I’m so happy that I finally got space for my atelier! I am overwhelmed. You will see, this is just my first week working in it. I can feel this is the milestone in my career. I’m planning to have workshops there, to have a library with photo-books, to do reviews of photo books and publish it daily and of course have my space of peace.
Thank you for all the support!
Music by David Cutter Music
Thanks to Vina Zajc and their support!
Skuza me, but this video is pretty long, like 12 minutes, but I’ve been very productive the past month. I know, I should make three vlogs, but I just haven’t found time. Anyway, here is the new vlog and some images that I’ve listed on eBay. Tomorrow very early morning I’m driving to Italian Gorizia, where I teach at University, hand made photography, of course, so this post will be super short. Short post and long video. Don’t forget to press like, subscribe and of course bid!
Thanks to my 50 patrons who are supporting me every month through the PATREON platform!
On Sunday I had one hour time to spend with my daughter and we went to the river and I’ve done two wet plate collodion negatives and later albumen prints. If you are a wet plater, then you must appreciate that from time of our arrival and when I left it passed only 45 minutes. In that 45 minutes I’ve prepared my camera, compose the photo, sensitise a plate, expose it, develop it, repeat everything again, pack everything and I’ve left. This is really fast and thanks to my wetplate mobile and the workflow everything went smooth and perfect.
The albumen print is on sale at this link:
The silver gelatin print of a tree is on sale on that link:
The silver gelatin print of the ghost window is on the link:
My project A Father’s Tale is on the link: http://www.borutpeterlin.com/fineart/fathers-tale/
Music by David Cutter Music http://www.davidcuttermusic.co.uk
Lučka’s Instagram https://www.instagram.com/lucka_peterlin/
In this vlog I’m just enjoying spontenitivity of photography. Many of our colleagues are just buying more and more cameras and at the same time taking less and less photographs. I am no exception, I am not pointing on anybody (especially not on Jean-Christophe Quet)
So I intend to shoot ten rolls, make a selection and bind it in a book. Because I can do that. I love photography, just for the sake of doing it and I hope the inspiration will come across this video. Thank you for all the attention!
Oh, I am so happy for this photograph I’ve created! And it’s a portrait of Brina, of my youngest daughter that does not want to be photographed very often! And she has a birthday today, she is 10 years old! Exactly on today’s date, ten years ago she took her first breath and joined us on our path of life.
In the video I’ve explained almost everything. I wanted to discuss the composition, but on the end I did not. When photographing I was in dilemma if I want her facing left or right. It would be more natural to be facing right, in the direction that we read a photograph. When I say we, I mean westerners, we read written word from left to right, that is why it would be more natural that she would face right. But on the end I’ve decided that she should face left. Because of her posture, standing brave, facing something that is out of the frame. But we see the thorns surrounding her. But she glows, she is surrounded by white back-light.
For us who know Brina well, we know how suitable is this portrait of her. She is really a fighter. Boys do not want to mess around with her because she knows how to punch. Of course I have thought her how to defend herself. I told both of my daughters that they will not go out on a date before they will not demonstrate how to use elbows and knees in self defence. Yep, that is our Brina! I’ve listed the print on eBay (link).
I have an art student from Barcelona here, her name is Ana and she is assisting me. First week we had basic darkroom techniques and the second week she is already printing contact copies from collodion negative on silver-chloride paper and split toning them. I’ve listed that print on eBay too.
This vlog should be published earlier, but I am missing three of my cameras. All small ones, like analogue compact Rollei camera, GoPro 3+ and Nikon J5 cameras. I have no idea what happened to them. In 30 years I have not lost a camera. I almost did, but never really. This small cameras were in my bag and I was carry them always with me. It might be that I forgot my backpack somewhere, but is more likely that someone took it out of my car. Today’s thieves do not need to brake a window, to get in your car. When I went to Prague I was resting on a rest stop and a thief silently broke in my car, without leaving any damage or signs. He did this while I was resting in the car! But then I woke up and he fled. Without steeling anything. So it might be that it was stolen or not. I do not know. Too many things happening in my life right now and this is the price to pay. Although this event is annoying it does not put me off. In fact that is why I bought Nikon J5, because I didn’t want to use the almighty and all expensive Nikon D4! Imagine that would happen with my Nikon D4 and my expensive lenses!
Anyway… Here is my latest vlog where I continue working on my book A Father’s Tale. A photo-book is not an album of images. It is a sequence of images carefully narrated through each page. Just like when music notes are containing parts that are actually bringing the orchestra to quit down or even to a complete stop, also photo-book must have parts in the book where an eye will relax, digest, reflect.
My idea is that the photo-book of my daughters should contain images that on information level do not tell you anything about them, but the images are containing certain mood that is bringing the viewer’s attention away from the information level and building the story on emotional level.
So that is why I’ve decided to photograph this window. I could ask one of my daughters to stand there or even I could stand by the window, but I’ve decided to keep it calm and simple. It is just one image in the book, but important one.
I hope you will like the image and the video. Please subscribe and share. My plan is to build up large enough social network and sell my books directly to my audience. And/Or with the large enough social network, main stream publishers will be interested in publishing the book. So thank you for subscribing to my YouTube channel, to my blog, to FB page and to my Instagram.
LINK to eBay listing of the silver-gelatin print
LINK to eBay listing of the ambrotype
LINK to eBay listing of the albumen print.
In December I took a part of a workshop of Oil print process and it’s a photographic process that delivers a photograph that is a combination of photography and painting.
The oil print process is a photographic printmaking process that dates back to the mid 19th century. Oil prints are made on paper on which a thick gelatin layer has been sensitised to light using dichromate salts. After the paper is exposed to light through a negative, the gelatin emulsion is treated in such a way that highly exposed areas take up an oil-based paint, forming the photographic image.
The workshop was organised by Arezzo & Fotografia and conducted by Roberto Lavini. We enjoyed it very much and I will write more about the oil print process when I will master it. I’m planning to do a photographic project of reevaluating fairy tales and this process might be perfect.
Before the workshop I’ve visited Oliviero Toscani, the photographer who made UC of Benetton famous with his campaigns. I worked with Oliviero Toscani and Rocco Toscani in Fabrica, the research centre of communication by United Colors of Benetton in year 2000 and 2001. I enjoyed a lot the company of Oliviero and Rocco, but I haven’t recorded much since the visit was mostly of personal nature. But what I can say is that many ideas are brewed, when creative people are enjoying sun, lunch and wine. I’m coming back, for sure.