Archive for the ‘Large format camera’ Category
This vlog should be published earlier, but I am missing three of my cameras. All small ones, like analogue compact Rollei camera, GoPro 3+ and Nikon J5 cameras. I have no idea what happened to them. In 30 years I have not lost a camera. I almost did, but never really. This small cameras were in my bag and I was carry them always with me. It might be that I forgot my backpack somewhere, but is more likely that someone took it out of my car. Today’s thieves do not need to brake a window, to get in your car. When I went to Prague I was resting on a rest stop and a thief silently broke in my car, without leaving any damage or signs. He did this while I was resting in the car! But then I woke up and he fled. Without steeling anything. So it might be that it was stolen or not. I do not know. Too many things happening in my life right now and this is the price to pay. Although this event is annoying it does not put me off. In fact that is why I bought Nikon J5, because I didn’t want to use the almighty and all expensive Nikon D4! Imagine that would happen with my Nikon D4 and my expensive lenses!
Anyway… Here is my latest vlog where I continue working on my book A Father’s Tale. A photo-book is not an album of images. It is a sequence of images carefully narrated through each page. Just like when music notes are containing parts that are actually bringing the orchestra to quit down or even to a complete stop, also photo-book must have parts in the book where an eye will relax, digest, reflect.
My idea is that the photo-book of my daughters should contain images that on information level do not tell you anything about them, but the images are containing certain mood that is bringing the viewer’s attention away from the information level and building the story on emotional level.
So that is why I’ve decided to photograph this window. I could ask one of my daughters to stand there or even I could stand by the window, but I’ve decided to keep it calm and simple. It is just one image in the book, but important one.
I hope you will like the image and the video. Please subscribe and share. My plan is to build up large enough social network and sell my books directly to my audience. And/Or with the large enough social network, main stream publishers will be interested in publishing the book. So thank you for subscribing to my YouTube channel, to my blog, to FB page and to my Instagram.
LINK to eBay listing of the silver-gelatin print
LINK to eBay listing of the ambrotype
LINK to eBay listing of the albumen print.
here is my newest vlog. In December I’ve been travelling from Slovenia to Tuscany and then to Berlin and Hamburg. Proper south – north EU tour. I drove like 4000 km or so. Finally I’ve made the vlog from north part of the trip, but southern part is being edited. It takes whole lot of time, these videos.
This video is kind of personal, not much photography tips&tricks involved. Is that OK? I’m thinking to do separate my personal vlogs and tutorial videos. Vlogs will be shorter and more funny, whereas tutorial videos will be longer and more detailed.
In this video I’m talking about the cold, that consist of two components. One is low temperature and the second is interpretation of the low temperature. It is talking about the reality and interpretation of the reality. Cold is perfect example how we love drama and how that drama is making us just more dependent on the comfort thqat seize to be comfort, but it becomes necessity and comfort becomes something else, like a super-car or something that is beyond our reach. Perfect formula for personal drama! But the bottom line is that what I’ve wrote about the cold goes for everything in the world. You may ask yourself which part of the circumstances are real concern and which part is a drama that I am addicted to. I am not pretending to be beyond it, on the contrary, these insights are very personal and very real life situations. Cold is just the easiest to be identified with so I leave you to ponder that for a moment and I’m challenging you to copy/paste the insight on whatever life situation you are in at this particular moment, at this particular drama.
OK, I’ve printed an edition of 50 prints and 14 are still on sale, that is from edition of 32/50 to 48/50, with exception of 36 and 42. Those copies I’m keeping them. The price is 50 EUR per print, it is signed, numbered, unmated, in a sleeve, with a sheet of data in the back.
HERE is the link to the listing. It is limited edition and only 13 are available. A big thanks to my patreons, who are gfenerlously supporting me every month. Perhaps you might join them and you will receive a print in the mail later this year! WWW.PATREON.COM/BORUTPETERLIN
My dearest followers,
here is my newest video about the latest opening of the exhibition I had. It will be open for the whole year, until September 2017, which is cool, because the location is on my way to skylight Studio Pelikan, so next time that I will have a workshop I could bring the group to the exhibition.
Curator: Nina Sotelšek
Organiser: Krško Cultural Centre
Exhibition closes: September 2017
On more personal note, I thank you all for the kind thoughts of support you have send it to me. I am getting back on track, better then ever. Expect more videos to be published this week, more photographs to be made and expect the world to be saved! Because Topshit does happen!
Few days ago I’ve finished a bacis collodion workshop and part of my workshop is a demonstration of contrast control in wet plate collodion process. I thought this might be intersting topic, so here’s a short post. Plate on the left is normaly developed and exposed and plate on the right is overexposed and underdeveloped. As you can see the middle tones are about the same, but the plate on the left has no details in highlights. This is usual push / pull process that is very well known in film photography and the same goes for wet plate collodion process.
Have you ever heard that a collodion mixture becomes more contrasty with aging? Well, that’s merly a false myth. Collodion becomes less sensitive and if a photographer is using the same exposure times with old colloodion, the plates are in fact undrexposed and on top of that overdeveloped, so of course the end result is much more contrasty then it was with fresh collodion, but if you want to have low contrast with old collodion, you only need to overexpose and underdevelop! So the cause of contrasty plates is not the age of collodion, but underexposure and overdevelopment.
This is what I’ve learned from Mark Osterman.
