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borut peterlin, slovenia, ambrotype, Portrait photography, Wet Plate Collodion, Analog Film photography

Archive for the ‘Large format camera’ Category

Exhibition of Wet Plate collodion landscapes

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In September 2014 I had an exhibition in Cankarjev dom in Ljubljana. I’ve enjoyed that period of life a lot, taking wet plate negatives, photographing river, defeating summer heat by a swim in a river together with my kids. What a privilege to be alive! I’ve recorded a lot a videos to pass on the knowledge I’ve generously received from Mark Osterman and the Collodion community. I’ve enjoyed the work so much I never found time to edit the video material and unfortunately the material just piled up. In the last few months I haven’t record any videos, because I knew I must edit the old material first and yesterday I’ve started at 9pm, finished at 3am and 12 hours later it’s live on youtube. I hope you will find some useful information and some inspiration in it.

The exhibition represents a path that I walked through in the last two years, while learning the process. But the exhibition started with the tintype of frozen river Krka, that I’ve made two months after I’ve started to do wet plate collodion at the temperature of -17C. HERE is the post from February 2012.

The exhibition is devoted to a painter Božidar Jakac and the concept is inspired by words of a poet Tone Pavček, engraved in his gravestone:

You’ve remained part of the landscape, its pain and its beauties.

And this concept is mirrored in the images, I wanted that in every of image there would be a presence of beauty and pain. I’ve designed the exhibition to be dynamic. I’ve exhibited original tintypes, ambrotype glass plates, toned albumen prints, salt prints, carbon prints, toned cyanotypes and also some toned silver-gelatine enlargements and ink-jets from wet plate collodion negatives.

The most important result from the two years walk, it can not be shown directly, but it’s the most important result. I’ve learned the process, I have no open questions and I can make a good image in (almost) any conditions. I’ve learned many different processes and those tools will play a crucial role in my future art career.

Last but not least, if you want to learn some of that hands-on photography processes, I warmly recommend workshops in George Eastman House with Mark Osterman. It’s one thing to learn the process, but it’s something different to get an access to one of the most interesting and rich collection of photography and feel that you are a part of it.

I can not offer that, but I do offer individual workshops, so if you’re interested in buying a print from me or a workshop, please send me an email to borutpeterlin@gmail.com

The Different Same triptych that will be exhibited at Wet Plate Collodion Juried Show in Mariani Gallery, Northern Colorado, USA

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An albumen print, double coated with albumen and twice hand coated with silver, toned with gold, contact copied from a wet plate collodion plate, format 10x12".

An albumen print, double coated with albumen and twice hand coated with silver, toned with gold, contact copied from a wet plate collodion plate, format 10×12″.

A carbon print on glass, contact copied from a (manipulated) wet plate collodion plate, format 10x12".

A carbon print on glass, contact copied from a (manipulated) wet plate collodion plate, format 10×12″.

An ambrotype, a wet plate collodion plate, format 10x12".

An ambrotype, a wet plate collodion plate, format 10×12″.

This work is a triptych. It’s a study of a medium of photography, so I’ve photographed the same tree in two different occasions. The scenery is like that only when the river Krka floods and red alarm for floodings is declared and that was on two occasions in the 2014 year. This three images were from three different glass plates. An ambrotype and two different negatives. Just look closely and you will notice how different this images are really. I’ve made a video on the first occasion and you can find it on the bottom of the post. I also came up with few new solutions how to frame glass plates, especially very heavy plates like 3+3 mm glass plates size 30x40cm (12×16″). The details are described in captions.

Anyway, what I love with the photography of 19th Century is that a photographer had about fifty processes and it’s variations how to make a photography and each of the processes had it’s aesthetic characteristic. Today digital photography is so standardized that a photographer have only one way how to exhibit a photograph, that’s an inkjet print.

And my triptych, entitled The Different Same is all about that. Like the famous photograph: Identical Twins, Roselle, New Jersey, 1967, by photographer Diane Arbus it appears at the first glance the same image, only when you look closer, you see that the three images are very much different and they are different because I – the author – decided to make it so. To interpret the reality as I please. Photography was never an objective medium. If I quote Susan Sontag (from heart), a photograph can only provide an evidence that something did happen, that something was happening in front of the lens. What has happened is an interpretation left to the photographer and the viewwer. Of if I may quote already mentioned Diane Arbus, “A picture is a secret about a secret, the more it tells you the less you know.”

Let me invite you to the event. The exhibition will be on display in the Mariani Gallery from January 20 – March 4, 2015. A Closing Reception and Award Ceremony will be held on Wednesday, March 4 from 4 – 6 pm. Juror Quinn Jacobson will give a lecture and gallery talk during the day. The address is University of Northern Colorado, Mariani Gallery, 501 20th St, Greeley CO 80639, USA.

