Archive for the ‘ebay’ Category
This vlog should be published earlier, but I am missing three of my cameras. All small ones, like analogue compact Rollei camera, GoPro 3+ and Nikon J5 cameras. I have no idea what happened to them. In 30 years I have not lost a camera. I almost did, but never really. This small cameras were in my bag and I was carry them always with me. It might be that I forgot my backpack somewhere, but is more likely that someone took it out of my car. Today’s thieves do not need to brake a window, to get in your car. When I went to Prague I was resting on a rest stop and a thief silently broke in my car, without leaving any damage or signs. He did this while I was resting in the car! But then I woke up and he fled. Without steeling anything. So it might be that it was stolen or not. I do not know. Too many things happening in my life right now and this is the price to pay. Although this event is annoying it does not put me off. In fact that is why I bought Nikon J5, because I didn’t want to use the almighty and all expensive Nikon D4! Imagine that would happen with my Nikon D4 and my expensive lenses!
Anyway… Here is my latest vlog where I continue working on my book A Father’s Tale. A photo-book is not an album of images. It is a sequence of images carefully narrated through each page. Just like when music notes are containing parts that are actually bringing the orchestra to quit down or even to a complete stop, also photo-book must have parts in the book where an eye will relax, digest, reflect.
My idea is that the photo-book of my daughters should contain images that on information level do not tell you anything about them, but the images are containing certain mood that is bringing the viewer’s attention away from the information level and building the story on emotional level.
So that is why I’ve decided to photograph this window. I could ask one of my daughters to stand there or even I could stand by the window, but I’ve decided to keep it calm and simple. It is just one image in the book, but important one.
I hope you will like the image and the video. Please subscribe and share. My plan is to build up large enough social network and sell my books directly to my audience. And/Or with the large enough social network, main stream publishers will be interested in publishing the book. So thank you for subscribing to my YouTube channel, to my blog, to FB page and to my Instagram.
LINK to eBay listing of the silver-gelatin print
LINK to eBay listing of the ambrotype
LINK to eBay listing of the albumen print.
Dear readers of my blog, I am very late with my production of videos. I have great excuses, but you do not follow this blog because of great excuses, so I will spare you 🙂
I think this video is alright. It took me two days to upload it, because of technical issues, but I’m satisfied with it. Only today I’ve noticed I haven’t used any drone shots, too bad.
For wet plate collodion photographers there will be interesting the following example. In the video I’ve said that at the first test the fog appeared because I waited too long before subbing the plate to silver nitrate. Actually I’ve recoded the explanations, but it is too long and boring, so I’ve edit it out. I can tell you now why I knew what is the cause of fogging. Please observe corners. Only in corner number 4 there is no fog. OK, there is some fog, but that fog is made out of sharp lines, meaning the plate was not cleaned enough. Other fog is obviously different. Corner number 4 is the corner where I’ve poured off my collodion off the plate, meaning that was the most fresh collodion. On other edges and corners fog is spreading toward the edge, from centre toward the edge. That is very clear sign of drying collodion, before the plate went to silver bath. The drying of sensitised plate looks different, very different. So my advice to you is to learn with every failed plate and every successful plate. Believe me, it is very likely that I have made much more foggy plates then you, but I have learned by doing it, so now I can do it either at temperatures of -9C (link) or at + 30C (link). Just do it and fail miserably, that is the only way to make it happen.
As you imagine to make this videos it takes a lot of time and because I’m a professional photographer, I need to justify the time investment, so I need to sell my photographs. I thank you for bidding, sharing my videos, commenting, subscribing and basically all the attention this social network is giving me. It’s my dream job and I have more to come! My prints became quite expensive (THANK YOU), but if you still want to give me a tip and buy me a cup of tea every month, you can visit THIS SITE and become my patreon.
Dear readers of my blog,
I really love this blog, I started to blog in 2003 and since 2006 this is the place where I’ve post more then thousands posts on photography. I love to do it. I love to make videos too. It’s a great feeling to share the passion with like-minded people! The only problem is that with every new video my appetites are growing, I want to make a better video, to publish more, etc. Unfortunately the clash of my ambition and time constraints is unbearable. Believe it or not, about dozen videos are already recorded, but not edited and probably will never be finished.
I’ve decided to try out Patreon crowdfunding platform. Patreon platform is like Kickstarter, but if Kickstarter is for big projects and for big sums of money, Patreon is just the opposite. It’s for creators that are asking for support of their followers. It’s for small amounts of money like $1, $5 or $10 or more. I don’t know if this will work. I know this will not replace my career of commercial photographer, but it’s a start. Who knows where this will bring me.
The second site I’m launching is Topshit Photography. I wanted to create a site that will host all the information about my workshops and will also host a shop where people can buy art from me directly. My brother is a web developer and he has a company Amaroo and he offered me his expertise in setting up the website.
Thanks to Vid Klancicar ml. For assistance with the video above!
