Photography, Fine Art, Wet Plate Collodion, Alternative photography

Unbroken Tree Spirit / Retouched Wet Plate Collodion Negative

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Dear readers of my blog, I am very late with my production of videos. I have great excuses, but you do not follow this blog because of great excuses, so I will spare youūüôā

I think this video is alright. It took me two days to upload it, because of technical issues, but I’m satisfied with it. Only today I’ve noticed I haven’t used any drone shots, too bad.

Screenshot 2016-07-08 22.32.30.jpgFor wet plate collodion photographers there will be interesting the following example. In the video I’ve said that at the first test the fog appeared because I waited too long before subbing the plate to silver nitrate. Actually I’ve¬†recoded the explanations, but it is too long and boring, so I’ve edit it out. I can tell you now why I knew what is the cause of fogging. Please observe corners. Only in corner number 4 there is no fog. OK, there is some fog, but that fog is made out of sharp lines, meaning the plate was not cleaned enough. Other fog is obviously different. Corner number 4 is the corner where I’ve poured off my collodion off the plate, meaning that was the most fresh collodion. On other edges and corners fog is spreading toward the edge, from centre toward the edge. That is very clear sign of drying collodion, before the plate went to silver bath. The drying of sensitised plate looks different, very different. So my advice to you is to learn with every failed plate and every successful plate. Believe me, it is very likely that I have made much more foggy plates then you, but I have learned by doing it, so now I can do it either at temperatures of¬†-9C (link) or at + 30C (link). ¬†Just do it and fail miserably, that is the only way to make it happen.

As you imagine to make this videos it takes a lot of time and because I’m a professional photographer, I need to justify the time investment, so I need to sell my photographs. I thank you for bidding, sharing my videos, commenting, subscribing and basically all the attention this social network is giving me. It’s my dream job and I have more to come! My prints became quite expensive¬†(THANK YOU), but if you still want to give me a tip and buy me a cup of tea every month, you can visit THIS SITE and¬†become my patreon.

Screenshot 2016-07-08 23.49.39

Screenshot 2016-07-09 00.52.48

Footprints of a ghost / Topshit Photography Vlog E04 S01

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It’s Sunday evening and yes, I’m going to make it! The new week and the new video is here. Not only video, more importantly the new albumen print is here! In the¬†first episode of my VLOG I was talking about inspiration and manipulation in photography. I was talking about landscape photography, intervened with retouching. This is what I had in mind. Exactly this kind of imagery I had in mind. I want that my images will have this kind of feeling. The surreal factor must be settle, hardly noticeable, but very much present. Like invisible power of magnet. The story of this woodland is long, rich and very tragic, so I am¬†going to dose it bit by bit. Just trust me, this all makes sense.

The print is listed on Ebay as an auction. Thank you for bidding. This listings are important for me. I’m professional photographer, I need to pay my bills and these videos take a lot of time, so to know that people out there are following my work and we share the same passion, that is a real drive for me. And every week I’m getting¬†more and more followers and I know the trend will climb and I know I can and will offer more!

I love to make these videos. Collodion photography takes a lot of preparation and planning. There is very little spontaneity while working in collodion photographic process. That is why I love to do this videos. Nobody expect of me to make good videos, so I make them from shear¬†pleasure. And flying drone among trees, that is really difficult. I have DJI Phantom 2, which is an old model, without sonar, tracking¬†motion¬†camera and other sophisticated devices. In forest GPS signal¬†is¬†very poor, so drone is drifting in all directions and¬†all the lights are blinking red, meaning do not take off, but I do take off and fly among trees. I haven’t crashed it yet, but I know I will one day. So please do bid on that print, now, before is too late!ūüėČ

For the next week I will¬†reconstruct my personal darkroom, I have new sink. I have a client who want’s me to make an ambrotype for him, so I will do that. I already have an idea where to photograph for my project. On Saturday I’m taking a part of a workshop on picking wild food in woodland with Dario Cortese. If you are in Slovenia, check THIS LINK. On Sunday I’m preparing for the Woodland Photography Retreat. I’m organising an event for colleagues organisers and¬†volunteers. We will visit all the locations, do some events and enjoy the company. In the middle of woodland my 9 year daughter will do a workshop of cyanotype for kids. She makes really amazing cyanotypes and she will teach other children. Now I go to bed. I feel exhausted, but satisfied. It was a good, very good week and I look forward of Monday. Very happy to be alive!


