On Saturday a group of Land Rover enthusiast were planning a trip near where i live, so I’ve joined them. I was suspicious if my old-timer will keep up the pace with the younger big brothers that had tires 255 85 R16 and engines with three time as many horsepower. By my complete surprise they were not waiting for me, my Land Rover Series 3 did climbed all the roads there. I didn’t go into the deepest mud, since that wouldn’t be right, but I did climbed all those roads. One was particularly scary. In the video you can see a road that has literally trenches diged by rain. You can’t hear me swearing when driving on the edge of that road and furthermore when my car stalled. It shouldn’t, but I’ve made a mistake. I knew I had to drive back, but before driving backwards down that hill I tried to get my car going again and by my complete surprise it was very easy! What a car!!! The only problem we had was the mud that got on an air filter of a Defender. We washed the filter with water and then dry it on an exhaust pipe. How cool is that! He, he, he…
The commentary is from Camel Trophy Mundo Maya 1995 and I’ve picked it because we all drive Land Rovers because of those adventures and it’s an excellent editing twist. You understand this is no convoy of 20 vehicles and this is not South America, but the commentary does fit perfectly at certain parts, so it’s confusing. ha, ha…
The result of this trip is that I’ve find out what my car is capable of. I wouldn’t dare to take those roads alone, but in a group of five Land Rover and they all have winches, I’ve give it a go and successfully finished the tour. Here are some pics with captions. Also the route that we took, so it’s evident that this was not off roading, all these roads are public roads, but after rain they aren’t for every vehicle.
Although I used to work for Fabrica.it, a research communication centre of United Colors of Benetton group, fashion photography never really interested me. Fashion never interested me either. But then again fashion photography is just a photography, so if you can make landscape photography, then you can make fashion photography, right? Wrong. There are many beautiful landscape photographs, but photographers ruin the photo by forgetting to dress their models! D’oh!!!
In my case, if a stylist and make up artist take care of their part of the job I will certainly not fail in photography part of the job. I understand light and flashes very well. I can feel it on my bladder what the end effect will be if I change the set up of lights. I guess every photographer who learned photography in film era had to develop a skilful bladder to see a photograph while taking it and not only after the films were developed. I know that doesn’t make sense for the new generation of photographers and rightly so! New era, new technology, new rules, new photographers! Good, don’t listen to old cold farts! I never did, either!
These images are of Jana and Jerica, girls from my neighbourhood. They have ambition for modelling and I was asked to make few portraits of them. As it happens two students of photography were also assisting me, Sanja Gorišek and Nastja Frey Gorše, so I’ve proposed that they should start collaborating. I’ve gave them my equipment with the following instructions:
The first lesson that I will give you is the most important of all! Here you have my equipment and do some photography. Nobody is expecting anything from you, so this is the perfect time to learn how to enjoy the game of photography. If you will not learn how to enjoy your profession, you will suffer immensely and more successful you will be, the worse it will be! So the lesson number one is the most important one, that is to enjoy the profession you intend to devote your life upon!
After occurred half an hour, the four girls relaxed, started to collaborate and enjoyed the shooting. I’m publishing portraits that we’ve done together, some were done by Nastja and Sanja alone, some were done by them with my guidance and some were shot by me. If you can’t distinguish which one are done by me and which are done by Sanja Gorišek and Nastja Frey Gorše, then that’s fantastic, my job is done!
We’ve used Nikon D4, Speedlights SB910 and SB800 with transmitter, Balcar Jazz flashes, Electrona flash feeder, firefly soft box, one large soft-box and that’s about it. In fact, Slovenian national TV made a short interview with me, while we were working together. You can click on THIS LINK and go to the end of the clip, to 17:09 minutes.
Dear readers of my blog, I’m back! Not that I’ve left anywhere, but I was working really hard to make my workshop happen. I organised a five days workshop, two days working outdoor and three days working indoor. We covered wet plate collodion negatives, albumen printing, salt printing and collodion chloride printing. After that I had another two days of individual workshop on carbon printing. Very intense indeed!
I’ve decided to set up our headquarters in Sitarjeva hiša, a house from 1886 and was abandoned for last 17 years. It did not had a running water or electricity, but with the generous help of Anže Grabeljšek, Sanja Gorišek, Nastja Frey Gorše and municipality of Dolenjske Toplice, we sorted things out! I had many concerns and I had two back up options, but the house with it’s charisma is destined to host more art events! In fact I’m exhibiting new work there, so let me invite you to the exhibition of my panoramas on 27th of August at 7pm.
Expect more topshit events like this! For now I’m going to organise a workshop with a theme: Tribute to Ansel Adams. I’m planning a workshop on analog photography, with medium and large format cameras, for about 8 people. We will do rafting, camping, off roading and developing contact prints. We will explain the zone system, have a talk in the middle of forrest about Adams’s work and legacy… It will be 4th and 5th of September. The price for it is 250 EUR and includes cameras, films, paper, chemistry and food while camping. (Če razumeš slovensko, si avtomatsko zaslužiš konkreten popust) I know it’s short notice, but I have friends who already booked, so only few spaces are available, so we will not wait for you, but don’t worry, I will have more workshops. More topshit workshops is what we need! I will make an official notice in the following days. My email is firstname.lastname@example.org
I’m talking also with Nikon, we might make a photo-safari trip on digital photography during wine picking season. And I’m thinking to organise a collodion new year celebration in some cottage deep in the forrest of Slovenia (or is it properly written Slovakia?!?) What do you think, is it topshit enough idea?
