TOPSHIT PHOTOGRAPHY blog

Photography, Fine Art, Wet Plate Collodion, Alternative photography

Posts Tagged ‘wetplate

Bushcraft Photography / Vlog #60

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Screenshot 2019-04-02 09.53.20

In this part of Topshit Photography Vlog, I went to the woodland of Kočevski rog for two days and I did some collodion glass negatives and albumen prints. My main goal was to explore the possibility of staying away from the civilisation and still do my job as a professional photographer. In July 17th – 21st, 2019, I will organise an expedition with rafts down the river Krka and then in the woodland of Kočevski rog. The idea is that we make photography as we go. We don’t need a darkroom to make prints, we can do them in a tent in the middle of nowhere.

Anyway this experience was wonderful and in the future I will do that more often for longer periods of time.

If you wish to learn this noble topshit craft, I have a workshop every month. Visit: http://www.topshitphotography.com/

Thank you for supporting me:
https://www.patreon.com/borutpeterlin

Thank you for buying my book:
https://www.borutpeterlin.com/shop/

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Eleven workshops in the next half a year

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Screenshot 2016-02-15 21.18.54Dear readers of my blog,
I love teaching and I particularly love teaching collodion photography in the nature, so I came up with this program. There are eleven workshops, but actually I have one more for kids and one more for college students. Please follow THIS LINK and pay particular attention to the Photography Jamboree at the last week of July. It’s open public event, free of charge, based on volunteerism. The purpose of Photography Jamboree is to raise awareness of environmentalism through photography and through direct experience. I sincerely hope that the event will grow into a festival, next year. But that said I can not do it alone, I can do my photography alone, but not the festival of photography. I will do all in my power to gather a group of volunteers and with their generous help make an event that will bring people out of this hectic mad world and experience the peace of eternal forests. Please spread the word.

A monster tree with a swing! Photographed in wet plate collodion and printed in carbon print and albumen print

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With my daughters at ArtMarket Budapest with my photographs in the back.

With my daughters at ArtMarket Budapest with my photographs in the back.

Here is a new video. It’s pretty long, 10 minutes, I went through few times and edited out as much as I could to make it shorter, but there is quite a lot of information included, so I hope you will find it worthy of your time.  The prints I’ve made I’m not putting them on ebay auction, since last two auctions didn’t went that well, to be honest. Plus last week my work was being presented at ArtMarket Budapest, an international art fair, by Photon Gallery. I am on the right path, my work received good attention, I’ve met some very important curators and collectors and I’ve realized that all I need at this time is just a little more patience and I reckon one more year to catch up with boys & girls from the first art league. I know I will get there, but I’m not there quite yet. I will stop with Ebay auctions for now. The prints are still on sale, of course just send me an email of inquiry CLICK.
Music by Robert Jukič

I’m listing new prints on Ebay

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Ciao ragazzi,
it’s been a long time since I’ve posted on my blog. I had wet plate friends visiting and of course we had family holiday times and I’m reluctant to publish when we are gone from our house. Anyhow expect more content in the following days.

I’m having two solo exhibition openings in next weeks. On 4th of September I’m exhibiting The Great Depression project at Kaunas Photo festival in Lithuania and on 10th of September I’m opening an exhibition of my landscapes in Cankarjev dom, Ljubljana, Slovenia.

I’m printing whole week for the exhibition in Ljubljana. I will present photographs printed in different techniques, from carbon print, albumen print, salt print, cyanotype, ambrotypes, tintypes, silver-gelatine prints and also inkjets. Anything goes, but all of the photographs will be printed from a wet plate collodion plates. More about that later. For now I’m presenting a video from work in progress.

I’m listing the two prints on ebay as an auction starting from 0.99 USD and the auction is on for only three days!

With other words, I need your support to make the exhibition happen as I want to be. Have fun bidding and I will miss those prints, I know that…

THE LINK to the Carbon Print listed on Ebay

THE LINK to the Albumen Print listed on Ebay

And Now For Something Completely Different – Topshit Fashion in Wet Plate Collodion

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Alenka Slavinec, portrayed by Borut Peterlin in wet plate collodion technique.

Alenka Slavinec is my friend and colleague photographer, but she is also film producer. Lately she is fully engaged as an editor of Fashion Avenue Kuwait magazine. She is globe trotting all the time, but a week ago she called me and expressed that she would like to have a portrait in wet plate collodion, so she came to my house and on Sunday. All three portraits are ambrotypes format 8×10″. On the first plate I realized that although it was a bright day, green leaves were filtering all blue and UV light (that’s their job), so exposure was taking too long. Luckily in my past life I was an incarnation of a digital photographer and all expensive equipment is still in Da Houze, so I pulled out my Elektrona’s Flash Feeder and two studio flashes of joined power 2250Ws.

