Posts Tagged ‘darkroom’
In this vlog I’m just enjoying spontenitivity of photography. Many of our colleagues are just buying more and more cameras and at the same time taking less and less photographs. I am no exception, I am not pointing on anybody (especially not on Jean-Christophe Quet)
So I intend to shoot ten rolls, make a selection and bind it in a book. Because I can do that. I love photography, just for the sake of doing it and I hope the inspiration will come across this video. Thank you for all the attention!
This vlog should be published earlier, but I am missing three of my cameras. All small ones, like analogue compact Rollei camera, GoPro 3+ and Nikon J5 cameras. I have no idea what happened to them. In 30 years I have not lost a camera. I almost did, but never really. This small cameras were in my bag and I was carry them always with me. It might be that I forgot my backpack somewhere, but is more likely that someone took it out of my car. Today’s thieves do not need to brake a window, to get in your car. When I went to Prague I was resting on a rest stop and a thief silently broke in my car, without leaving any damage or signs. He did this while I was resting in the car! But then I woke up and he fled. Without steeling anything. So it might be that it was stolen or not. I do not know. Too many things happening in my life right now and this is the price to pay. Although this event is annoying it does not put me off. In fact that is why I bought Nikon J5, because I didn’t want to use the almighty and all expensive Nikon D4! Imagine that would happen with my Nikon D4 and my expensive lenses!
Anyway… Here is my latest vlog where I continue working on my book A Father’s Tale. A photo-book is not an album of images. It is a sequence of images carefully narrated through each page. Just like when music notes are containing parts that are actually bringing the orchestra to quit down or even to a complete stop, also photo-book must have parts in the book where an eye will relax, digest, reflect.
My idea is that the photo-book of my daughters should contain images that on information level do not tell you anything about them, but the images are containing certain mood that is bringing the viewer’s attention away from the information level and building the story on emotional level.
So that is why I’ve decided to photograph this window. I could ask one of my daughters to stand there or even I could stand by the window, but I’ve decided to keep it calm and simple. It is just one image in the book, but important one.
I hope you will like the image and the video. Please subscribe and share. My plan is to build up large enough social network and sell my books directly to my audience. And/Or with the large enough social network, main stream publishers will be interested in publishing the book. So thank you for subscribing to my YouTube channel, to my blog, to FB page and to my Instagram.
LINK to eBay listing of the silver-gelatin print
LINK to eBay listing of the ambrotype
LINK to eBay listing of the albumen print.
here is my newest vlog. In December I’ve been travelling from Slovenia to Tuscany and then to Berlin and Hamburg. Proper south – north EU tour. I drove like 4000 km or so. Finally I’ve made the vlog from north part of the trip, but southern part is being edited. It takes whole lot of time, these videos.
This video is kind of personal, not much photography tips&tricks involved. Is that OK? I’m thinking to do separate my personal vlogs and tutorial videos. Vlogs will be shorter and more funny, whereas tutorial videos will be longer and more detailed.
In this video I’m talking about the cold, that consist of two components. One is low temperature and the second is interpretation of the low temperature. It is talking about the reality and interpretation of the reality. Cold is perfect example how we love drama and how that drama is making us just more dependent on the comfort thqat seize to be comfort, but it becomes necessity and comfort becomes something else, like a super-car or something that is beyond our reach. Perfect formula for personal drama! But the bottom line is that what I’ve wrote about the cold goes for everything in the world. You may ask yourself which part of the circumstances are real concern and which part is a drama that I am addicted to. I am not pretending to be beyond it, on the contrary, these insights are very personal and very real life situations. Cold is just the easiest to be identified with so I leave you to ponder that for a moment and I’m challenging you to copy/paste the insight on whatever life situation you are in at this particular moment, at this particular drama.
OK, I’ve printed an edition of 50 prints and 14 are still on sale, that is from edition of 32/50 to 48/50, with exception of 36 and 42. Those copies I’m keeping them. The price is 50 EUR per print, it is signed, numbered, unmated, in a sleeve, with a sheet of data in the back.
HERE is the link to the listing. It is limited edition and only 13 are available. A big thanks to my patreons, who are gfenerlously supporting me every month. Perhaps you might join them and you will receive a print in the mail later this year! WWW.PATREON.COM/BORUTPETERLIN
In this episode of my vlog, I’ve started a collaboration with my daughters in my photography project A Father’s Tale. I’ve been talking before about my project, but now, when I am in the middle of divorce, I’m bonding with my kids in this kind of creative way.
The prints we’ve created are listed on Ebay, as an auction, so I thank you for bidding, liking and sharing my videos. I thank my patreons who are supporting me monthly via platform PATREON.com.
Music by: David Cutter Music – www.davidcuttermusic.co.uk
Let me invite you to the opening of my solo exhibition on 3rd of November 2016, at 17.00 at Ventúrska 5, 813 15 Bratislava, Slovakia.