Excellent news, I’m going to Rochester, USA, again, to make a pilgrimage to George Eastman House and have a workshop with none other then Mark Osterman! This time I will learn from the master how to retouch glass negatives. Concerning expenses, the time in not right, but I just have to go to this workshop, because I was always interested in alternating a photograph by hand. Ironically I’ve completely stopped with my photomontages when I did digital photography, although I master Photoshop just as well. Photoshop, Instagram, Photomatix and other digital effects are so generic I don’t like it at all. I can’t explain why I love analog manipulation so much. I really can’t, I know it’s basically the same as digital manipulation, but my feelings are very different.
I’ve looked back 23 years and made a collection of my analog manipulated images. I’ve forgot to mention in the video the project The Tales of Gorjanci Hills, published by Založba Goga ten years ago.So you understand, I have to go to Rochester for this workshop, I have no choice. The only problem is money, of course. As a professional artist, living in Slovenia, the country where art market does not exist, I’m forced for guerrilla sale tactics. I know nobody is selling their art prints on ebay as an auction from 0,99$, but I’ve had some great success, so I decided to resort myself again to this tactic.
Hey, if I started with 23 year old photographs, let me tell you about the dream I had in my teenage years! All I wanted is to make a living out of photography and the only people I knew at the time that were making a living out of photography were people who had a printing lab and making portraits for ID cards. And believe it or not, that was my dream at the time, to work in a printing lab and do ID portraits! And look at me now, I have no fear of putting a print of mine on ebay as an auction from 0,99$ and with it (partly) finance the trip to the workshop at Rochester!
The auction will be for just three days and then perhaps I will put a new print on auction.
I grew up in this valley and every September I loved to photograph corn fields. It’s something elegant and tranquil in a field of corn. It was a sunny afternoon and I had three plates ready and subbed with albumen, so I give it a go. The negative was done in the first attempt and although the density was not as thick as it could be, due to loosing quite a lot of developer (containing silver), but that was easily compensated by the second development after fixing, the redevelopment. I just had to redevelop longer, increasing the layer of silver and busting the contrast.
Here are two beautiful prints, I hope you will like them and as it is a tradition on this blog, I’m putting these two prints on ebay auction, starting from 0,99 US$. The auction will end in three days, because I’ve learned that my customers are readers of this blog and it doesn’t matter if the auction is listed for a week or only for few days. As a professional artist (and a father of two daughters) I need to sell my work or get a “proper” job, so thus the aggressive promotion. Things are going good, great, much better than I’ve expected.
This week Art Photo Budapest fair is happening and this fair is the only international fair in Eastern Europe dedicated to art photography. Gallery Photon is presenting me in a very generous way. I’ve been told that this event is a milestone in my career. Tomorrow at 3pm I was invited in the panel to discuss art market in East Europe. As one of my presented cases it will be also this blog and my experience with ebay auctions.
I have this feeling that I’m on the right track and although I know I will not do these ebay auctions forever, it’s a brilliant marketing tool!
Isn’t that a brilliant advice? We artists have a very long history of being ignored and some of us even cut their ear off! Well I’m not cutting my ear or getting a “real job”. I enjoy what I do and thank you for all the attention. It truly helps to know that people have a harder and harder times to keep on ignoring me!
PS: My email box if stacked with questions about the processes I’m doing. I’ve answered some, but most of them I just can’t. SORRY! Please write the question here, as a comment and I will do much better job clarifying some details of the process. You can write a question anonymously, no problem.
more then a year ago, I’ve ordered a headrest from a master blacksmith, Miha Krištof and he made an astonishing product. In the post from December 2012, I even published links of the bleuprints that I gave to the blacksmith with intention that everybody can take this blue print to a local craftsman and order a headrest. I was receiving several requests if I can order one more headrest, but the blacksmith was clear that if I want to make a new order, I need to order four at the same time. It happened that few months ago I did received three orders at about the same time and I did order four more headrests. So for now, I’m selling one headrest and gathering orders for more headrests. After I submit the order, it takes about a month time that blacksmith finishes his masterpiece. So the price for the headrest is 500 EUR, free shipping. If you’re interested to become a keeper of one of this sturdy headrest for a century or so, please send me a private mail on email@example.com
I’m also coming to European Collodion Weekend so I can bring you one. Or two. Month of May is not that far and remember that it takes a month to make it.
This is a photograph made with the process invented in 1839, called salt print process. The print is made from contact copy of a wet plate collodion glass negative. Size of the print is 40x50cm or 16×20″. The size of the image is 25x30cm or 10×12″. The print was toned in gold chloride toner and has a beeswax finish. The paper used is Fabriano Satinato 210gr, 50% of cotton.
Print is a limited edition of 12 copies. The print no:1 I’ve put it on ebay (LINK) and starting a week long auction starting at 0.99 USD.
PS: Print was sold for US $182.50. Thank you!