TOPSHIT PHOTOGRAPHY blog

Photography, Fine Art, Wet Plate Collodion, Alternative photography

Posts Tagged ‘landscape

A monster tree with a swing! Photographed in wet plate collodion and printed in carbon print and albumen print

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With my daughters at ArtMarket Budapest with my photographs in the back.

With my daughters at ArtMarket Budapest with my photographs in the back.

Here is a new video. It’s pretty long, 10 minutes, I went through few times and edited out as much as I could to make it shorter, but there is quite a lot of information included, so I hope you will find it worthy of your time.  The prints I’ve made I’m not putting them on ebay auction, since last two auctions didn’t went that well, to be honest. Plus last week my work was being presented at ArtMarket Budapest, an international art fair, by Photon Gallery. I am on the right path, my work received good attention, I’ve met some very important curators and collectors and I’ve realized that all I need at this time is just a little more patience and I reckon one more year to catch up with boys & girls from the first art league. I know I will get there, but I’m not there quite yet. I will stop with Ebay auctions for now. The prints are still on sale, of course just send me an email of inquiry CLICK.
Music by Robert Jukič

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Corn fields of my childhood (wet plate collodion, carbon print process)

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I grew up in this valley and every September I loved to photograph corn fields. It’s something elegant and tranquil in a field of corn. It was a sunny afternoon and I had three plates ready and subbed with albumen, so I give it a go. The negative was done in the first attempt and although the density was not as thick as it could be, due to loosing quite a lot of developer (containing silver), but that was easily compensated by the second development after fixing, the redevelopment. I just had to redevelop longer, increasing the layer of silver and busting the contrast.

Screenshot 2014-10-10 10.34.49Screenshot 2014-10-10 10.36.12Here are two beautiful prints, I hope you will like them and as it is a tradition on this blog, I’m putting these two prints on ebay auction, starting from 0,99 US$. The auction will end in three days, because I’ve learned that my customers are readers of this blog and it doesn’t matter if the auction is listed for a week or only for few days. As a professional artist (and a father of two daughters) I need to sell my work or get a “proper” job, so thus the aggressive promotion. Things are going good, great, much better than I’ve expected.

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This week Art Photo Budapest fair is happening and this fair is the only international fair in Eastern Europe dedicated to art photography. Gallery Photon is presenting me in a very generous way. I’ve been told that this event is a milestone in my career. Tomorrow at 3pm I was invited in the panel to discuss art market in East Europe. As one of my presented cases it will be also this blog and my experience with ebay auctions.

I have this feeling that I’m on the right track and although I know I will not do these ebay auctions forever, it’s a brilliant marketing tool!

733_01_borut_peterlinMartin Parr gave me the best advice ever! Do whatever you do and keep on doing it until people could not afford to ignore you any longer!
…COULD NOT IGNORE YOU ANY LONGER!

Isn’t that a brilliant advice? We artists have a very long history of being ignored and some of us even cut their ear off! Well I’m not cutting my ear or getting a “real job”. I enjoy what I do and thank you for all the attention. It truly helps to know that people have a harder and harder times to keep on ignoring me!

PS: My email box if stacked with questions about the processes I’m doing. I’ve answered some, but most of them I just can’t. SORRY! Please write the question here, as a comment and I will do much better job clarifying some details of the process. You can write a question anonymously, no problem.

A carbon print , format 10x12" (25x30cm) in a mat, size 40x50cm (16"x20"). Edition 1/12.

A carbon print , format 10×12″ (25x30cm) in a mat, size 40x50cm (16″x20″). Edition 1/12.

An albumen print toned with gold, format 10x12" (25x30cm) in a mat format 40x50cm (16"x20"). Edition 2/12.

An albumen print toned with gold, format 10×12″ (25x30cm) in a mat format 40x50cm (16″x20″). Edition 2/12.


