TOPSHIT PHOTOGRAPHY blog

Photography, Fine Art, Wet Plate Collodion, Alternative photography

Posts Tagged ‘božidar jakac

After the opening of my show

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Myself and Misa Keskenovic, doing chameleon thing, blending with the landscape.

Myself and Misa Keskenovic, doing chameleon thing, blending with the landscape.

OK, the exhibition was a success. Many people show up, lots of media attention and feelings were great! At the opening Društvo mrtvih pesnikov were playing, which is an big honor. As I wrote in the previous post, the series is devoted to a painter Božidar Jakac. Concept is best captured with words of Tone Pavcek engraved on his grave: “You’ve remained part of the landscape, its pain and its beauties. And this concept is mirrored in the images. I wanted that in every of image there would be a presence of beauty and pain. More about the concept in the previous post (LINK). I’ve designed the exhibition to be dynamic. I’ve exhibited original tintypes, ambrotype glass plates, toned cyanotype contact copies and also some inkjets.

For the exhibition I must express my gratitude to the Gallery Krka for invitation, Miša Keskenović for teaching me this noble art and to Mark Osterman for generous support in my learning of wet plate collodion negative. Inkjet prints and framing was done by Luminus.si

I invite you to see images in better quality on my website borutpeterlin.com. Exhibition in open until 23.5.2013 in Galerija Krka, upravna stavba Krka d.d., Šmarješka cesta 6, Novo mesto, Slovenia, EU.

PS: Prints are for sale. Prices are from 50 EUR for a cyanotype print to notforsale tintype of frozen river Krka that I’ve done at temperature -17C (link on the post). My email address is borutpeterlin(a)gmail.com

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Announcing probably my best exhibition opening

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Ostal si del te pokrajine...

“A cyanotype print from a wet plate collodion negative format 10×12" (25x30cm). Print was toned with tanin from green tea. Part of the series "You remained a part of the landscape, it's beauties and it's pain", a hommage to a painter Božidar Jakac. A cyanotype print from a wet plate collodion negative format 10×12” (25x30cm). Print was toned with tanin from green tea. Part of the series “You remained a part of the landscape, it’s beauties and it’s pain”, a hommage to a painter Božidar Jakac.

On Tuesday I’m opening an exhibition that will probably be my best show until now. In November I was invited to have a show in Gallery Krka in Novo mesto and I thought I’ll have enough time to do nice wet plate collodion plates until the end of April, but winter was lasting until day before yesterday and I was forced to make wetplate images in harsh conditions. I had an extensive help from my mentor Miša Keskenović and Mark Osterman, the world authority in alternative processes. Let me quote Mark Osterman: “Remember that no photographer in their right mind would have been making images in that severe cold in the old days..so you are doing ok. :-)”. Topshit compliment indeed!

OK, I had a date of the opening of the show. I knew I wanted to do landscape photography from the beginning, which was not the smartest decision in winter time, but I also knew I don’t want to go for usual mainstream aesthetic, let’s call it national geographic kind of aesthetic or even Ansel Adams aesthetic if you want. I mention Ansel Adams, because he’s a huge influence to me, but I live in different times, I don’t want, can not and I’m not competent enough to replicate his perfection of his art. On other hand I also didn’t want to make shitty collodion plates, that would later be scanned and digitally fixed, printed as inkjets and call it an Art, that’s for sure! I mentioned before how I got inspired to do wet plate collodion process on the exhibition by Sally Mann in London’s Photographer’s Gallery. In her images I saw a huge potential to be explored, a huge vain of gold to be dig, so I was aiming for technical brilliance, but to somehow capture enchanting beauty of Sally Mann’s work. Mission imposible, I know.

Second resolution was, that I need to dig in art history and grow roots deep down there. One of my first tintype landscapes was of frozen river Krka at -17C in year 20012. Last time that river Krka got frozen it was some 85 years ago and at the time young painter Božidar Jakac painted the scene that astonished me as a child. Jakac later became a renown painter in Yugoslavia. I want to make a hommage to his work.

The title of the exhibition is “You remained a part of the landscape, it’s beauties and it’s pain”, that’s a verse of Tone Pavček engraved on his grave.

I’ll make a video podcast about my show, but let me share an image from the show, illustrating what I wrote above. It’s a cyanotype print from a wet plate collodion negative format 10×12″ (25x30cm). Print was toned with tanin from green tea. I took this image like 100 meters from my house and left my dog to guard the camera 🙂 Because it was a huge contrast between dark trees and white snow, I dodged the plate while exposing. The exposure was 6 minutes at aperture f/16 and 2,5 minutes I was holding a black velvet in front of the lens. Of course I was moving the velvet so it’s not visible. I used Vageeswari 10×12″ camera with a Rodenstock bistagmat lens from year about 1907 and it covers format 18×24 cm, but I wanted to have vignetting effect, so I put it on a camera format 25x30cm (10×12″).

See you on Tuesday 23.4.2013 in Gallery Krka, upravna stavba Krka d.d., Novo mesto, Slovenia, EU, at 19.00.