The second plate was perfect. Really perfect. Black dress is defined against black background and if you do ambrotype or tintype process, you know how contrasty this medium is. It has a dynamic range of a cat after a massive meal. Then we made another one and we went for a lunch at Kolesar restaurant. It was really cool Sunday.

Side note: I know how to do fashion photography, I’ve been assisting Oliviero Toscani (UC of Benetton) among other things, but the truth is I don’t have a talent for fashion – that’s fashion as how to dress and mostly (!) care how you are dressed, as is evident on behind the scene pics. Perhaps I’m making a mistake. Am I?

Documentary project Great Depression

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Two years ago, at the start of my wet plate collodion path, I set myself a project to document state of bankrupt companies. Imagine the moment when the last worker at the last shift, turned the lights out. The moment when it became dead silent.

Now when I’m looking back at my videos (LINK) even blind would see the progress I’ve made. Nevertheless I love imperfection on my plates, so my plates don’t compete with flawlessness of film. This plate that is published under is about as perfect as I want it to be.

Last Thursday I went back to photograph Novoles company and Marcos Núñez Cid was recording a video about my project. He made a true masterpiece. I’m sure you will enjoy it.

Let me highlight that this project is getting quite some attention. First I had a beautiful exhibition in Gallery Photon, Ljubljana, Slovenia, then it was published in DOC! Photomagazine, issue #21, from pages 140-169 and in May, it will be featured in one of the UK’s leading photography magazines. The project was chosen to be presented on a group touring show under organization of European Month of Photography, so if I understood it correctly it will travel across Europe. Last but not least, I also sended this images to Slovenian Photography of the Year competition and the project did not pass even the first round of selection of 30 artists! If that’s not an achievement, then I don’t know what is!

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Contemporary art project in wet plate collodion negative and carbon print

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Ciao ragazzi, I’ve listed a new print on EBAY, starting as an auction of US $0.99.

The story about this print is:

Beside 19th century photography processes I love contemporary art just as well. By Wikipedia the definition of contemporary art begins with a sentence: Contemporary art is art produced at the present period in time.

I am not an art historian, but I think that’s nonsense! If I create the same kind of images that were made 100 years ago, how can that be a contemporary art work? By my definition contemporary art has nothing to do with the current time that was created but with the attitude to create something that wasn’t done before. Contemporary art (by my personal understanding) is taking reference from art history but involving in the concept contemporary issues and by doing that the artist get across a certain personal view, a certain personal message. Because contemporary art is always a sort of an experiment, that is why contemporary art is so experimental, so unique and without one leading concept or aesthetic.

And this is my artistic credo in creating this photograph. Most of the story is told in the movie. In the movie I’m making a reference to the book Looking at Photographs by Szarkowski. I want to add that in 1995 I’ve seen an exhibition of Andreas Gursky in Georges Pompidou Center, Paris and one of the most impressive images was a huge picture of running shoes. I can’t find the image on Internet, but let me describe that visually the Gursky’s image was looking like a perfect product shot printed as a C-Type print size about 2×3 meters. I didn’t like the image at the time and to be honest I’m not fan of his work even now, but that does not mean I can’t learn something from his work.

The point of Gursky’s running shoes is basically the same as mine. I know, you’re seeing that kind of shoes every day, but look again! In the contrast to Gursky, my running shoes are really mine and I did run many hundred of kilometers with them and wore them out totally. My feet are imprinted in the shoes and so are thoughts… The first lesson I draw from Gursky’s work is that the trivial object can look extraordinary if presented in such a way.

The second visual reference is the book One Third by Klaus Pichler. I bought it at Anzenberger Gallery bookshop. The book is fantastisch! The little visual element that I needed for my image was the elevated object on black canvas.

The carbon print is made from wet plate collodion negative and it’s a part of a limited edition of 12 prints. I’ll donate one to George Eastman House, where I’ve learned this beautiful technique and I’ll donate one print with the running shoes to the SONS Museum for the collection of shoes by artists. But the copy number one goes to ebay as an auction starting from US 0.99$.

With the work I’m making an artistic statement about our consumer society, about how public relation image is cherished more then the real thing or a real person itself.

Because readers of my blog share with me a passion toward technical solutions of these antiquarian techniques I feel obligated to write about that as well. I was using Vageeswari 10×12″ camera with Voigtlander Heliar 300mm lens, closed down to f/32. I’ve illuminated the shoes with four flash heads of joined power 7000Ws and to achieve good density I had to flash 54 times. Wet plate collodion negative loves flash light, but as a lazy medium needs a lot of light! I was developing the negative for 3 minutes.
For carbon print I was using Indian Ink as a pigment and for temporary support of carbon tissue I was using the back side of cibachrome paper. You can see brown emulsion of the paper in the video. For final support I’ve used fixed out gelatin paper.

On the end let me thank Marcos Núñez Cid, my assistant from Spain for making this wonderful video.

PS: By the way, that’s already second print from the project. You can see the post about the first salt print that was sold to China for something more than US $300 (with shipping).