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Video about split toning with sulfide and selenium toner

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Ciao tutti,
As I’ve announced last week, I’m going to publish more videos about my workflow and list more prints on ebay. It takes so much work to do a video, make a print, edit the video and everything that comes along. It took me the whole week to do this video and that’s why I’m listing three prints. Perhaps the price will not reach as high as it would if I would sell only one print, but I am a professional collodion artist and I will try to make a living out of this! Plus my storage room has about half a ton of prints in boxes. I know, because I was moving it recently and it was too heavy for a car transport. I’m printing since age 11, so in 29 years you can imagine how many boxes piled up.

Anyway, here are new prints. I’ve explained everything on video. I want to add that this split toning technique I’ve learned from Mark Osterman and he is the best address if you want to dive into alternative photography. And oh, you must check this out, George Eastman House published their program of workshops for year 2015! I’m going to take at least two of them!

One last, but very important note. I’ve you’ve seen this video after the auction is finished and you would want to buy a print from me, check my EBAY SHOP or if you want to buy that exact print, copy number 5, you certainly can, just send me an email. As a professional collodion artist I have a motto:

EVERYTHING IS FOR SALE, EXCEPT MY KIDNEY!
(officially)

Ebay listings:
Edition 2/12, a silver gelatin photograph, from a wet plate collodion

Edition 3/12, a silver gelatin photograph, from a wet plate collodion negative

Edition 4/12, a silver gelatin photograph, from a wet plate collodion negative
Ebay Shop / Borut Peterlin

Swimming in a river, breaking focusing glass, bloody elbow, photographing in underwear,… Anything for a good wet plate negative

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Last week was a beautiful weather and I’ve decided to make some landscape plates. I live surrounded by very fascinating landscape so it’s hard to decide what to photograph but this time I went down to the river. This winter was wet and we had icy rain that made huge damage on trees and infrastructure. On THIS LINK you can see images of Iztok Medja from Postojna region where every single tree was damaged! So this icy rain made that many huge oak trees felt in a river.

The tree was stable enough to hold a camera and a tripod, but as you can see it was really hard to focus and compose the frame. After I’ve made a good negative I set myself a new frame. I went in a river, carrying a tripod, but I slipped and fell in the river fully dressed. The river Krka is very cold and wet even for a wet plate photographer! My tripod sunk and I had to find it, touching muddy riverbed with my feet. It’s Manfrotto, don’t worry. I’ve climbed out of the river, undressed and solely in my underpants I went back in the river, setting the tripod on the position. When I stretched to get my camera I was hanging with one hand on a branch while with the other I pulled the camera down and the camera swung and with focusing glass crashed in my elbow. U PIČKU MATERINU!!! I didn’t care much for the focusing glass or the cut on my elbow, but how will I make a photograph without a focusing glass? I took the largest piece of focusing glass adjust it in the approximate position and focus. I close down aperture to f/32, so I knew I’ve sorted the focusing problem. I didn’t know what is in my frame, but who would want to know that!?!

The result is pretty good. I’m publishing also a carbon print that I’ve made from it on glass and on Fabriano F5 paper that I’ve seized it with hardened gelatin. The carbon print is showing the potential this negative has, but I will make it better. You will see it in European Collodion Weekend, this weekend!

Oh, the story doesn’t end there. When I finish and packed everything and was ready to drive home, I was reluctant to dress wet cloths and drive home. On the end I did dress my wet clothes back and drive home. Luckily I did so, because as it happened our street was being asphalted and it was closed for car traffic. Imagine that I would walk beside them barefooted wearing only underwear and apron? I know East Europe is much more relaxed about nudity then West Europe, but not that much 🙂

PS: if you are wondering how to make a focusing glass, I’ve made a post HERE. It takes 15 minutes.

PPS: Here is another version of carbon print. It’s from the same wetplate negative that I’ve published few days ago, but now I’ve made new glop and followed all the instructions of Mark Osterman how to boost contrast to the limit. I’ve decreased amount of gelatin by 25%, increased pigment to 50ml of India Ink per one litter, cut sensibilization time by 50% and voila, the result is here! It’s even too contrasty. I’ve sensitized new tissues but with longer sensitizing time, so it’ll be more sensitive, but less contrasty. More to come, more to come…
Carbon print from a wet plate collodion negative

PPS: here is today’s version on glass!
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VIDEO HOW TO: wet plate negative and salt printing

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Salt print from redeveloped wet plate collodion negative, format 40x50 cm.

