Posts Tagged ‘Art’
My dearest followers,
here is my newest video about the latest opening of the exhibition I had. It will be open for the whole year, until September 2017, which is cool, because the location is on my way to skylight Studio Pelikan, so next time that I will have a workshop I could bring the group to the exhibition.
Curator: Nina Sotelšek
Organiser: Krško Cultural Centre
Exhibition closes: September 2017
On more personal note, I thank you all for the kind thoughts of support you have send it to me. I am getting back on track, better then ever. Expect more videos to be published this week, more photographs to be made and expect the world to be saved! Because Topshit does happen!
Woodland Beyond Photography is an event where photographers, artists and enviornmentalists retreat in the middle of woodland and create their art. It is organised to spend a weekend in deep forest together with their families. Kočevski rog is ancient woodland in Slovenia, with largest area of virgin forests in whole Europe.
In the caves of Željne, near Kočevje, we prepared an exhbition on the theme Light Shining In, so I invited three artist that creates their art with camera obscura: Michalina Hendrys (PL), Miša Keskenović (SLO) and Gerald Figal (USA). The philosopher dr. Pavel Koltaj gave a speach on the theme Plato’s Cave and how does that relates to our everyday life.
Peter Rauch and Tomaž Pipan both artists based in Slovenia have created a sculpture suspended in the air. Sara Figal (USA) made a sculpture with knitting among trees. Marcus Gabriel (IT) and Christian Klant (D) were making wet plate collodion plates. Photographs and videos used in this video were made by Adrijan Pregelj, Gregor Koščak, Boštjan Pucelj, Miša Keskenović, Anže Grabeljšek and myself.
On the very end I would like to appologise to those who could not join us. The event was organised by myself, without any budget or as I’ve called it, budget-free event, so the only way I could pull this event off is to invite people who are either my friends or friends of my friends. We did not had a support from outside so we all had to contribute to make this event happen. And it did happen!
Last but not least, as a proud father of two daughters I encourage them to get in contact with nature, but a father alone can not do it, so I organise these kind of events were there are tons of kids and we all have a blast.
See you next year and mark the 28th, 29th and 30th of July 2017! And let us not forget… Topshit does happen!
PS: I am a patreon of great artist David Cutter, without whose music my videos would not be the same. My work is also supported by patreons, so I thank you for that. If you appreciate what I do and you might want to donate me a cup of tea or a pizza every month, you can do it ON THIS LINK.
Dear readers of my blog, I am very late with my production of videos. I have great excuses, but you do not follow this blog because of great excuses, so I will spare you🙂
I think this video is alright. It took me two days to upload it, because of technical issues, but I’m satisfied with it. Only today I’ve noticed I haven’t used any drone shots, too bad.
For wet plate collodion photographers there will be interesting the following example. In the video I’ve said that at the first test the fog appeared because I waited too long before subbing the plate to silver nitrate. Actually I’ve recoded the explanations, but it is too long and boring, so I’ve edit it out. I can tell you now why I knew what is the cause of fogging. Please observe corners. Only in corner number 4 there is no fog. OK, there is some fog, but that fog is made out of sharp lines, meaning the plate was not cleaned enough. Other fog is obviously different. Corner number 4 is the corner where I’ve poured off my collodion off the plate, meaning that was the most fresh collodion. On other edges and corners fog is spreading toward the edge, from centre toward the edge. That is very clear sign of drying collodion, before the plate went to silver bath. The drying of sensitised plate looks different, very different. So my advice to you is to learn with every failed plate and every successful plate. Believe me, it is very likely that I have made much more foggy plates then you, but I have learned by doing it, so now I can do it either at temperatures of -9C (link) or at + 30C (link). Just do it and fail miserably, that is the only way to make it happen.
As you imagine to make this videos it takes a lot of time and because I’m a professional photographer, I need to justify the time investment, so I need to sell my photographs. I thank you for bidding, sharing my videos, commenting, subscribing and basically all the attention this social network is giving me. It’s my dream job and I have more to come! My prints became quite expensive (THANK YOU), but if you still want to give me a tip and buy me a cup of tea every month, you can visit THIS SITE and become my patreon.
as I’ve promised I’m publishing my third episode (I count also the episode zero) of my vlog while pursuing my goal to publish an artist photo-book. Of course, the theme of my book will be Kočevski rog woodland and this time I went to one of the most beautiful places, Ponikve valley.
I was wondering how long should my vlog videos be and what should be the mix of entertainment and informative content. This is what I think it’s good. Please let me know your opinion. In each episode I will include a tip or two about the process, but the main topic will be artistic vision, composition, asking questions and the search for answers. Just don’t ask me to do camera review blogs, they are boring. Photography and cameras is like traveling and wheels. It is related, but not dependent upon. I will do a book review, here and there, but not one of those 100 famous photographers everybody know. I will rather do a review of work that nobody knows, like I’ve done from Peter Župnik, Herman Pivk and many others. Basically photographers whose quality does belong on top 100 list, but they will never be world famous photographers, because of circumstances.