Written by Borut Peterlin

12 June, 2016 at 22:14

Posted in Uncategorized

From Revela-T, the festival of analogue photography

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Last week I was in Barcelona and in Vilassar de Dalt, in Catalonia, Spain. There was the¬†festival of analogue photography, called Revela-T. I had two workshops and a demonstration, so some days I didn’t even had time to properly eat, whereas to do videos and photographs of the event, thus a short, but cute video. I hope you will like it. I recommend to visit it next year. I know I will! Next workshop is in Berlin. All my workshops are sold out, I will¬†make a schedule for the autumn and winter, hopefully before the New Year’s Eve! (#joking)

Transcending reality in wet plate collodion / Vlog E02, S01

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Dear followers,
as I’ve promised I’m publishing my third episode (I count also the episode zero) of my vlog while pursuing my goal to publish an artist photo-book. ¬†Of course, the theme of my book will be Końćevski rog woodland and this time I went to one of the most beautiful places, Ponikve valley.

I was wondering how long should my vlog videos be and what should be the mix of entertainment and informative content. This is what I think it’s good. Please let me know your opinion. In each episode I will include a tip or two about the process, but the main topic will be artistic vision, composition, asking questions and the search for answers. Just don’t ask me to do camera review blogs, they are boring. Photography and cameras is like traveling and wheels. It is related, but not dependent upon. I will do a book review, here and there, but not one of those 100 famous photographers everybody know. I will rather do a review of work that nobody knows, like I’ve done from Peter ŇĹupnik, Herman Pivk and many others. Basically photographers whose quality does belong on top 100 list, but they will never be world famous photographers, because of circumstances.

I’ve described my intention in the previous blog post, but let me highlight that I haven’t realised before, but all the likes and shares are well important, since the large social network¬†is the guarantee that my book will actually be published, so thank you in advance! So if you think this content is worthy, please press like and share it. If I’ve made your day, please you could buy¬†me a cup of tea every month via my PATREON page and if you could afford, thank you for bidding on my Ebay auction.

The print on sale is an albumen print, toned with gold toner, from wet plate collodion negative. It’s listed on EBAY.
LINK to “THE BRANCH” Ebay listing
LINK to the “TWO TREES” Ebay listing

I thank David Cutter for the music and Fiona Cambell for the disclaimer voice.

How to Publish a PhotoBook – Vlog E01/S01

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Dear followers,
I’ve been doing photography since I was a kid, from age 11 and when I was studying photography at FAMU Academy in Prague, we had to submit finalised project in a book form. I didn’t had the money for a book binder, so I’ve done it myself. I wasn’t a good bookbinder, but I loved the process of book making. I knew then that I want to do more books, I knew I love it, it’s perfect medium for my photography!

Fast forward 21 years later I’ve made about 30 handmade books, but I’ve published only one book, the book Tales from Gorjanci Hills and¬†here is the link to the images. Technical note for photographers: those images are all shot on 6×7 format colour negative film! It was selectively illuminated and all done in one go. It took me 30-60 minutes for a single¬†shot and because I wasn’t sure what has film recorded I repeated the take, so it was very slow progress.

Anyway all those years I tried to publish a book. I got great reviews and invitations for show, my work is published in many books if I mention few:¬†Fabrica 10: From Chaos to Order and Back, Generation “74”¬†and numerous art catalogues and magazines like¬†¬†Museum¬†Duolun from Shanghai, Days Japan from Tokio, Nikon magazine, ‚Ķ

But as I’ve expressed myself frustratingly, I did not managed to publish an art book of my own. Now this is going to change. Today is 14th of May 2016. In one year time I will publish an art book of my own. My cunning plan is revealed in the video. The information that I saved for my next video is that I am not intending to do a video that will be a checklist of ¬†to-do list, no Sir, but I will make a video journal of my weekly¬†steps in making the book published.

I was thinking which book should I publish first and on the end I’ve decided that if I want to make this vlog really interesting I have to start from scratch. I am starting a episode 01 of the series 01 without a single photograph taken. Don’t worry everything else is¬†ready. On Monday rain will stop and then I’m off the leash!

Please do share the video, press like, subscribe and if you can afford¬†to buy me one¬†tea per month, please visit my patreon page. Lastly let me say¬†I can’t answer all the email questions about the process, but I do answer to all the questions asked¬†by my patrons, which is a great deal for 1$ a month support.

PS: To all my fellow european wet platers, I hope you will have a great time in Eindhoven at European Collodion Weekend, I am not coming because the very next weekend I’m traveling to Barcelona to Revela-T festival, where I have two workshops and a demonstration. Next year I will come to ECW with the new book, I’m sure of that!
PPS: Disclaimer voice by Fiona Campbell.

Written by Borut Peterlin

14 May, 2016 at 08:12

How to fix a starter of Land Rover Series 3

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Dear readers, I apologise for off-the-topic theme, but I assure you it’s not off the topic! It represents the phenomena of me being changed ever sinc I’ve started to do hand-made photography. You know, if you want to do wet plate collodion photography and other alternative processes, you will have a problem to buy all the tools you need. OK, there are few places that offer specialised tools, like silver-bath, camera bellows, etc. But you need awful lot of money to just buy all the stuff you need. But even if you do, sooner or later you will start making things, repairing small issues at first and the next moment you will be calculating atomic masses of molecules, while on your brand new circular saw cutting acrylic glass and fixing your car.