Here are two more plates that I’ve manages to make a reproduction of.
Dear readers of my blog, I am very late with my production of videos. I have great excuses, but you do not follow this blog because of great excuses, so I will spare you 🙂
I think this video is alright. It took me two days to upload it, because of technical issues, but I’m satisfied with it. Only today I’ve noticed I haven’t used any drone shots, too bad.
For wet plate collodion photographers there will be interesting the following example. In the video I’ve said that at the first test the fog appeared because I waited too long before subbing the plate to silver nitrate. Actually I’ve recoded the explanations, but it is too long and boring, so I’ve edit it out. I can tell you now why I knew what is the cause of fogging. Please observe corners. Only in corner number 4 there is no fog. OK, there is some fog, but that fog is made out of sharp lines, meaning the plate was not cleaned enough. Other fog is obviously different. Corner number 4 is the corner where I’ve poured off my collodion off the plate, meaning that was the most fresh collodion. On other edges and corners fog is spreading toward the edge, from centre toward the edge. That is very clear sign of drying collodion, before the plate went to silver bath. The drying of sensitised plate looks different, very different. So my advice to you is to learn with every failed plate and every successful plate. Believe me, it is very likely that I have made much more foggy plates then you, but I have learned by doing it, so now I can do it either at temperatures of -9C (link) or at + 30C (link). Just do it and fail miserably, that is the only way to make it happen.
As you imagine to make this videos it takes a lot of time and because I’m a professional photographer, I need to justify the time investment, so I need to sell my photographs. I thank you for bidding, sharing my videos, commenting, subscribing and basically all the attention this social network is giving me. It’s my dream job and I have more to come! My prints became quite expensive (THANK YOU), but if you still want to give me a tip and buy me a cup of tea every month, you can visit THIS SITE and become my patreon.
as I’ve promised I’m publishing my third episode (I count also the episode zero) of my vlog while pursuing my goal to publish an artist photo-book. Of course, the theme of my book will be Kočevski rog woodland and this time I went to one of the most beautiful places, Ponikve valley.
I was wondering how long should my vlog videos be and what should be the mix of entertainment and informative content. This is what I think it’s good. Please let me know your opinion. In each episode I will include a tip or two about the process, but the main topic will be artistic vision, composition, asking questions and the search for answers. Just don’t ask me to do camera review blogs, they are boring. Photography and cameras is like traveling and wheels. It is related, but not dependent upon. I will do a book review, here and there, but not one of those 100 famous photographers everybody know. I will rather do a review of work that nobody knows, like I’ve done from Peter Župnik, Herman Pivk and many others. Basically photographers whose quality does belong on top 100 list, but they will never be world famous photographers, because of circumstances.
I’ve described my intention in the previous blog post, but let me highlight that I haven’t realised before, but all the likes and shares are well important, since the large social network is the guarantee that my book will actually be published, so thank you in advance! So if you think this content is worthy, please press like and share it. If I’ve made your day, please you could buy me a cup of tea every month via my PATREON page and if you could afford, thank you for bidding on my Ebay auction.
I thank David Cutter for the music and Fiona Cambell for the disclaimer voice.
I confess, I always fancied manipulation of photography. Paradoxically with introduction of Photoshop (I’ve learned PS 3.0 in year 1994) I’ve lost all the interest in this field and my work in the last 15 years is more or less documentarian nature, meaning, 99,9% of my digital images would pass world press photo standards. I can’t explain why.
About a year ago I’ve made a video about my work and analog manipulation of photography, it’s embedded at the bottom of this post. All the work mentioned is very old, like my last project Fairy Tales was done in 2001-02 and let me state that is not photoshoped at all! That was selectively illuminated landscape scenes, taken on colour negative film, format 6×7. Yes, it was very hard to wait for developed proof prints to see what have I’ve done last week and often go back and redo them.
About a year ago I was at a workshop on collodion glass negative retouching in George Eastman House and beside the techniques I’ve learned I’ve seen also some fascinating examples of retouched photographs. I mean authentic photographs that you may see only in books. Mentor Mark Osterman have shown us an examples from a collection of George Eastman House and that was really inspiring.
Anyway the time has come to start a new project, dealing with nature and image manipulation. I’ve picked few books from authors Peter Župnik, Pavel Pecha, Herman Pivk and Regina Anzenberger. Intentionally I’ve picked authors that are based in East Europe and although the quality of their work does not fall behind known western authors, you probably never heard about them. East-European photography is so underrated! It is so underrated by their own countries to start with! I hope you will appreciate my suggestions and their work.
In this video I’m presenting a print I’ve made from a retouched collodion negative. About a year ago I’ve made a video how I’m making the wet plate collodion negative and the salt print and now I’m publishing the result upgraded by my knowledge gained at George Eastman House. I will talk about my next project in the next videos, but for now I’m sharing with you my creative process, my inspiration and the aesthetic I admire. I think that on youtube there is way too much camera-review videos and photographers on general are putting too much emphasising on gear and not enough on photography and the creative process of photography, so this one is a little different. Very different.
I’m putting my retouched print on ebay, as an auction and by your bidding and buying my work, you support my endeavour in art. This blog is also crowd funded at Patreon.com. Thank you guys, I appreciate it!!!
PS: I’ve started to use professional video-editing software and big thanks to Vid Klančičar for the crash course how to use it.