I’ve described my intention in the previous blog post, but let me highlight that I haven’t realised before, but all the likes and shares are well important, since the large social network is the guarantee that my book will actually be published, so thank you in advance! So if you think this content is worthy, please press like and share it. If I’ve made your day, please you could buy me a cup of tea every month via my PATREON page and if you could afford, thank you for bidding on my Ebay auction.
I thank David Cutter for the music and Fiona Cambell for the disclaimer voice.
I’ve been doing photography since I was a kid, from age 11 and when I was studying photography at FAMU Academy in Prague, we had to submit finalised project in a book form. I didn’t had the money for a book binder, so I’ve done it myself. I wasn’t a good bookbinder, but I loved the process of book making. I knew then that I want to do more books, I knew I love it, it’s perfect medium for my photography!
Fast forward 21 years later I’ve made about 30 handmade books, but I’ve published only one book, the book Tales from Gorjanci Hills and here is the link to the images. Technical note for photographers: those images are all shot on 6×7 format colour negative film! It was selectively illuminated and all done in one go. It took me 30-60 minutes for a single shot and because I wasn’t sure what has film recorded I repeated the take, so it was very slow progress.
Anyway all those years I tried to publish a book. I got great reviews and invitations for show, my work is published in many books if I mention few: Fabrica 10: From Chaos to Order and Back, Generation “74” and numerous art catalogues and magazines like Museum Duolun from Shanghai, Days Japan from Tokio, Nikon magazine, …
But as I’ve expressed myself frustratingly, I did not managed to publish an art book of my own. Now this is going to change. Today is 14th of May 2016. In one year time I will publish an art book of my own. My cunning plan is revealed in the video. The information that I saved for my next video is that I am not intending to do a video that will be a checklist of to-do list, no Sir, but I will make a video journal of my weekly steps in making the book published.
I was thinking which book should I publish first and on the end I’ve decided that if I want to make this vlog really interesting I have to start from scratch. I am starting a episode 01 of the series 01 without a single photograph taken. Don’t worry everything else is ready. On Monday rain will stop and then I’m off the leash!
Please do share the video, press like, subscribe and if you can afford to buy me one tea per month, please visit my patreon page. Lastly let me say I can’t answer all the email questions about the process, but I do answer to all the questions asked by my patrons, which is a great deal for 1$ a month support.
PS: To all my fellow european wet platers, I hope you will have a great time in Eindhoven at European Collodion Weekend, I am not coming because the very next weekend I’m traveling to Barcelona to Revela-T festival, where I have two workshops and a demonstration. Next year I will come to ECW with the new book, I’m sure of that!
PPS: Disclaimer voice by Fiona Campbell.
Some time ago I’ve made a video about barbed wired EU border (link) and here is another episode from the project. I do not know exactly how will it developed, but I feel the need to document the time and place where I live. I enjoy these expeditions so much. Being away from everyone, from everything doing photography, but not being sure if anybody including myself needs those images. As a professional photographer I’ve developed disfunctionality because photography as a medium is the main source of income and although this is a good thing in the manner I am entitled to devote most of my time to the medium it also creates huge aberration in the process of evaluating the work that I do. This is the aberration I’m mentioning, but I have blind faith that this will pay for my retirement, because social security surely will not.
My next step is to make prints out of the negatives. It will be very different then those digitally converted reproductions, but about that in the next video.
So I’ve received a request if I’m selling also ambrotypes. I don’t because ambrotypes are unique, there is only one and once it’s sold I will never see it again. But I’ve replied that I do sell pre-ordered ambrotype. So when I will go outside next time, I can make an additional ambrotype for a client. If the client likes it, he or she buys it, if not, no problem at all, no questions asked. And pre-ordered ambrotype is also sold for much less I would usually charge.
So here is the result. The client asked if he can buy it in wooden box and so I’ve done some research, I’ve made a boxe from pine-wood and even blast-sanded it. It’s massive wood (not glued wood boards) and pine wood is known for it’s tensions, so it bended. For the next box I’ve chosen cherry wood and this was much better. The final touch is the trophy plate with engraved information about the plate and my signature. How do you like it?
In this video I’m making carbon prints. I love carbon prints. I think it’s the best that photography as a medium can offer. Of course this is a subjective opinion, but please object only if you have seen a good carbon print on glass – in person. It’s translucent silkiness of carbon prints can not be compared with any dot-on-paper principle printing process. It’s unique.
To fund my work I have to sell these babies. The carbon print on paper is listed HERE and the carbon print of glass is listed HERE.
