Archive for the ‘Art’ Category
here is my newest vlog. In December I’ve been travelling from Slovenia to Tuscany and then to Berlin and Hamburg. Proper south – north EU tour. I drove like 4000 km or so. Finally I’ve made the vlog from north part of the trip, but southern part is being edited. It takes whole lot of time, these videos.
This video is kind of personal, not much photography tips&tricks involved. Is that OK? I’m thinking to do separate my personal vlogs and tutorial videos. Vlogs will be shorter and more funny, whereas tutorial videos will be longer and more detailed.
In this video I’m talking about the cold, that consist of two components. One is low temperature and the second is interpretation of the low temperature. It is talking about the reality and interpretation of the reality. Cold is perfect example how we love drama and how that drama is making us just more dependent on the comfort thqat seize to be comfort, but it becomes necessity and comfort becomes something else, like a super-car or something that is beyond our reach. Perfect formula for personal drama! But the bottom line is that what I’ve wrote about the cold goes for everything in the world. You may ask yourself which part of the circumstances are real concern and which part is a drama that I am addicted to. I am not pretending to be beyond it, on the contrary, these insights are very personal and very real life situations. Cold is just the easiest to be identified with so I leave you to ponder that for a moment and I’m challenging you to copy/paste the insight on whatever life situation you are in at this particular moment, at this particular drama.
OK, I’ve printed an edition of 50 prints and 14 are still on sale, that is from edition of 32/50 to 48/50, with exception of 36 and 42. Those copies I’m keeping them. The price is 50 EUR per print, it is signed, numbered, unmated, in a sleeve, with a sheet of data in the back.
HERE is the link to the listing. It is limited edition and only 13 are available. A big thanks to my patreons, who are gfenerlously supporting me every month. Perhaps you might join them and you will receive a print in the mail later this year! WWW.PATREON.COM/BORUTPETERLIN
During Month of Photography in Bratislava I was invited by Gallery Photon, to exhibit in the gallery of Embassy of Republic Slovenia. I decided to try something different, to present my work in old windows. I’m presenting a very intimate story of fears and delights being a parent and the window frames are emphasising hand made craft of my photographs and the effect of looking through window inside. I was very satisfied with the effect although needless to say I was full of doubts if this will actually work or make sense. I hope you agree, it does work.
I really wanted to exhibit this project, because as a teenager I saw the exhibition of Sally Mann and her project Immediate Family and this was for me very important personal motivation. Not only her work inspired me to photograph my family, but also it was in Sally Mann’s work I first time saw a 19th Century hand made photography used in contemporary art. On top of that, I am in the middle of divorce and setting up this work was so painful. I was totally ambushed by emotions from the past, while working on the exhibition. You don’t see that in the video, of course, but photographs are full of it.
Thank you to Gallery Photon, Dejan Sluga, Miha Colner, Embassy of R. Slovenia in Bratislava, Month of Photography in Bratislava and of course my family, Lučka, Brina and Alenka Peterlin.
On THIS link you can see the gallery of the images.
Here is a video few years old, where I’m talking about A Father’s Tale project, early version of the project.
In this episode of my vlog, I’ve started a collaboration with my daughters in my photography project A Father’s Tale. I’ve been talking before about my project, but now, when I am in the middle of divorce, I’m bonding with my kids in this kind of creative way.
The prints we’ve created are listed on Ebay, as an auction, so I thank you for bidding, liking and sharing my videos. I thank my patreons who are supporting me monthly via platform PATREON.com.
Music by: David Cutter Music – www.davidcuttermusic.co.uk
Let me invite you to the opening of my solo exhibition on 3rd of November 2016, at 17.00 at Ventúrska 5, 813 15 Bratislava, Slovakia.
And I can not part by not announcing a workshop in Florence, Italy, on 16th and 17th of November. The workshop will be on wet plate collodion negative and salt printing. More info on firstname.lastname@example.org
Thank you for all the encouraging thoughts, gestures and actions. I am alive and kicking and after a very peculiar part of my life, I am getting back on track. I hope this video will inspire you and open new views on photography. No guidelines to follow, just inspiration to go out and do more photography!
If you appreciate my videos, this blog and my work on general and you might want to buy me a cup of tea or even a pizza every month, you can do this on my Patreon page.
Music by David Cutter Music – http://www.davidcuttermusic.co.uk
I confess, I always fancied manipulation of photography. Paradoxically with introduction of Photoshop (I’ve learned PS 3.0 in year 1994) I’ve lost all the interest in this field and my work in the last 15 years is more or less documentarian nature, meaning, 99,9% of my digital images would pass world press photo standards. I can’t explain why.