Anyway, please check the images bellow and read captions and remember…
Topshit does happens!
Today was a great day. Months of preparations, planning and hard work calumniated in the introduction of the house of Sitarjeva hiša in a new role. We’ve installed a darkroom, daylight working room, chilling room, a gallery and a dance room!
The house was made in 1887, but it was for last seventeen years abandoned. It does not have running water, electricity or heating. But We will change that. We are changing that! With the generous help of Anže Grabeljšek, Nastja Frey Gorše, Sanja Gorišek and municipality of Dolenjske Toplice, we are reviving the house in the centre of Dolenjske Toplice.
Everything is ready for the beginning of the topshit photography workshop in the centre of the topshit world! Expect more news from the workshop, expect traveling, adventure, weird creatures in castles, driving off road, swimming, rafting, camping, visiting museum collections and foremost making wet plate collodion negatives, salt prints and albumen prints.
Oh… Today we had a visit already! On Sunday I was portraying on the streets of Ljubljana and by pure coincidence I’ve met a journalist from USA, who is researching exactly what I do, traveling, workshops, creativity and adventure. Today she came for a visit and made an interview. I am not kidding you, it’s true! Hey, I’m preaching this all the times, so let me repeat again:
I remember our countless trips driving from Ljubljana to Prague and back, flickering of street lights, endless discussions about art and the plans that will we do for the eternity. The soundtrack was Nick Cave, Do you Love Me. I remember Austrian border control and our fears that this time they will not let us pass with very old and rusty car Zastava 101. Ja, ja bisschen rustig aber sehr kunstlig… I’m sure that still doesn’t make any sense, but it got that police officer smile and let us go our way with that dubious car.
In 1994-1998 when we studied photography, there was no college for photography in Slovenia and we needed to go abroad, so few of us coming from Slovenia, we bond firmly like brothers and sisters. We were helping each outer as much as we could.
I remember one anecdote. Jure asked us to make a group photo of us, but we had to be nude and he assured us that nobody will see this photographs, except teachers at the college. I didn’t care, but others were concerned. As it happened with this series of images Jure won Emzin’s award Photographer of the Year 1998 and the photo of us full monty was in every Slovenian newspaper, on TV and on the exhibition.
I drove first time to Prague with that car together with three friends, that I’ve just met. Jure was driving, Tina was in bad mood sitting in the front and with Blaž we were sitting at the back. As it turned out Blaž committed suicide in 2001, Tina committed a suicide few years later only Jure escaped the whirl of negative energy and became again creative and super productive, when he got married and became a father of half a year old daughter, his heart left him. The cause of his death is not yet established, since he died in Belgium and the autopsy wasn’t been performed yet, but from the circumstances it sound like the most logical conclusion.
Few years ago, Jure sold me his 4×5″ camera. The camera will remain focused, my friend, rest in peace. Let me finish this post with Nan Goldin‘s qute: “I used to think that I could never lose anyone if I photographed them enough. In fact, my pictures show me how much I’ve lost.”
Dear topshit readers,
Here are some updates. I’ve just came back from family vacations and I don’t have a habit to post that my house is empty. Not that is anything to steal from it, but still.
What do you do for a living people are very frequently asking me. Hm… Not so easy to answer. Well, I do have two regular clients that all together make three to four monthly salaries per year but everything else is freelancing. I’ve been fortunate enough that I’m freelance photographer from 1998 and ever since I have burned only handful bridges, so people know me and I do not need to promote myself as a commercial photographer. The other Friday it was a crazy day. Three clients wanted to do the shoot in one day. Good, three flies in one stroke.
In the morning it was Janez Bršec, a poet. He wanted that I make a portrait of him for a cover of his book. I’ve done as he imagine it, but then I’ve made one more as I’ve understood it. He picked my version :-)
Next it was Corcoras quartet with and without actor Branko Jordan and then a solo portrait of Branko Jordan. At 3pm it was really hot, but we’ve met beside a river that offered some fresh breeze. I didn’t had any problems, aside some oyster stains on the edges, which I like in the first place.
The last shoot was in Ljubljana, that’s an hour drive from where I live. We started at 7pm and finished at 11 pm. Maja Smrekar is a contemporary artist dealing with futuristic visions of humanism. Or at least that’s my interpretation of her work. Nevertheless she explained me her new project. It’s a survival kit for 21st Century. It has many features, it could be a weapon, a tool, or protective gear. So my task was to illustrate her using the set. I was using Balcar studio flashes, a Profot Flash Feeder, some “nothing special” gadgets, excellent Nikon D4 and three lenses. Interesting thing is that the last picture was taken almost at midnight with full moon behind. I had to illustrate that the kit has also a feature to offer a shade, so I’ve used the moon as futuristic sun. I was asked if I could have a workshop on these kind of creative lightning, but with – pardon my French – digital photography. Of course we will, stay tuned.
Video Collodion Journal, Vinica, Slovenia, 2.7.2015. This time I didn’t had perfect plates. They were OK, but it could be better so I finished the day in the river :-)
PS: One more space left for Collodion Photo Safari, 29th of Jully – 2nd of August 2015. http://borutpeterlin.com/WORKSHOPS/Advanced—Negative-&-Printing/1/