Archive for the ‘landscape’ Category
I confess, I always fancied manipulation of photography. Paradoxically with introduction of Photoshop (I’ve learned PS 3.0 in year 1994) I’ve lost all the interest in this field and my work in the last 15 years is more or less documentarian nature, meaning, 99,9% of my digital images would pass world press photo standards. I can’t explain why.
About a year ago I’ve made a video about my work and analog manipulation of photography, it’s embedded at the bottom of this post. All the work mentioned is very old, like my last project Fairy Tales was done in 2001-02 and let me state that is not photoshoped at all! That was selectively illuminated landscape scenes, taken on colour negative film, format 6×7. Yes, it was very hard to wait for developed proof prints to see what have I’ve done last week and often go back and redo them.
About a year ago I was at a workshop on collodion glass negative retouching in George Eastman House and beside the techniques I’ve learned I’ve seen also some fascinating examples of retouched photographs. I mean authentic photographs that you may see only in books. Mentor Mark Osterman have shown us an examples from a collection of George Eastman House and that was really inspiring.
Anyway the time has come to start a new project, dealing with nature and image manipulation. I’ve picked few books from authors Peter Župnik, Pavel Pecha, Herman Pivk and Regina Anzenberger. Intentionally I’ve picked authors that are based in East Europe and although the quality of their work does not fall behind known western authors, you probably never heard about them. East-European photography is so underrated! It is so underrated by their own countries to start with! I hope you will appreciate my suggestions and their work.
In this video I’m presenting a print I’ve made from a retouched collodion negative. About a year ago I’ve made a video how I’m making the wet plate collodion negative and the salt print and now I’m publishing the result upgraded by my knowledge gained at George Eastman House. I will talk about my next project in the next videos, but for now I’m sharing with you my creative process, my inspiration and the aesthetic I admire. I think that on youtube there is way too much camera-review videos and photographers on general are putting too much emphasising on gear and not enough on photography and the creative process of photography, so this one is a little different. Very different.
I’m putting my retouched print on ebay, as an auction and by your bidding and buying my work, you support my endeavour in art. This blog is also crowd funded at Patreon.com. Thank you guys, I appreciate it!!!
PS: I’ve started to use professional video-editing software and big thanks to Vid Klančičar for the crash course how to use it.
I’ve made this beautiful print from a horrible negative. The good things about negative / positive process is that you can get away with many things. Two weeks ago I got my silver bath heavily contaminated because of unfortunate event that I want to forget, I cleansed that silver with kaolin, sunning and filtering, but it still wasn’t good. The silver bath was good for ambrotypes, but for negatives, it was fogging. I’ve kept that negative and I love it a lot. When I came home I repeated the cleansing process and it’s OK now.
Next week I’m going to photograph EU border that is barb-wired to prevent crossings of immigrants and refugees. The so called schengen border is very near my home, few tens of kilometres and I will go there and document it. I decided to go with Petzval lens, because it’s not covering fully the format and it has such a eerie feeling and communicate well my feelings about it. I’m still lingering about the final printing process, should I go with silver-gelatine photo paper (like the one above) or with albumen printing process. I will make an albumen print from another eerie negative and compare them.
This is a homework for every artist before starting to do the project, but especially important for a wet plate photographer, because of the extensive and precise preparation to make one photograph. Good, this is a good side being a wet plate photographer
Here is a shot that is really dear to me. I grabbed my second favourite middle format camera FUJI GSW III 690 and some infrared film and decided to have some fun time it in the forest. And oh, I had also iPad, so this film happened.
This blog and videos are crowd-funded, through Patreon platform. I’ve started only a month ago and this month I could buy 200 gr of silver nitrate with your donations. I will do my best to deliver and over deliver my promises. If you can spare a dollar, five or more per month, it would be most appreciated to make more videos with this kind of content.
(OK, less mushrooms and more bears, got it!)
And oh, don’t forget to subscribe to my youtube channel. Only lately I have learned that it’s jolly good to have a subrscriber or two on your youtube channel, but I guess you know better then myself, because I equally shocked I’ve learned that I have already 1673 subscribers. Look mom, I’ve made it!
And if you are on it, I also started a FB page, Topshit Photography, don’t forget to tap my ego there too. LINK.
PS: OK, I wanted to list the print on ebay as an auction, but I was reluctant to, but I received a request to do so, so I’ve done it! Here it is. I do follow a spiritual motto:
Everything is on sale except my kidneys! (officially)
Dear readers of my blog, I’m back! Not that I’ve left anywhere, but I was working really hard to make my workshop happen. I organised a five days workshop, two days working outdoor and three days working indoor. We covered wet plate collodion negatives, albumen printing, salt printing and collodion chloride printing. After that I had another two days of individual workshop on carbon printing. Very intense indeed!
I’ve decided to set up our headquarters in Sitarjeva hiša, a house from 1886 and was abandoned for last 17 years. It did not had a running water or electricity, but with the generous help of Anže Grabeljšek, Sanja Gorišek, Nastja Frey Gorše and municipality of Dolenjske Toplice, we sorted things out! I had many concerns and I had two back up options, but the house with it’s charisma is destined to host more art events! In fact I’m exhibiting new work there, so let me invite you to the exhibition of my panoramas on 27th of August at 7pm.