Salt print from redeveloped wet plate collodion negative, format 40×50 cm.

This is a photograph made with the process invented in 1839, called salt print process. The print is made from contact copy of a wet plate collodion glass negative. Size of the print is 40x50cm or 16×20″. The size of the image is 25x30cm or 10×12″. The print was toned in gold chloride toner and has a beeswax finish. The paper used is Fabriano Satinato 210gr, 50% of cotton.

Print is a limited edition of 12 copies. The print no:1 I’ve put it on ebay (LINK) and starting a week long auction starting at 0.99 USD.

Why am I doing this? I was invited to have a talk at TEDx Ljubljana and this ebay experiment is a part of my research how to sell art. The work title of the talk is “Give Capitalism A Chance“.

PS: Print was sold for US $182.50. Thank you!

After the opening of my show

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Myself and Misa Keskenovic, doing chameleon thing, blending with the landscape.

Myself and Misa Keskenovic, doing chameleon thing, blending with the landscape.

OK, the exhibition was a success. Many people show up, lots of media attention and feelings were great! At the opening Društvo mrtvih pesnikov were playing, which is an big honor. As I wrote in the previous post, the series is devoted to a painter Božidar Jakac. Concept is best captured with words of Tone Pavcek engraved on his grave: “You’ve remained part of the landscape, its pain and its beauties. And this concept is mirrored in the images. I wanted that in every of image there would be a presence of beauty and pain. More about the concept in the previous post (LINK). I’ve designed the exhibition to be dynamic. I’ve exhibited original tintypes, ambrotype glass plates, toned cyanotype contact copies and also some inkjets.

For the exhibition I must express my gratitude to the Gallery Krka for invitation, Miša Keskenović for teaching me this noble art and to Mark Osterman for generous support in my learning of wet plate collodion negative. Inkjet prints and framing was done by Luminus.si

I invite you to see images in better quality on my website borutpeterlin.com. Exhibition in open until 23.5.2013 in Galerija Krka, upravna stavba Krka d.d., Šmarješka cesta 6, Novo mesto, Slovenia, EU.

PS: Prints are for sale. Prices are from 50 EUR for a cyanotype print to notforsale tintype of frozen river Krka that I’ve done at temperature -17C (link on the post). My email address is borutpeterlin(a)gmail.com

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Wet Plate Collodion negative snaps after work

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After finishing portraits that I had to do in Ljubljana, I’ve stopped at the spring of the river Krka. Since it’s flooding water is rushing out from the cave so I couldn’t get a decent point of view, so I started to photograph the spring of stream Poltarica. Wet Plate Collodion process is a complicated process and beside that you need to know how to do it, you need to figure out the workflow. Today I had two missions. One was to figure out why I had blisters on some plates few days ago and the second was if I can do 4×5″ negative wetplates in my small darkbox.

First mission was soon cracked. It was cold as it was the other day, it was 3 degrees Celsius and I had no blisters whatsoever. I remembered that the other day I had this problems only at the beginning of the shoot when it was raining just a little bit. I’m sure a drop of rain fell on my plate when it was already coated with collodion and when I dipped it in silvernitrate bath, rock&roll started.

Second mission was a total success as well. I’ve made four plates and I can’t wait to print them. I’ve learned many small, but important details of a workflow so now I’m thinking to do a project in Bosnia in this manner! It’ll be 20th anniversary from the end of the war in Bosnia and Herzegovina, that was established byDayton Peace Accord in 1995 and I already did a cycling tour on the ethnic border between Republic Srbska (Serbs) and Federation Republic (Muslims+Croats), photographing how landscape changed politically. The ethnic border was founded in Dayton and it’s known as Dayton border. My cycling Tour de Dayton you can see on THIS link, but this year I’ll do it again with my luxurious car and do a wetplate project and prepare an exhibition for 2015.

Anyhow, that’s me always thinking few steps ahead and now I’m thinking that I need to go to bed. I hope you like the images and good night Internet where ever you are.
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