TOPSHIT PHOTOGRAPHY blog

Photography, Fine Art, Wet Plate Collodion, Alternative photography

Posts Tagged ‘ambrotype

Ghost Window in wet plate collodion

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Dear followers,

This vlog should be published earlier, but I am missing three of my cameras. All small ones, like analogue compact Rollei camera, GoPro 3+ and Nikon J5 cameras. I have no idea what happened to them. In 30 years I have not lost a camera. I almost did, but never really. This small cameras were in my bag and I was carry them always with me. It might be that I forgot my backpack somewhere, but is more likely that someone took it out of my car. Today’s thieves do not need to brake a window, to get in your car. When I went to Prague I was resting on a rest stop and a thief silently broke in my car, without leaving any damage or signs. He did this while I was resting in the car! But then I woke up and he fled. Without steeling anything. So it might be that it was stolen or not. I do not know. Too many things happening in my life right now and this is the price to pay. Although this event is annoying it does not put me off. In fact that is why I bought Nikon J5, because I didn’t want to use the almighty and all expensive Nikon D4! Imagine that would happen with my Nikon D4 and my expensive lenses!

Anyway… Here is my latest vlog where I continue working on my book A Father’s Tale. A photo-book is not an album of images. It is a sequence of images carefully narrated through each page. Just like when music notes are containing parts that are actually bringing the orchestra to quit down or even to a complete stop, also photo-book must have parts in the book where an eye will relax, digest, reflect.

My idea is that the photo-book of my daughters should contain images that on information level do not tell you anything about them, but the images are containing certain mood that is bringing the viewer’s attention away from the information level and building the story on emotional level.

So that is why I’ve decided to photograph this window. I could ask one of my daughters to stand there or even I could stand by the window, but I’ve decided to keep it calm and simple. It is just one image in the book, but important one.

I hope you will like the image and the video. Please subscribe and share. My plan is to build up large enough social network and sell my books directly to my audience. And/Or with the large enough social network, main stream publishers will be interested in publishing the book. So thank you for subscribing to my YouTube channel, to my blog, to FB page and to my Instagram.

LINK to eBay listing of the silver-gelatin print

LINK to eBay listing of the ambrotype

LINK to eBay listing of the albumen print.

ebay-silvr-gelatin

ebay-ambrotype

ebay-albumen

 

 

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I developed a new behavior disorder – Land Rover 109, year 1972

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Last week I’ve bought a “new” car, Land Rover 109, Station Wagon, model year 1972. It used to be imported in Yugoslavia (RIP) in 1982, serving as a firefighter’s car and in 1999 was a gift for a fiftieth birthday of a car mechanic which restored it entirely but never registrate it, so it was standing in a garage for last fifteen years. Last week I’ve bought it. In two weeks I’m turning forty and this is a gift and a tool I bought myself. Otherwise I hate cars. If I could I would rather spend hours on bicycle or running to do my travelings, but I can’t. If I need a car, I wanted to buy a car that is not boring and let’s face it, cars are boring as hell! They all look the same and the mantra of consumerism is “comfort über alles”. Guess what? COMFORT IS OVERRATED! And on top of that comfort is booooooooring to death!!!!!!

An ambrotype format 10x12" (25-30cm).

An ambrotype format 10×12″ (25-30cm).

A collector asked me if I’m selling ambrotypes, I don’t, because they are unique and I want to leave behind me a work that will tell a story. If I sell an ambrotype, that image will be on somebody’s wall and I and anybody else will never see it again. That is one of the reason I’ve chosen wet plate negative in my artistic career. But on the end of the day, I am a professional artist, I do this for a living, it’s not my weekend hobby, so I need to sell my artwork too. So I’ve been thinking and I came to this business model.

When I’m making my collodion landscape plates, I make two or three plates of the same motif and so if a person want’s to buy an ambrotype from me, he or she have two options:
Either pick it up from a gallery (that I’ve haven’t set up yet) and pay for the full price of an ambrotype 10×12″ that will be US $999.
Or the second option is that she or he can pre order a plate from me, so when I go next time out to do my art, I make another plate for the buyer. In this case the buyer can not choose a plate of his choice, it can only take the one I’ve made that day or decline it, no questions asked. The price in that case is less than half of it, US $399.

Sounds like a good and fair game right? Yes, I know, I would rather not be in a position that I need to sell my ambrotypes, but if you develop two habits like myself, you need to find a way to feed them!

My email is borutpeterlin@gmail.com and my website is www.borutpeterlin.com

PS: In my life I had several cars. They were all boring to death, except my very first car, Renault 4.

A portrait of myself from year 1998 by Jože Suhadolnik.  That's my first car, Renault 4. The sticker was real and it goes:  THIS CAR IS DRIVEN BY: and my signature.

A portrait of myself from the year 1998 by Jože Suhadolnik. That’s my first car, Renault 4. The sticker was real and it goes:
THIS CAR IS DRIVEN BY: and my signature.

 

Wet Plate Collodion – workshop results

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20111124_8360Wet Plate Collodion Process 20111124_8359Wet Plate Collodion Process 20111124_8358Wet Plate Collodion Process 20111124_8357

Wet Plate Collodion Process 20111124_835620111123_8342

This week I was at Academy of Fine Arts Novi Sad in Serbia, where they had Startfest festival, a workshop of pioneer photography techniques. Mentors Miša Keksenović and Uglješa Dapčević were teaching us Wet Plate Collodion technique and also demonstrated other techniques like Salt print, Albumen printing, ambrotype, cyanotype and digital negative. This Wet Plate Collodion is really complex process. Not only that chemicals are flammable, poisonous, cancerogenous, acid,… also characteristics of solutions are constantly changing. For example, young prepared collodion that is up to a week old demands much less exposure, but it’s much less contrasty and a collodion that is old about a month produce bests results, but it demands longer exposures. Of course you can add a chemical that I don’t know what’s an English word for it and you speed up the process of aging, but again loosing quality. We learn so much, but as I’ve warned Mišo and Uglješa, it is very possible that in a week or so I’ll ring to their doors, asking for help 🙂

Above I’m publishing my Wet Collodion Process – Tintype photographs taken with 100y old Kodak Folding Brownie. HERE is a post where I got it. Below are images of students that were exhibited on a final show at the Academy. Mišo even created a lens from a single lens just to demonstrate how simple photography can be. Check an image on the slideshow bellow that have a lens taped on a wall. Fascinating indeed! Thank you Mišo, Uglješa, Ivana Tomanović & the Academy staff and students. It was epic as Lucija would say!

PS: Hoover over an image to read a caption. If you want to see larger image, right click and “open image in new tab”. I’ll organize their workshop also in Slovenia but don’t know when, probably in the beginning of next year. If you want to organize their workshop in your country, I’ll pass them your contact. You have mine on my site www.borutpeterlin.com

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