Expect more topshit events like this! For now I’m going to organise a workshop with a theme: Tribute to Ansel Adams. I’m planning a workshop on analog photography, with medium and large format cameras, for about 8 people. We will do rafting, camping, off roading and developing contact prints. We will explain the zone system, have a talk in the middle of forrest about Adams’s work and legacy… It will be 4th and 5th of September. The price for it is 250 EUR and includes cameras, films, paper, chemistry and food while camping. (Če razumeš slovensko, si avtomatsko zaslužiš konkreten popust) I know it’s short notice, but I have friends who already booked, so only few spaces are available, so we will not wait for you, but don’t worry, I will have more workshops. More topshit workshops is what we need! I will make an official notice in the following days. My email is firstname.lastname@example.org
I’m talking also with Nikon, we might make a photo-safari trip on digital photography during wine picking season. And I’m thinking to organise a collodion new year celebration in some cottage deep in the forrest of Slovenia (or is it properly written Slovakia?!?) What do you think, is it topshit enough idea?
Anyway, please check the images bellow and read captions and remember…
Topshit does happens!
Dear friends from the world of digital,
I had 40th birthday last November and my intention was to organise a photo expedition with an oldtimer Land Rover 109, from year 1972, but the events went into different direction. For the last two months my car was broken and it was standing in my courtyard and since local mechanic, my neighbour didn’t bother to come and see, two Land Rover owners Miha Kaiser and Aleš Zorc came from Ljubljana and fixed the distributor and ignition tuning. Immediately I’ve decided that the time is right to organise a photo safari, so I’ve invited few friend and we’ve met on Saturday morning. We started at 9am and finished at 10pm in darkroom developing films. Please read captions to get more information.
But there is more then just celebrating my birthday. Some of you know that in 2001 I’ve founded Fotopub, a festival of documentary photography and I was running it for seven years. My intention is to organise another festival of photography, a festival of analog photography. The Analog Topshit Photography Festival! But since I’m very aware that this is a huge thing and I can not pull it off by myself, I want to take small gradual steps, by organising small events like workshops, talks, exhibitions, portrait sessions and so on. In one year the concept, the workflow, the organisation and the reputation should be set to lunch a real festival of analogue photography. As for now, please mark yourself the last week of July, from Wednesday 28th to Saturday 1st of August 2015. More information will follow.
Music in the video by Vasko Atanasovski Trio.
A collector asked me if I’m selling ambrotypes, I don’t, because they are unique and I want to leave behind me a work that will tell a story. If I sell an ambrotype, that image will be on somebody’s wall and I and anybody else will never see it again. That is one of the reason I’ve chosen wet plate negative in my artistic career. But on the end of the day, I am a professional artist, I do this for a living, it’s not my weekend hobby, so I need to sell my artwork too. So I’ve been thinking and I came to this business model.
Last week I’ve bought a “new” car, Land Rover 109, Station Wagon, model year 1972. It used to be imported in Yugoslavia (RIP) in 1982, serving as a firefighter’s car and in 1999 was a gift for a fiftieth birthday of a car mechanic which restored it entirely but never registrate it, so it was standing in a garage for last fifteen years. Last week I’ve bought it. In two weeks I’m turning forty and this is a gift and a tool I bought myself. Otherwise I hate cars. If I could I would rather spend hours on bicycle or running to do my travelings, but I can’t. If I need a car, I wanted to buy a car that is not boring and let’s face it, cars are boring as hell! They all look the same and the mantra of consumerism is “comfort über alles”. Guess what? COMFORT IS OVERRATED! And on top of that comfort is booooooooring to death!!!!!!
When I’m making my collodion landscape plates, I make two or three plates of the same motif and so if a person want’s to buy an ambrotype from me, he or she have two options:
Either pick it up from a gallery (that I’ve haven’t set up yet) and pay for the full price of an ambrotype 10×12″ that will be US $999.
Or the second option is that she or he can pre order a plate from me, so when I go next time out to do my art, I make another plate for the buyer. In this case the buyer can not choose a plate of his choice, it can only take the one I’ve made that day or decline it, no questions asked. The price in that case is less than half of it, US $399.
Sounds like a good and fair game right? Yes, I know, I would rather not be in a position that I need to sell my ambrotypes, but if you develop two habits like myself, you need to find a way to feed them!
PS: In my life I had several cars. They were all boring to death, except my very first car, Renault 4.
I grew up in this valley and every September I loved to photograph corn fields. It’s something elegant and tranquil in a field of corn. It was a sunny afternoon and I had three plates ready and subbed with albumen, so I give it a go. The negative was done in the first attempt and although the density was not as thick as it could be, due to loosing quite a lot of developer (containing silver), but that was easily compensated by the second development after fixing, the redevelopment. I just had to redevelop longer, increasing the layer of silver and busting the contrast.
Here are two beautiful prints, I hope you will like them and as it is a tradition on this blog, I’m putting these two prints on ebay auction, starting from 0,99 US$. The auction will end in three days, because I’ve learned that my customers are readers of this blog and it doesn’t matter if the auction is listed for a week or only for few days. As a professional artist (and a father of two daughters) I need to sell my work or get a “proper” job, so thus the aggressive promotion. Things are going good, great, much better than I’ve expected.
This week Art Photo Budapest fair is happening and this fair is the only international fair in Eastern Europe dedicated to art photography. Gallery Photon is presenting me in a very generous way. I’ve been told that this event is a milestone in my career. Tomorrow at 3pm I was invited in the panel to discuss art market in East Europe. As one of my presented cases it will be also this blog and my experience with ebay auctions.
I have this feeling that I’m on the right track and although I know I will not do these ebay auctions forever, it’s a brilliant marketing tool!
Isn’t that a brilliant advice? We artists have a very long history of being ignored and some of us even cut their ear off! Well I’m not cutting my ear or getting a “real job”. I enjoy what I do and thank you for all the attention. It truly helps to know that people have a harder and harder times to keep on ignoring me!
PS: My email box if stacked with questions about the processes I’m doing. I’ve answered some, but most of them I just can’t. SORRY! Please write the question here, as a comment and I will do much better job clarifying some details of the process. You can write a question anonymously, no problem.