And I can not part by not announcing a workshop in Florence, Italy, on 16th and 17th of November. The workshop will be on wet plate collodion negative and salt printing. More info on email@example.com
Here is a video from last weeks photo-safari in deep forest of Kočevski rog, Slovenia. If you want to join check my schedule at my WORKSHOP site. Unfortunately all the informations aren’t available just yet, but they will be in few days. The reason why I haven’t found time to finish the site is that I have a guests from Singapore and London, so we are exploring new locations for new workshops. Please check the dates on THIS link and see if some term is matching your schedule. As said in few days I will publish more information. Exciting information!
But I can tell you that in July we are preparing unprecedented program from the region of Kočevski rog. Visitors will enjoy the exhibitions, talks, tours down in caves or up with paragliders, hiking or bicycling tours, learn about honey, herbs, observe bears in wild and of course take photography workshops. I’m a part of initiative to gather activities that are here forever and unite them under one month lasting event! More to follow!
Oh, I am so happy with this dark-box I’ve done in the last few days. In October 2014 I’ve bought a Land Rover Series 3 from year 1972 and it took me more then half a year that I started to trust the car and foremost my ability to fix it, or more often then not, recognising I need a help from a friend to do the maintenance of the truck.
I so much love photographing outdoor, especially documentary photography and you know how annoying is to do it in wet plate collodion process. Sure I’ve done it many times, you can get to a location, set up a tent and you work whole day at the location, clean the stuff and go home with bunch of plates. In the last four years that I do wet plate collodion photography, only twice it happened that I’ve set up a tent, took few plates, cleaned the place up, move to another location, set up the tent, do another bunch of plates, clean it and go home. It is so exhausting this moving. And moving a dark-box or a tent is not a problem, it’s to pour back all the chemistry, prepare it for transport… ARGHHH!!!
I had in mind for a long time a wet plate collodion mobile, a car that it will have a dark box and most importantly all other chemistry prepared in such a way that I would stop the car, set a camera, pour the plate, develop a plate and move to another location. I know few people have camper vans or even trailers, which is fantastic, but not suitable for my environment, not suitable for motifs I want to photograph.
Land Rover, Series 3, 109 LWB, Station Wagon, an old-timer from 1972 is perfect for my needs. It’s cheap to buy, it’s cheap to maintain (parts are cheap, but you have to do the mechanical work by yourself or go bankrupt), it’s almost free to insure and foremost it looks good on you! Sure it’s not cheap to drive, it burns 13 litres of petrol per 100km (USA: 18 mpg), but it’s not a car for daily use, it’s a tool! I drive it about once a week down to the river or up into forests, near my house, to bring all the equipment, I rarely make a trip longer then 100 km. You don’t want to drive long time with this car!
Anyhow now I’m happy with my dark box. I need to make another shelf beside the dark-box on which I will have a bath with fixer or humectant and a box to store clean and exposed plates. On top of everything I can make a bed in my car! I can easily make a bed size 135cm x 180cm. OK, if I will have a dark box inside, it will be 50 cm narrower, but still plenty of space. When I was in Vienna PhotoBook Festival, I was camping inside the truck and had also a cooker for making soups, tea and other tasty meals. The dark box can be used also on the roof rack as a crate for storage.
Today I’ve made a quick test before lunch to see if window is properly filtering daylight and I’ve made this wet plate collodion negative. It’s done with Kodak Folding Brownie 3A, from year 1905, it was one of the first compact cameras in the world! Amazing camera, I love it so much. The most important is that I’ve made the plate in about half an hour with all the setting up and going back home to catch the lunch. This Land Rover and the dark box is the most important tool I have! It will make a wet plate collodion process natural and easy. So happy!
Last but not least, my new year’s resolution is to make more videos and blog posts. I am amazed how many people are following me trough social network! The Ebay auctions are going good, the last one reached about 230 EUR and then I’ve sold another copy of the print to an Italian bidder that lost a bidding against a bidder from USA. Of course the second albumen print from the last auction was sold for slightly higher price then the wining bid was. If I add up the support from my patreons and the commissions that I receive in Slovenia and workshops I have, I must say it’s going great. I want to thank you, by revealing my craft secrets, that I have none, inspiring others and being inspired by others.
Thank you and remember topshit 2016 happens!
I’ve made this beautiful print from a horrible negative. The good things about negative / positive process is that you can get away with many things. Two weeks ago I got my silver bath heavily contaminated because of unfortunate event that I want to forget, I cleansed that silver with kaolin, sunning and filtering, but it still wasn’t good. The silver bath was good for ambrotypes, but for negatives, it was fogging. I’ve kept that negative and I love it a lot. When I came home I repeated the cleansing process and it’s OK now.
Next week I’m going to photograph EU border that is barb-wired to prevent crossings of immigrants and refugees. The so called schengen border is very near my home, few tens of kilometres and I will go there and document it. I decided to go with Petzval lens, because it’s not covering fully the format and it has such a eerie feeling and communicate well my feelings about it. I’m still lingering about the final printing process, should I go with silver-gelatine photo paper (like the one above) or with albumen printing process. I will make an albumen print from another eerie negative and compare them.
This is a homework for every artist before starting to do the project, but especially important for a wet plate photographer, because of the extensive and precise preparation to make one photograph. Good, this is a good side being a wet plate photographer 🙂