That’s what it happened to me. I used to do what I was told by TV, I used to be a very good consumer. But I got sick of it. I did not got any pleasures and as a photographer I’ve spent 95% behind computer. If I would love computer so much I would be hacker or even better an accountant hacking tax breakes.

After five years doing wet plate collodion photography, I’ve experienced a lot of ups and downs, but most importantly my confidence of making things grew. In this video I’m fixing starter of my old-timer from 1972, Land Rover 109. Luckily the part on the starter that make the flywheel spinning it was only stuck due to dirt and minor rust. It haven’t seen the light for 44 years!

So for now, this is it. I have a workshop coming. The big one, seven day long workshop. Participants are from Israel, Sweden and Germany and of course Slovenia. After the workshop I have some excellent news. Stay tuned.

Written by Borut Peterlin

23 April, 2016 at 08:06

Woodland Photography .eu

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Woodland Photography .eu is three day event in deep forest of Końćevski rog in Slovenia. The main theme is photography and environmentalism, so you can expect photography expeditions, talks, projections, exhibitions, challenges and even performances. And of course bonfire with acoustic music.
It will last three days, in the last weekend of July 2016 and on the last day, Sunday 31st, it will be open for public. The core group will be around 50 people, but on the last day, Sunday 31st, local community will join us so we expect more then 300 people.
The accent of this event is to experience primal environment and primal photography. And although this will not be a workshop in classical sense of the term, there will be many demonstrations of 19th Century photography processes, like wet plate collodion, dry plate collodion negative, salt printing, albumen printing, carbon printing, cyanotype, lumen prints, large format photography,film photography, etc. And of course digital photography will be very much present. We will do time-lapse photography, photo-hunting with long telephoto lenses,…
More about the program at the bottom of this post.

For photographers and lovers of photography. The accent will be on analogue photography, like collodion and film photography, but also digital photography will be strongly represented.

29th, 30th and 31st of July 2016

In the middle of Końćevski rog ‚Äď Resa, Slovenia, in one of the deepest forest of Europe.

Food & drinks will be available, but not for free. It will be possible to make your own food, meaning there will be open fire places, so you can make your own food. Indoor kitchen facility is limited. Shop is in the valley, that’s 30 minutes drive, so daily we will organise collective shopping list and somebody from organisers will go and buy groceries.

LANGUAGE: English and Slovenian

Evening program is open for public and free of charge. The camping, accommodation, food and drinks will be available for purchasing.

The participation fee depends on accommodation. The prices are for three nights, per person and the contribution for the program is included.
150 EUR for camping + program
200 EUR for accommodation in shared sleeping room + program
Renting a private room is possible, please send us an email.
Kids under age of 15 years have 50% discount (escorted by parent).
Youth under age of 25 years have 25% discount.

Please email us to

FRIDAY, 29th of July 2016
08:00 ‚Äď 09:00 Breakfast
09:00 ‚Äď 12:00 Setting up working conditions, photo expedition
13:00 ‚Äď 15:00 lunch break
15:30 ‚Äď 19:00 Photo expedition
19:00 ‚Äď 21:00 Dinner
21:30 ‚Äď 23:00 Talk at bonfire

SATURDAY, 30th of July 2016
04:00 ‚Äď 07:00 Photo-hunt (with an escort of a hunter*)
08:00 ‚Äď 09:00 Breakfast
09:00 ‚Äď 12:00 photo expedition to the peak of Rog
13:00 ‚Äď 15:00 lunch break (at the location ŇĹaga Rog)
15:30 ‚Äď 18:00 Photo expedition to the caves of ŇĹeljnske name
18:00 ‚Äď 19:00 Dinner
19:00 ‚Äď 21:00 Exhibition opening and talk in the caves
21:00 ‚Äď 21:30 Returning to Resa
21:30 ‚Äď 23:00 Talk at bonfire

SUNDAY, 31st of July 2016
04:00 ‚Äď 07:00 Photo-hunt (with an escort of a hunter*)
08:00 ‚Äď 09:00 Breakfast
09:00 ‚Äď 13:00 Photo expedition
10:00 ‚Äď 16:00 Flea market (local hand craft, second hand photo gear, photo books,‚Ķ)
13:00 ‚Äď 15:00 lunch break
15:00 Forum of local community
16:00 ‚Äď 18:00 Photo expedition
19:00 ‚Äď 21:00 Dinner
21:30 ‚Äď 23:00 Talk at bonfire

* Additional charging
Hunter escort, flying with paraglider, rafting,… are arranged individually and charged additionally.