I have a stupid anecdote to share. We had an attempt of burglary in our house. The attempt failed, since I had my German Shepherd – Mike in the house and that convinced the thief to retreat. After that I thought, shit I’m keeping all my savings in a drawer! I must hide it somewhere. And I did. And the very next day I didn’t remembered where I’ve hide it, now I’m totally without any cash whatsoever. Luckily I have some money on my paypal, so I can fill up the gap and pay the bills, but
imagine how stupid do I feel! Plus I searched the whole house again and again, but without success. Anyway I’m telling you this because I do feel stupid and I want to “enjoy” the suffering so much that I will never repeat it again!
ON THE WET PLATE COLLODION AT -9C
OK, I’ve done three videos on the subject how to do wet plate collodion at cold temperatures and none of them covers the all aspects. It’s impossible to cover all the aspects because everything needs to be reevaluated. Ditch the timer, you don’t need it. For instance in collodion manuals it is usually written that sensibilization time is 3 minutes for ambrotype. The truth is that the sensibilization time varies on the working conditions, the acidity of the silver bath, the strength of silver bath, the freshness of the silver bath, the level of iodine in silver bath and so on. What I learned from Mark Osterman is to evaluate the sensibilization visually. Do this tests and you will appreciate his wisdom.
- pour the plate and dip it in silver nitrate bath as you usually do.
- after 40 seconds, in safelight conditions, take the silver-plate out and look at it, then immediately dip it back in siverbath.
- repeat after 90 seconds, 120 seconds, 180 seconds
- observe how the surface of the plate is changing. You will notice the following pattern. At the beginning silver will be on the plate in drops, very oily kind of pattern. Then longer it will stay in the silver-bath, collodion will accept more of the silver-nitrate, more smoother the silver will flow on the surface of the plate.
- when there is no more silver drops on the collodion plate, when silver nitrate flows smoothly, the plate is ready to be taken out.
- In some cases, when I had 9% solution, that was freshly boiled and working in temperature of 25C and I was agitating a bit, the sensibilization times were less then a minute! In times when it’s cold, times might be 6 minutes. Of course judging visually!
So this is the most important advice I want to give you. Of course take special attention to poured on plate, if collodion has set. Touch the pouring corner and if finger-print is overflown by collodion again, then wait few more seconds and repeat the test and when you can see that the collodion does not flow anymore, then dip it in silver nitrate. You might make a collodion that has solvents in ratio 65% of ether, 35% of alcohol. It will dry faster, but I work with my usual 50:50 ratio. During summer I do change the ratio to 30 ether : 70 alcohol. Plus more ether makes better ambrotypes, more alcohol makes better negatives. (More in the Collodion Manual)
I can not tell you the time of development, nobody can, you have to judge it visually. Of course if you’re an avid collodion photographer you do this routinely. If you are not, let me say few words. When you pour developer, observe the plate, count seconds loudly. So when the highlight will start to appear, multiply the time with three. So if the highlights are there already at 4 seconds it will be around 12 seconds. If the highlight will start to appear at 10 seconds, the developing time might be more like 30 seconds. OK, when I say highlight, it can be highlight of a face or a sky. Of course sky will appear much faster then a highlight patch on a nose, so take my advice on seconds approximately.
At freezing point I usually have 10 gr of ferrosulfate in 100 ml of developer. If it’s hot I reduce it down to 3,5 gr.
Heating plates and chemistry
I don’t recommend it. If you do not have a camper with permanent heating, then I don’t recommended. Because the heating will cool down, so you will not have a steady temperature and your results might be all over the place. My advice is that you do not heat up anything, so you will have steady temperature, which might be -5C, but at least when you will figure it out, you will have steady working conditions! The worst is that you get a good result, but then the temperature of your chemistry has dropped and you will have different results and there are so many variables, that it’s very likely you will get many problems. The only heating I recommend is long underwear and double socks.
In the video I forgot to put table salt in my water. One teaspoon of table salt will prevent water from freezing even at -6C. I’m adding salt even during hot temperatures, because salt will react with silver-nitrate and stop developing process immediately, thus clear blacks.
That’s about it! Enjoy making ambrotypes or better ambroice, a term coined by Scott Anton.
Last but not least, I thank you for supporting my videos, blog posts and my work on general. You can do that by becoming my Patreon, bidding on my ebay auctions, buying work from me directly, taking my workshops or even sending me a tip on paypal directly. My paypal address is borutpeterlin and every cup of tea is welcome. As I confessed I developed a habit – being an artist…
Again I’m making an Ebay auction and again I’m listing prints that are by my opinion perfect! I hope you like the making-of-video and if you think it’s worthy don’t forget to subscribe, like and share.
And as always: TOPSHIT HAPPENS!!!