TOPSHIT PHOTOGRAPHY blog

Photography, Fine Art, Wet Plate Collodion, Alternative photography

Albumen print from European Collodion Weekend

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An albumen print toned with gold from a 10x12" wet plate collodion negative of a group of collodion artists at European Collodion Weekend in Eindhoven, NL.

An albumen print toned with gold from a 10×12″ wet plate collodion negative of a group of collodion artists at European Collodion Weekend in Eindhoven, NL.

HERE is a link to the highres of the reproduction of the albumen print.

The first week of May I’ve joined European Collodion Weekend in Eindhoven, NL. It’s an opportunity to meet collodion photographers from all over the world. Tarmo Virves drove all the way from Estonia. That’s 2100 km drive in one way! In comparison to him, I was lucky, I had only 1250 km of road to drive one way. Still it was super exhausting, but it was worth all the trouble. It’s a perfect opportunity to at least once a year meet many of my wet plate collodion colleagues and do together what we love to do, wet plate collodion photography. Thank you Alex Timmermans for organizing and I look forward of seeing you again next year! And thank you for fascinating »Howgh, ich habe gesprochen« portrait of me! Next year I will make one of you 😉

Melanie Fraser made this video of me taking a portrait of Sherpa. It’s published only on Facebook so I hope you have access to it. HERE is an album from Henk Peters. And HERE is a link to an album done by Ferry “The President! van der Vliet.

Also this year there were with us models Sabrina, Wilma, Sherpa and Ruth. I took their portraits and enjoyed every second of working with those guys. I was shooting only negatives, although the first test plate was so underexposed it turned out as a decent ambrotype. I’m publishing three out of five photographs I’ve made. I’m doing albumen prints and this process takes time.

On Sunday we did a group portrait and with a generous help of Christian Klant I’ve managed to prepare one plate and took a group portrait. I was lucky to guessed the perfect exposure time and when I was developing I haven’t lost ten drops of developer, thus keeping maximum silver on the plate and resulting topshit density of the negative. This weekend I’ve made three albumen prints. The HIRES of the albumen print is available on THIS LINK. You can download it and print it for your own collection. It’s free to use it for non-commercial use. There are no model-release form signed, so it’s intended for only personal archive.

If you want to buy an original albumen print I can print it for you. The size of the contact print is 10×12″, that’s 25x30cm. To achieve archival quality of the print it’s toned with gold-chloride and washed with Ilford Washaid (among other steps of the process). I’m selling it for 70 EUR + 10 EUR shipping. If you are interested, mail me on borut@borutpeterlin.com.

At the event I was selling my prints and I’ve sold four! I actually covered all my expenses of the trip. Further more, when I was driving south I stopped in Nürnberg at Peter Kunz and give him a crash course on dry collodion. Although we had only few hours and deliberately we’ve chosen impossible motive to photograph, we’ve made a good dry collodion negative! It’s a step test, on the left it’s underexposed on right it’s overexposed, but the dynamic range of collodion negatives is V.A.S.T. so you have Spotmeter was showing on the darkest part of the black shoe 8.5EV and on the metal part of the camera was 15.0 EV, sky was 15.5EV. Everything was there. Considering that we had few hours to do it from scratch, I call that a success. Peter Kunz is infected with collodion negative fever 😉

I’m planning five days workshop on wet plate collodion negative, dry plate collodion negative, albumen and salt printing in Berlin. More details will follow, but you are the first to know 😉

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One Response

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  1. There’s a definite downside to living in Australia right now! 🙂

    The Silver Sunbeam

    13 May, 2014 at 16:57


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