TOPSHIT PHOTOGRAPHY blog

Photography, Fine Art, Wet Plate Collodion, Alternative photography

Archive for the ‘Large format camera’ Category

Paper Negative Experiment / Vlog #49

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Dear followers,

the results from this experiment has surprised me. I’ve used old compact camera, Kodak Folding Brownie 3A and silver-gelatin paper as a negative. On the end I’ve got this amazing print that I’m also listing on eBay. I’m sorry for not containing my excitement, but I’m an artist, I’m allowed to do that. Anyway even if you are not an artist, I hope you will like this vlog. I’ve been working on it for the whole week, but I think it was worth it.

I’ve listed the print on eBay and the listing is in two options, with or without the mat. The print is in both cases the same quality.

Please share with me your experience with paper-negative and if you have some suggestions what should be the theme of my future vlogs, please share that too.

Thank you for watching and helping me spreading topshit across the world!

 

PS: I’ve took down the EBay listing. I’ve changed my mind, it’s not on sale.

 

 

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How much does Wet Plate Collodion cost?

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In this vlog I’m shedding new light onto the myth that the wet plate collodion process is a very expensive hobby. It can be, but it doesn’t have to be. In the end I haven’t done all the maths, but I reckon that with 300 EUR you can buy the Brownie, tripod and all the chemistry to make 50 plates or more. THX!

If you appreciate this kind of content and you would like me to do more of it, I would appreciate your support through buying my book or becoming my patreon.

Links:
https://www.borutpeterlin.com/shop/
https://www.patreon.com/borutpeterlin

Two new photos for A Father’s Tale book

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Dear followers, I have another individual workshop that starts in 15 min, so I will be super short with text and not that short with video. I hope you will like it and hit subscribe, like and even consider to become my patreon. Thank you!

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Untitled-1

 

Ghost Window in wet plate collodion

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Dear followers,

This vlog should be published earlier, but I am missing three of my cameras. All small ones, like analogue compact Rollei camera, GoPro 3+ and Nikon J5 cameras. I have no idea what happened to them. In 30 years I have not lost a camera. I almost did, but never really. This small cameras were in my bag and I was carry them always with me. It might be that I forgot my backpack somewhere, but is more likely that someone took it out of my car. Today’s thieves do not need to brake a window, to get in your car. When I went to Prague I was resting on a rest stop and a thief silently broke in my car, without leaving any damage or signs. He did this while I was resting in the car! But then I woke up and he fled. Without steeling anything. So it might be that it was stolen or not. I do not know. Too many things happening in my life right now and this is the price to pay. Although this event is annoying it does not put me off. In fact that is why I bought Nikon J5, because I didn’t want to use the almighty and all expensive Nikon D4! Imagine that would happen with my Nikon D4 and my expensive lenses!

Anyway… Here is my latest vlog where I continue working on my book A Father’s Tale. A photo-book is not an album of images. It is a sequence of images carefully narrated through each page. Just like when music notes are containing parts that are actually bringing the orchestra to quit down or even to a complete stop, also photo-book must have parts in the book where an eye will relax, digest, reflect.

My idea is that the photo-book of my daughters should contain images that on information level do not tell you anything about them, but the images are containing certain mood that is bringing the viewer’s attention away from the information level and building the story on emotional level.

So that is why I’ve decided to photograph this window. I could ask one of my daughters to stand there or even I could stand by the window, but I’ve decided to keep it calm and simple. It is just one image in the book, but important one.

I hope you will like the image and the video. Please subscribe and share. My plan is to build up large enough social network and sell my books directly to my audience. And/Or with the large enough social network, main stream publishers will be interested in publishing the book. So thank you for subscribing to my YouTube channel, to my blog, to FB page and to my Instagram.

LINK to eBay listing of the silver-gelatin print

LINK to eBay listing of the ambrotype

LINK to eBay listing of the albumen print.

