topic, so here’s a short post. Plate on the left is normaly developed and exposed and plate on the right is overexposed and underdeveloped. As you can see the middle tones are about the same, but the plate on the left has no details in highlights. This is usual push / pull process that is very well known in film photography and the same goes for wet plate collodion process.

Have you ever heard that a collodion mixture becomes more contrasty with aging? Well, that’s merly a false myth. Collodion becomes less sensitive and if a photographer is using the same exposure times with old colloodion, the plates are in fact undrexposed and on top of that overdeveloped, so of course the end result is much more contrasty then it was with fresh collodion, but if you want to have low contrast with old collodion, you only need to overexpose and underdevelop! So the cause of contrasty plates is not the age of collodion, but underexposure and overdevelopment.

This is what I’ve learned from Mark Osterman.

Here are two more plates that I’ve manages to make a reproduction of.