New plates from The Great Depression series

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Screenshot 2014-09-30 13.52.30


Last week I was again working on my project The Great Depression. This time was a bit different motivation. I wasn’t looking for new motives, but I was repeating shots I’ve done before. At the moment all my plates are exhibited in Lithuania at Kaunas Photo Festival, but two galleries asked me if I can exhibit The Great Depression plates, The Gallery of Contemporary Art in Celje and almost at the same time, Photon Gallery wants to exhibit my plates at ArtMarket Budapest.

What to do, what to do… No problem, I went again to Novoles company where I started my project almost three years ago and repeat few frames that I took in the past. Surprise, surprise my wet plate knowledge advanced and I’ve made such a beautiful plates, I can not believe it! Well, here they are, you be the judge of them.

Today when I was varnishing them, I’ve received an email from a very important museum, that I can not name just yet, that they want to buy few plates from the project for their permanent collection. YES! After all the hard work and I’m finally beyond the tipping point! Mom, I’ve made it!!!

Great Depression 1912-13 Great Depression 1912-13 Great Depression 1912-13

Video about split toning with sulfide and selenium toner

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Ciao tutti,
As I’ve announced last week, I’m going to publish more videos about my workflow and list more prints on ebay. It takes so much work to do a video, make a print, edit the video and everything that comes along. It took me the whole week to do this video and that’s why I’m listing three prints. Perhaps the price will not reach as high as it would if I would sell only one print, but I am a professional collodion artist and I will try to make a living out of this! Plus my storage room has about half a ton of prints in boxes. I know, because I was moving it recently and it was too heavy for a car transport. I’m printing since age 11, so in 29 years you can imagine how many boxes piled up.

Anyway, here are new prints. I’ve explained everything on video. I want to add that this split toning technique I’ve learned from Mark Osterman and he is the best address if you want to dive into alternative photography. And oh, you must check this out, George Eastman House published their program of workshops for year 2015! I’m going to take at least two of them!

One last, but very important note. I’ve you’ve seen this video after the auction is finished and you would want to buy a print from me, check my EBAY SHOP or if you want to buy that exact print, copy number 5, you certainly can, just send me an email. As a professional collodion artist I have a motto:

EVERYTHING IS FOR SALE, EXCEPT MY KIDNEY!
(officially)

Ebay listings:
Edition 2/12, a silver gelatin photograph, from a wet plate collodion

Edition 3/12, a silver gelatin photograph, from a wet plate collodion negative

Edition 4/12, a silver gelatin photograph, from a wet plate collodion negative
Ebay Shop / Borut Peterlin

I’m listing new prints on Ebay

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Ciao ragazzi,
it’s been a long time since I’ve posted on my blog. I had wet plate friends visiting and of course we had family holiday times and I’m reluctant to publish when we are gone from our house. Anyhow expect more content in the following days.

I’m having two solo exhibition openings in next weeks. On 4th of September I’m exhibiting The Great Depression project at Kaunas Photo festival in Lithuania and on 10th of September I’m opening an exhibition of my landscapes in Cankarjev dom, Ljubljana, Slovenia.

I’m printing whole week for the exhibition in Ljubljana. I will present photographs printed in different techniques, from carbon print, albumen print, salt print, cyanotype, ambrotypes, tintypes, silver-gelatine prints and also inkjets. Anything goes, but all of the photographs will be printed from a wet plate collodion plates. More about that later. For now I’m presenting a video from work in progress.

I’m listing the two prints on ebay as an auction starting from 0.99 USD and the auction is on for only three days!

With other words, I need your support to make the exhibition happen as I want to be. Have fun bidding and I will miss those prints, I know that…

THE LINK to the Carbon Print listed on Ebay

THE LINK to the Albumen Print listed on Ebay

My portfolio published in B+W Photography magazine

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Oh, I am so proud to announce that my portfolio was published by B+W Photography magazine. It was actually in June’s issue, but it took a while that I got a hard copy in my hands. It’s awesome and a perfect piece in my portfolio box. Next Monday a photography festival in Arles is starting and I have 20 portfolio review meetings. So exciting!!!

A big thanks to the journalist Mike Crawford and the editor Elisabeth Roberts for the attention to my work.

New plates for my Great Depression project

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Great Depression 1912-13

Regular readers of my topshit blog – also known as topshit readers – are familiar with my Great Depression documentary photography project. Few days ago I was in Vegrad, another industrial giant that got bankrupt and left thousands of desperate people behind. Their greedy and corrupt CEO Hilda Tovšak is in jail at the moment, but she have much better times that all those migrant workers from Bosnia and Serbia…

I had disgusting problems with fog. I didn’t know why until I didn’t calibrate my pH checker and realized that it was showing 0.3pH less than it should, so my silverbath was actually 4.7pH so it was fogging like it’s English morning! I didn’t panic I adjusted everything that I could, but since I didn’t had nitric acid with me and I was reluctant to acidify silverbath with glacial acid, I was still having fog. But that fog was wipeable so, -No winter for Eskimos- I continued to work. In three hours that I had at disposal I’ve managed to make three plates. On the end of the day it was a jolly good day!

PS: If you want to qualify as a topshit reader of topshit blog, you might see this short video about the Great Depression project.

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