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ebay-ambrotype

ebay-albumen

 

 

Being Cold / Topshit Photography Vlog, E 014

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Dearest followers,
here is my newest vlog. In December I’ve been travelling from Slovenia to Tuscany and then to Berlin and Hamburg. Proper south – north EU tour. I drove like 4000 km or so. Finally I’ve made the vlog from north part of the trip, but southern part is being edited. It takes whole lot of time, these videos.

This video  is kind of personal, not much photography tips&tricks involved. Is that OK? I’m thinking to do separate my personal vlogs and tutorial videos. Vlogs will be shorter and more funny, whereas tutorial videos will be longer and more detailed.

In this video I’m talking about the cold, that consist of two components. One is low temperature and the second is interpretation of the low temperature. It is talking about the reality and interpretation of the reality. Cold is perfect example how we love drama and how that drama is making us just more dependent on the comfort thqat seize to be comfort, but it becomes necessity and comfort becomes something else, like a super-car or something that is beyond our reach. Perfect formula for personal drama! But the bottom line is that what I’ve wrote about the cold goes for everything in the world. You may ask yourself which part of the circumstances are real concern and which part is a drama that I am addicted to. I am not pretending to be beyond it, on the contrary, these insights are very personal and very real life situations. Cold is just the easiest to be identified with so I leave you to ponder that for a moment and I’m challenging you to copy/paste the insight on whatever life situation you are in at this particular moment, at this particular drama.

OK, I’ve printed an edition of 50 prints and 14 are still on sale, that is from edition of 32/50 to 48/50, with exception of 36 and 42. Those copies I’m keeping them. The price is 50 EUR per print, it is signed, numbered, unmated, in a sleeve, with a sheet of data in the back.

HERE is the link to the listing. It is limited edition and only 13 are available. A big thanks to my patreons, who are gfenerlously supporting me every month. Perhaps you might join them and you will receive a print in the mail later this year! WWW.PATREON.COM/BORUTPETERLIN

From my latest exhibition in Castle Rajhenburg

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My dearest followers,
here is my newest video about the latest opening of the exhibition I had. It will be open for the whole year, until September 2017, which is cool, because the location is on my way to skylight Studio Pelikan, so next time that I will have a workshop I could bring the group to the exhibition.

Grad Rajhenburg, Brestanica, Slovenia

Curator: Nina Sotelšek

Organiser: Krško Cultural Centre

Exhibition closes: September 2017

On more personal note, I thank you all for the kind thoughts of support you have send it to me. I am getting back on track, better then ever. Expect more videos to be published this week, more photographs to be made and expect the world to be saved! Because Topshit does happen! 

Contrast control in Wet Plate Colodion process

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Plate on the left was normaly exposed (5 seconds) and normaly developed (18 seconds), plate on the right was exyposed for 10 seconds and developed for only 8 seconds.

Plate on the left was normaly exposed (5 seconds) and normaly developed (18 seconds), plate on the right was exposed for 10 seconds and developed for only 8 seconds.

Few days ago I’ve finished a bacis collodion workshop and part of my workshop is a demonstration of contrast control in wet plate collodion process. I thought this might be intersting topic, so here’s a short post. Plate on the left is normaly developed and exposed and plate on the right is overexposed and underdeveloped. As you can see the middle tones are about the same, but the plate on the left has no details in highlights. This is usual push / pull process that is very well known in film photography and the same goes for wet plate collodion process.

Have you ever heard that a collodion mixture becomes more contrasty with aging? Well, that’s merly a false myth. Collodion becomes less sensitive and if a photographer is using the same exposure times with old colloodion, the plates are in fact undrexposed and on top of that overdeveloped, so of course the end result is much more contrasty then it was with fresh collodion, but if you want to have low contrast with old collodion, you only need to overexpose and underdevelop! So the cause of contrasty plates is not the age of collodion, but underexposure and overdevelopment.

This is what I’ve learned from Mark Osterman.

Here are two more plates that I’ve manages to make a reproduction of.