About a year ago I’ve made a video about my work and analog manipulation of photography, it’s embedded at the bottom of this post. All the work mentioned is very old, like my last project Fairy Tales was done in 2001-02 and let me state that is not photoshoped at all! That was selectively illuminated landscape scenes, taken on colour negative film, format 6×7. Yes, it was very hard to wait for developed proof prints to see what have I’ve done last week and often go back and redo them.
About a year ago I was at a workshop on collodion glass negative retouching in George Eastman House and beside the techniques I’ve learned I’ve seen also some fascinating examples of retouched photographs. I mean authentic photographs that you may see only in books. Mentor Mark Osterman have shown us an examples from a collection of George Eastman House and that was really inspiring.
Anyway the time has come to start a new project, dealing with nature and image manipulation. I’ve picked few books from authors Peter Župnik, Pavel Pecha, Herman Pivk and Regina Anzenberger. Intentionally I’ve picked authors that are based in East Europe and although the quality of their work does not fall behind known western authors, you probably never heard about them. East-European photography is so underrated! It is so underrated by their own countries to start with! I hope you will appreciate my suggestions and their work.
In this video I’m presenting a print I’ve made from a retouched collodion negative. About a year ago I’ve made a video how I’m making the wet plate collodion negative and the salt print and now I’m publishing the result upgraded by my knowledge gained at George Eastman House. I will talk about my next project in the next videos, but for now I’m sharing with you my creative process, my inspiration and the aesthetic I admire. I think that on youtube there is way too much camera-review videos and photographers on general are putting too much emphasising on gear and not enough on photography and the creative process of photography, so this one is a little different. Very different.
I’m putting my retouched print on ebay, as an auction and by your bidding and buying my work, you support my endeavour in art. This blog is also crowd funded at Patreon.com. Thank you guys, I appreciate it!!!
PS: I’ve started to use professional video-editing software and big thanks to Vid Klančičar for the crash course how to use it.
Some time ago I’ve made a video about barbed wired EU border (link) and here is another episode from the project. I do not know exactly how will it developed, but I feel the need to document the time and place where I live. I enjoy these expeditions so much. Being away from everyone, from everything doing photography, but not being sure if anybody including myself needs those images. As a professional photographer I’ve developed disfunctionality because photography as a medium is the main source of income and although this is a good thing in the manner I am entitled to devote most of my time to the medium it also creates huge aberration in the process of evaluating the work that I do. This is the aberration I’m mentioning, but I have blind faith that this will pay for my retirement, because social security surely will not.
My next step is to make prints out of the negatives. It will be very different then those digitally converted reproductions, but about that in the next video.
The past week I was in Luxembourg where I was a guest of European Month of Photography – EMOP. I was nominated together with Marcell Esterházy, Tatiana Lecomte, Andreas Muehe, Lina Scheyniusfor for Arendt Award for Photography. The winner of the award of 5000 EUR was Tatiana Lecomte.
I’ve seen some pretty amazing works of art, exhibitions, artists, curators and collectors. Very inspiring, can’t wait to meet most of them in Arles, the most important photography festival in Europe, and present my new work.
We visited also probably the most famous photography exhibition of all times, The Family of Men, curated by Edward Steichen. I loved it totally and I’ve photographed as much as I could so I could share it on my blog. It’s amazing how Steichen juxtaposed photographs, isn’t?
Wikipedia: The Family of Man was an ambitious photography exhibition curated by Edward Steichen, the director of the Museum of Modern Art’s (MOMA) Department of Photography. It was first shown in 1955 from January 24 to May 8 at the New York MOMA. Steichen’s international collection of images, included his focused tour of 11 European countries including France, Switzerland, Austria and Germany. In total, Steichen procured 300 images from European photographers which were first organized into the Post-War European Photography exhibition on display at the Museum of Modern Art in 1953. Due to the incorporation of this body of work into the 1955 The Family of Man exhibition, Post-War European Photography is thought of as a preview to The History of Man.
After its initial showing at The Museum of Modern Art in 1955, the exhibition toured the world for eight years, making stops in thirty-seven countries on six continents. More than 9 million people viewed the exhibit. The physical collection is archived and displayed at Clervaux Castle in Luxembourg (Edward Steichen’s home country; he was born there in 1879 in Bivange). It was first presented there in 1994 after restoration of the prints. In 2003 the Family of Man photographic collection was added to UNESCO’s Memory of the World Register in recognition of its historical value.